Maids Wives and Bachelors, Amelia Edith Huddleston Barr [classic book list .txt] 📗

a certain point she advances without hesitation, but at once there is a dead halt, and the flirtee finds that he has been taken a fool's journey.

There are sentimental flirts, sly little pusses, full of sweet confidences and small secrets, and who delight in asking the most suggestive and seductive questions. "Does Willy really believe in love marriages?" or, "Is it better to have loved and lost than never to have loved at all?" etc.

Intellectual flirts hover about young poets and writers, or haunt studios and libraries, and doubtless are delightfully distracting to the young ideas shooting in those places.

Everybody knows a variety of the religious flirt,--those demure lilies of the ecclesiastical garden, that grow in the pleasant paths where pious young rectors and eligible saints walk. Perhaps, as their form of flirting takes the shape of votive offerings, district visiting, and choir singing, their perpetual gush of sentiment and hero-worship is advantageous, on the principle that it is an ill wind that blows nobody good.

All of these female varieties have their counterparts among male flirts, and besides, there are some masculine types flagrantly and universally common. Such is the bold, handsome bird of prey, who advances just far enough to raise expectation and then suddenly retires. Or the men who are always _insinuating_, but who never make an honest declaration; who raise vague hopes with admirable skill and poetic backgrounds, and keep women madly and hopefully in love with them by looks and gestures they never give an interpretation to. When they are tired they retire slowly, without quarrel, without explanation; they simply allow their implied promises to die of neglect.

Then there is the prudent flirt, who trifles only with married women; dangles after those subtle, handsome creatures who affect blighted lives and uncomfortable husbands, and who, having married for convenience, are flirting for love. Such women are safe entertainment for the cowardly male flirt, who fears a flirtation that leads perchance to matrimony, but who has no fears about his liability to commit bigamy. There are "fatherly" male flirts, and "brotherly" and "friendly" flirts, but the title is nothing but an agreed-upon centre of operations.

Yet it is difficult to imagine how, in a polished state of society, flirting could be done without. Some sort of preliminary examination into tastes, disposition, and acquirements is necessary before matrimony, and a woman cannot carry a list of her desirable qualities, nor a man advertise his temper and his income. The trouble is that no definite line can be drawn, no scale of moral values can decide where flirting ends and serious attentions begin; and society never agrees as to what is innocent and what reprehensible.

There are ill-natured people who call every bright, merry girl that is a favorite with gentlemen, that talks, sings, and dances well, a "terrible flirt;" who admit nothing as propriety but what is conventionally correct and insipid. The media of flirting are indeed endless; a clever woman can find in simply _listening_ a method of conveying the most delicate flattery and covert admiration. Indeed, flirting in its highest quality is an art requiring the greatest amount of tact and skill, and women who would flirt and be blameless, no matter how vast their materials, must follow Opie's plan and "mix them with brains."

It used to be a maxim that no gentleman could be refused by a lady, because he would never presume beyond the line of her encouragement; therefore it is to be presumed, on this rule, no lady advances further than she is willing to ratify. But such a state of society would be very stupid and formal, and we should miss a very piquant flavor in life, which even very good and great people have not been able to resist.

Upon this rule we must convict Queen Elizabeth as an arrant flirt, and "no lady;" we should be compelled to shake our heads at the fair Thrale and the great Dr. Johnson, at naughty Horace Walpole and Mrs. Hannah More, and to even look with suspicion on George Whitefield and "good Lady Huntingdon."

No, in polished society flirting in a moderate form is an amusement, and an investigation so eminently suited to the present condition of the sexes that a much better one could be better spared. In one case only does it admit of no extenuating circumstances,--that of the married flirt of both sexes.

A flirt may not indeed be an altogether lovely character, even with all her alluring faults; but she is something a great deal nicer than a prude. All men prefer a woman who trusts them, or gayly challenges them to a combat, in which she proposes their capture, to her who affects horror at masculine tastes and ways, and is always expecting them to do some improper, or say some dreadful, thing. Depend upon it, if all the flirts were turned into prudes, society would have gone further to fare worse.



On Falling in Love

"Something there is moves me to love; and I
Do know I love, but know not how, or why."


There is in love no "wherefore;" and we scarcely expect it. The working-world around must indeed give us an account of their actions, but lovers are not worth much in the way of rendering a reason; for half the charm of love-making lies in the defiance of everything that is reasonable, in asserting the incredible, and in believing the impossible. And surely we may afford ourselves this little bit of glamour in an age judging everything by the unconditional and the positive; we may make little escapades into love-land, when all the old wonder-lands, from the equator to the pole, are being mapped out, and dotted over with railway depots, and ports of entry.

