Self Help, Samuel Smiles [good romance books to read .txt] 📗
- Author: Samuel Smiles
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Those who knew the late John Sterling intimately, have spoken of
the beneficial influence which he exercised on all with whom he
came into personal contact. Many owed to him their first awakening
to a higher being; from him they learnt what they were, and what
they ought to be. Mr. Trench says of him:- “It was impossible to
come in contact with his noble nature without feeling one’s self in
some measure ENNOBLED and LIFTED UP, as I ever felt when I left
him, into a higher region of objects and aims than that in which
one is tempted habitually to dwell.” It is thus that the noble
character always acts; we become insensibly elevated by him, and
cannot help feeling as he does and acquiring the habit of looking
at things in the same light. Such is the magical action and
reaction of minds upon each other.
Artists, also, feel themselves elevated by contact with artists
greater than themselves. Thus Haydn’s genius was first fired by
Handel. Hearing him play, Haydn’s ardour for musical composition
was at once excited, and but for this circumstance, he himself
believed that he would never have written the ‘Creation.’ Speaking
of Handel, he said, “When he chooses, he strikes like the
thunderbolt;” and at another time, “There is not a note of him but
draws blood.” Scarlatti was another of Handel’s ardent admirers,
following him all over Italy; afterwards, when speaking of the
great master, he would cross himself in token of admiration. True
artists never fail generously to recognise each other’s greatness.
Thus Beethoven’s admiration for Cherubini was regal: and he
ardently hailed the genius of Schubert: “Truly,” said he, “in
Schubert dwells a divine fire.” When Northcote was a mere youth he
had such an admiration for Reynolds that, when the great painter
was once attending a public meeting down in Devonshire, the boy
pushed through the crowd, and got so near Reynolds as to touch the
skirt of his coat, “which I did,” says Northcote, “with great
satisfaction to my mind,”—a true touch of youthful enthusiasm in
its admiration of genius.
The example of the brave is an inspiration to the timid, their
presence thrilling through every fibre. Hence the miracles of
valour so often performed by ordinary men under the leadership of
the heroic. The very recollection of the deeds of the valiant
stirs men’s blood like the sound of a trumpet. Ziska bequeathed
his skin to be used as a drum to inspire the valour of the
Bohemians. When Scanderbeg, prince of Epirus, was dead, the Turks
wished to possess his bones, that each might wear a piece next his
heart, hoping thus to secure some portion of the courage he had
displayed while living, and which they had so often experienced in
battle. When the gallant Douglas, bearing the heart of Bruce to
the Holy Land, saw one of his knights surrounded and sorely pressed
by the Saracens, he took from his neck the silver case containing
the hero’s bequest, and throwing it amidst the thickest press of
his foes, cried, “Pass first in fight, as thou wert wont to do, and
Douglas will follow thee, or die;” and so saying, he rushed forward
to the place where it fell, and was there slain.
The chief use of biography consists in the noble models of
character in which it abounds. Our great forefathers still live
among us in the records of their lives, as well as in the acts they
have done, which live also; still sit by us at table, and hold us
by the hand; furnishing examples for our benefit, which we may
still study, admire and imitate. Indeed, whoever has left behind
him the record of a noble life, has bequeathed to posterity an
enduring source of good, for it serves as a model for others to
form themselves by in all time to come; still breathing fresh life
into men, helping them to reproduce his life anew, and to
illustrate his character in other forms. Hence a book containing
the life of a true man is full of precious seed. It is a still
living voice; it is an intellect. To use Milton’s words, “it is
the precious life-blood of a master spirit, embalmed and treasured
up on purpose to a life beyond life.” Such a book never ceases to
exercise an elevating and ennobling influence. But, above all,
there is the Book containing the very highest Example set before us
to shape our lives by in this world—the most suitable for all the
necessities of our mind and heart—an example which we can only
follow afar off and feel after,
“Like plants or vines which never saw the sun,
But dream of him and guess where he may be,
And do their best to climb and get to him.”
Again, no young man can rise from the perusal of such lives as
those of Buxton and Arnold, without feeling his mind and heart made
better, and his best resolves invigorated. Such biographies
increase a man’s self-reliance by demonstrating what men can be,
and what they can do; fortifying his hopes and elevating his aims
in life. Sometimes a young man discovers himself in a biography,
as Correggio felt within him the risings of genius on contemplating
the works of Michael Angelo: “And I too, am a painter,” he
exclaimed. Sir Samuel Romilly, in his autobiography, confessed
himself to have been powerfully influenced by the life of the great
and noble-minded French Chancellor Daguesseau:- “The works of
Thomas,” says he, “had fallen into my hands, and I had read with
admiration his ‘Eloge of Daguesseau;’ and the career of honour
which he represented that illustrious magistrate to have run,
excited to a great degree my ardour and ambition, and opened to my
imagination new paths of glory.”
