Castles and Cave Dwellings of Europe, Sabine Baring-Gould [ebook reader below 3000 TXT] 📗

down. [Footnote: This decisive battle is located at Vouille to the north-west of Poitiers; but local historians are convinced that the site was Voulon to the south of Poitiers. See Thibaudeau, _Abrege de l'Histoire de Poitou_, Niort, 1889.] The Grotto of Jioux was but an accidental outpost, but those I am about to describe were artificially contrived for that purpose.

In the broad valley of Le Loir below Vendome, the great elevated chalk plateau of Beauce has been cut through, leaving precipitous white sides. At one point a buttress of rock has been thrown forward that dominates the road and also the ford over the river. Its importance was so obvious that it was seized upon in the Middle Ages and converted into a fortress. The place is called Le Gue du Loir. Not far off is the Chateau of Bonnaventure, where Antoine de Bourbon idled away his time drinking Surene wine, and carrying on an intrigue with a wench at le Gue, whilst his wife, Jeanne d'Albret, was sending gangs of bandits throughout her own and his territories to plunder, burn, and murder in the name of religion. But Antoine cared for none of these things. At Bonnaventure he composed the song:--

Si le roi m'avait donne
Paris, sa grande ville,
Et qu'il me fallait quiter
L'amour de ma mie,
Je dirai au roi Henri (III.)
Reprenez votre Paris,
J'aime mieux ma mie
Au Gue,
J'aime mieux ma mie.

Moliere introduced a couplet of this lay into his Alceste.

The rock has been excavated throughout, and in places built into, and on to. Two flights of steps cut in the cliff give access to the main portion of the castle. That on the right leads first of all to the Governor's room, hewn out of a projecting portion of the rock floored with tiles, with a good fireplace and a broad window, commanding the Loir and allowing the sun to flood the room. The opening for the window formerly contained a casement. There is a recess for a bed, and there are in the sides numerous cupboards and other excavations for various purposes. This chamber is entered through that of the sentinel, which was also furnished with a fireplace. The stair leads further up to a large hall artificially carved out of the chalk, but not wholly, for there had been originally a natural cavern of small dimensions, which had a gaping opening. This opening had been walled up with battlements and loopholes, but the old woman to whom the rock or this portion of the rock belongs, and who is a cave-dweller at its foot, has demolished the wall to breast-height, so as to let the sun and air pour in, for she uses the cave as a drying place for her wash. From this hall or guard-room two staircases cut in the rock lead to other chambers also rock-hewn higher up.

The second main stair outside gives access to a second series of chambers.

Unfortunately, some rather lofty modern buildings have been erected in front of this cliff castle, so as to render it impossible to make of it an effective sketch or to take a satisfactory photograph.

Still more interesting is La Roche Corail below Angouleme on the river Charente, opposite Nersac and the confluence of the Boeme with the Charente. Where is now a bridge was formerly a ford. The castle of Nersac commanded one side of the valley, and La Roche Corail the other. This cliff castle was at one time very extensive. The rock rises from a terrace partly natural and partly artificial, on which a comparatively modern chateau has been erected that masks the rock-face. But on entering the court behind the chateau the bare cliff is seen with a yawning opening halfway up, and indentations in the wall of rock show that at one time there were hanging barbacans and chambers suspended before the rock as well as others hewn out of it.

To reach the interior it is necessary to enter a grange that has been built at right angles to the rock, and in it to mount a ladder to another granary that occupies a floor of solid rock. Thence a second ladder leads into the caves. Formerly, however, the ascent was made by steps cut in the side of the cliff, and openings from within enabled the garrison with pikes to precipitate below any who were daring enough to venture up the steps uninvited.

The ladder gives admission through a broken door cut in the rock into a long vaulted hall, that was formerly floored across so as to convert it into two storeys. [Footnote: Actually the doorway and three lower openings look into the dark granary. In the illustration I have shown them as letting light in, as intended originally.] The lower storey or basement opens on the left-hand side into a second cave, and the upper by a passage cut in the rock communicated with another range of chambers looking out of the face of the crag by artificial windows. Immediately in front of one entering the hall is the portal of admission to another very large hall that had originally well-shaped windows, and a door leading on to the wooden balcony, but this has all been broken away forming the ragged opening seen from below.