Falling in love is an eminently impractical piece of business, and yet Nature--who is no blunderer--generally introduces the boy and girl into active adult life by this very door. In the depths of this delicious foolishness the boyish heart grows to the measure of manhood; bats and boats and "fellows" are forever deposed, and lovely woman reigns in their stead. To boys, first love is, perhaps, more of an event than to girls, for the latter have become familiar with the routine of love-making long before they are seriously in love. They sing about it in connection with flowers and angels and the moon; they read Moore and Tennyson; they have perhaps been the confidants of elder sisters. They are waiting for their lover, and even inclined to be critical; but the first love of a boy is generally a surprise--he is taken unawares, and surrenders at discretion.

Perhaps it is a good stimulant to faith in general, that in the very outset of it we should believe in such an unreasonable and wonderful thing as first love. Tertullian held some portions of his faith simply "because they were impossible." It is no bad thing for a man to begin life with a grand passion,--to imagine that no one ever loved before him, and that no one who comes after him will ever love to the same degree that he does.

This absolute passion, however, is not nearly so common as it might well be; and Rochefoucauld was not far wrong when he compared it to the ghosts that every one talks about, but very few see. It generally arises out of extreme conditions of circumstances or feelings; its food is contradiction and despair. It is doubtful if Romeo and Juliet would have cared much for each other if the Montagues and Capulets had been friends and allies, and the marriage of their children a necessary State arrangement; and Byron is supported by all reasonable evidence when he doubtfully inquires:


"If Laura, think you, had been Petrarch's wife,
Would he have written sonnets all his life?"


This excessive passion does not thrive well either in a high state of civilization. "King Cophetua and the Beggar-maid" is the ballad of an age when love really "ruled the court, the camp, the grove." The nineteenth century is not such an age. At the very best, King Cophetua would now do pretty much as the judge did with regard to Maud Muller. Still no one durst say that even in such a case it was not better to have loved and relinquished than never to have loved at all.


"Better for all that some sweet hope lies
Deeply buried from human eyes."


How can love be the be-all and the end-all of life with us, when steam-looms and litigation, railway shares and big bonanzas, cotton and corn, literature and art, politics and dry goods, and a thousand other interests share our affections and attentions? It is impossible that our life should be the mere machinery of a love plot; it is rather a drama in which love is simply one of the _dramatis personae_.

This fact is well understood, even if not acknowledged in words; the sighs and the fevers, the hoarding of flowers and gloves, the broken hearts and shattered lives, all for the sake of one sweet face, still exist in literature, but not much in life. Lovers of to-day are more given to considering how to make housekeeping as easy as matrimony than to writing sonnets to their mistresses' eyebrows. The very devotion of ancient times would now be tedious, its long protestations a bore, and we lovers of the nineteenth century would be very apt to yawn in the very face of a sixteenth-century Cupid. Let the modern lover try one of Amadis' long speeches to his lady, and she would likely answer, "Don't be tiresome, Jack; let us go to Thomas' and hear the music and eat an ice-cream."

Is love, then, in a state of decay? By no means--it has merely accommodated itself to the spirit of the age; and this spirit demands that the lives of men shall be more affected by Hymen than by Cupid. Lovers interest society now solely as possible husbands and wives, fathers and mothers of the republic. Lord Lytton points out this fact as forcibly exemplified in our national dramas. Every one feels the love scenes in a play, the sentimental dialogues of the lovers, fatiguing; but a matrimonial quarrel excites the whole audience, and it sheds its pleasantest tears over their reconciliation. For few persons in any audience ever have made, or ever will make, love as poets do; but the majority have had, or will have, quarrels and reconciliations with their wives.

"Men have died from time to time, and worms have eaten them--but not for love;" and if this was true of Shakespeare's times, it is doubly so of ours. If there ever was any merit in dying for love, we fail to see it; occasionally a man will wildly admit that he is making a fool of himself for this or that woman, but though we may pity him, we don't respect him for such a course. Women, still more rarely than men, "make fools of themselves" on this score; and in spite of all poets assert to the contrary, they are eminently reasonable, and their affections bear transplanting.

In other respects we quite ignore the inflation of old love terms. "Our fate," "our destiny," etc., resolve themselves into the simplest and most natural of events; a chat on a rainy afternoon, a walk home in the moonlight, mere contiguity for a season, are the agents which often decide our love affairs. And yet, below all this, lies that inexplicable something which seems to place this bit of our lives beyond our wisest thoughts. We can't fall in love to order, and all our reasoning on the subject