Franklin was accustomed to attribute his usefulness and eminence to
his having early read Cotton Mather’s ‘Essays to do Good’—a book
which grew out of Mather’s own life. And see how good example
draws other men after it, and propagates itself through future
generations in all lands. For Samuel Drew avers that he framed his
own life, and especially his business habits, after the model left
on record by Benjamin Franklin. Thus it is impossible to say where
a good example may not reach, or where it will end, if indeed it
have an end. Hence the advantage, in literature as in life, of
keeping the best society, reading the best books, and wisely
admiring and imitating the best things we find in them. “In
literature,” said Lord Dudley, “I am fond of confining myself to
the best company, which consists chiefly of my old acquaintance,
with whom I am desirous of becoming more intimate; and I suspect
that nine times out of ten it is more profitable, if not more
agreeable, to read an old book over again, than to read a new one
for the first time.”
Sometimes a book containing a noble exemplar of life, taken up at
random, merely with the object of reading it as a pastime, has been
known to call forth energies whose existence had not before been
suspected. Alfieri was first drawn with passion to literature by
reading ‘Plutarch’s Lives.’ Loyola, when a soldier serving at the
siege of Pampeluna, and laid up by a dangerous wound in his leg,
asked for a book to divert his thoughts: the ‘Lives of the Saints’
was brought to him, and its perusal so inflamed his mind, that he
determined thenceforth to devote himself to the founding of a
religious order. Luther, in like manner, was inspired to undertake
the great labours of his life by a perusal of the ‘Life and
Writings of John Huss.’ Dr. Wolff was stimulated to enter upon his
missionary career by reading the ‘Life of Francis Xavier;’ and the
book fired his youthful bosom with a passion the most sincere and
ardent to devote himself to the enterprise of his life. William
Carey, also, got the first idea of entering upon his sublime
labours as a missionary from a perusal of the Voyages of Captain
Cook.
Francis Horner was accustomed to note in his diary and letters the
books by which he was most improved and influenced. Amongst these
were Condorcet’s ‘Eloge of Haller,’ Sir Joshua Reynolds’
‘Discourses,’ the writings of Bacon, and ‘Burnet’s Account of Sir
Matthew Hale.’ The perusal of the last-mentioned book—the
portrait of a prodigy of labour—Horner says, filled him with
enthusiasm. Of Condorcet’s ‘Eloge of Haller,’ he said: “I never
rise from the account of such men without a sort of thrilling
palpitation about me, which I know not whether I should call
admiration, ambition, or despair.” And speaking of the
‘Discourses’ of Sir Joshua Reynolds, he said: “Next to the
writings of Bacon, there is no book which has more powerfully
impelled me to self-culture. He is one of the first men of genius
who has condescended to inform the world of the steps by which
greatness is attained. The confidence with which he asserts the
omnipotence of human labour has the effect of familiarising his
reader with the idea that genius is an acquisition rather than a
gift; whilst with all there is blended so naturally and eloquently
the most elevated and passionate admiration of excellence, that
upon the whole there is no book of a more INFLAMMATORY effect.” It
is remarkable that Reynolds himself attributed his first passionate
impulse towards the study of art, to reading Richardson’s account
of a great painter; and Haydon was in like manner afterwards
inflamed to follow the same pursuit by reading of the career of
Reynolds. Thus the brave and aspiring life of one man lights a
flame in the minds of others of like faculties and impulse; and
where there is equally vigorous efforts like distinction and
success will almost surely follow. Thus the chain of example is
carried down through time in an endless succession of links,—
admiration exciting imitation, and perpetuating the true
aristocracy of genius.
One of the most valuable, and one of the most infectious examples
which can be set before the young, is that of cheerful working.
Cheerfulness gives elasticity to the spirit. Spectres fly before
it; difficulties cause no despair, for they are encountered with
hope, and the mind acquires that happy disposition to improve
opportunities which rarely fails of success. The fervent spirit is
always a healthy and happy spirit; working cheerfully itself, and
stimulating others to work. It confers a dignity on even the most
ordinary occupations. The most effective work, also, is usually
the full-hearted work—that which passes through the hands or the
head of him whose heart is glad. Hume was accustomed to say that
he would rather possess a cheerful disposition—inclined always to
look at the bright side of things—than with a gloomy mind to be
the master of an estate of ten thousand a year. Granville Sharp,
amidst his indefatigable labours on behalf of the slave, solaced
himself in the evenings by taking part in glees and instrumental
concerts at his brother’s house, singing, or playing on the flute,
the clarionet or the oboe; and, at the Sunday evening oratorios,
when Handel was played, he beat the kettle-drums. He also
indulged, though sparingly, in caricature drawing. Fowell Buxton
also was an eminently cheerful man; taking special pleasure in
field sports, in riding about the country with his children, and in
mixing in all their domestic amusements.
In another sphere of action, Dr. Arnold was a noble and a cheerful
worker, throwing himself into the great business of his life, the
training and teaching of young men, with his whole heart and soul.
It is stated in his admirable biography, that “the most remarkable
thing in the Laleham circle was the wonderful healthiness of tone
which prevailed there. It
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