In 1534 Calvin was staying in the adjoining parish of S. Saturnin with a canon of the cathedral of Angouleme, who had a good library, and was disposed to favour him. The house is pointed out, but it has been rebuilt or altered. A cavern there is also shown to which Calvin retired to meditate on his Reform. It is now a cellar full of casks, wheelbarrows, and rubbish. It was never a very pleasing resort, and he preferred to come to La Roche Corail where, in the cavern just described, he had more space, and less likelihood of being disturbed. And here it was that he wrote his "Institute of the Christian Religion." One is disposed to rest here for awhile and muse, and consider what a manufactory of explosives this cavern was. From this vaulted chamber was launched that doctrine which was to wreck nearly every church in France and drench the soil in blood. I do not in the least suppose that Calvin saw any beauty in the view through the gap in the rock--not in the island below with its poplars and willows whose branches trail in the bottle-green waters of the Charente--not in the lush meadows with the yellow flags fluttering by the waterside--not in the grey towers of Nersac castle and church rising above dark woods, flushed orange in the setting sun against a purple sky. I do not suppose that he noticed the scent of the wallflowers growing out of every fissure wafted in on the summer air. There was logic thought in his head, but no poetry in his heart, no sweetness in his soul. He looked across in the direction of Angouleme, and wished he had a ladder and a hammer that he might smash the serene face of the Saviour looking down on the city from the western gable of the cathedral. Five and twenty years must elapse before that wondrous domed pile was to be wrecked by the Huguenots, his disciples. But here it was, in this cavern, that he elaborated his system of reform, treating Christianity as a French peasant treats an oak tree, pollarding it, and lopping off every lateral, natural outgrowth. Assuredly, many a volatile superstition had lodged in its branches, and many a gross abuse couched under its shadow. But these might have been scared away without mutilating the tree till it was reduced to a stump. He desired, doubtless, to bring back the Church to the condition in which he supposed it had been when born. But one cannot reduce an adult to the simplicity and innocence of childhood by stripping off all his clothes, and denying him the conventional figleaf.

Having shattered the Catholic faith by the crowbar of his logic, he sought to build up a grotto out of its fragments, and call it a church. His "Institute of the Christian Religion" was published the following year. It produced the desired effect at once. There were many reasons why it should. Earnest and devout souls were troubled at the sight of a Christianity that was so in name but had little Christianity in its practice. They felt that the Church had drifted far out of its way and had grounded on quicksands, and they thought that the sole way of saving the hulk was to cast all its precious lading into the sea. Christ's Church had been founded on a rock, it had withstood the rain and the flood, but was crumbling down with dry rot. Calvin would have neither the rock nor the sand. Into the mud he drove the piles by the strokes of his genius, on which to erect the platform that was to uphold the conventicle of his followers, and if that did not stand, it would at least mark its site by their dejections. And dejections there are everywhere, where the Calvinists were, wrecked churches, mutilated monuments, broken glass, and shattered sculpture. Ruskin, remarking on some delicate carving at Lyons, under a pedestal, observes that the mediaeval sculptors exhibited absolute confidence in the public, in placing their tenderest work within reach of a schoolboy's hand. Such, however, was the love of the beautiful generally diffused, that objects of art were safe from destruction or defacement. But with the outburst of Calvinism all those affected were inflamed with a positive hatred of the beautiful in art. If this had been confined to the destruction of images to which idolatrous worship was offered, it would be explicable and justifiable, but it extended to the most innocuous objects. Delicate tracery such as adorns the west front of the church of Vendome, a lace-work of beautiful sculpture representing trailing roses and vines, birds and reptiles, was ruthlessly hacked. Churches, cathedrals, were blown up with gunpowder--such was the fate of the cathedrals of Montauban, Perigueux, and Orleans. Beza himself rolled the barrels of gunpowder to explode under the great piers that sustained the central tower of Orleans. [Footnote: In 1769 Montgomery was preparing to blow up the beautiful Cathedral of Condon, only consecrated thirty-eight years before, but accepted as its ransom from the inhabitants the sum of 30,000 livres.]

The cry for reform was loud, and rang from every quarter of Europe except from the Vatican, where the Pope, like Dame Partington with her mop, thought to stay its progress. The grandsons of the old _routiers_ cried fie on this quiet life, and snuffed the air for rapine. The nobility were out of pocket and out at elbows, and looked with avaricious eyes on the fair and broad lands of the Church, and their fingers itched to be groping in her treasury, and they hoped to patch their jerkins with her costly vestments. Court favourites were abbots _in commendam_, held prebendaries, without being in holy orders, sixfold pluralists abounded, ecclesiastical hippopotami, that might fairly be hunted. All kinds of interests were enlisted against the Church, good and bad, sincere and hypocritical, only a spokesman was needed, a trumpet sound to call to the battle, and Calvin proved the spokesman, and his "Institute" was the trumpet note.

An outpost station that is curious and puzzling is La Rochebrune on the Dronne, below Brantome. The road to Bourdeilles and Perigueux runs immediately below a chain of very fine chalk cliffs, and there is but just space for it between the steep slope below them and the river. At one point about a mile and a half below Brantome, the cliff is broken through, where a