Mary Stuart, Alexandre Dumas père [e manga reader TXT] 📗
- Author: Alexandre Dumas père
Book online «Mary Stuart, Alexandre Dumas père [e manga reader TXT] 📗». Author Alexandre Dumas père
poor Douglases for nearly a century have had such a small part of their sovereigns' favour, that they have not been able to keep up the splendour of their ancestors to the level of that of private individuals, and because there was in Scotland a certain musician, as I am informed, who spent their income for a whole year in one month."
"Those who know how to take so well, my lady," the queen answered, "have no need of being given to: it seems to me the Douglases have lost nothing by waiting, and there is not a younger son of this noble family who might not aspire to the highest alliances; it is truly vexatious that our sister the queen of England has taken a vow of virginity; as is stated."
"Or rather," interrupted Lady Lochleven, "that the Queen of Scotland is not a widow by her third husband. But," continued the old lady, pretending to recollect herself, "I do not say that to reproach your grace. Catholics look upon marriage as a sacrament, and on this head receive it as often as they can."
"This, then," returned Mary, "is the difference between them and the Huguenots; for they, not having the same respect for it, think it is allowed them to dispense with it in certain circumstances."
At this terrible sarcasm Lady Lochleven took a step towards Mary Stuart, holding in her hand the knife which she had just been using to cut off a piece of meat brought her to taste; but the queen rose up with so great a calm and with such majesty, that either from involuntary respect or shame of her first impulse, she let fall the weapon she was holding, and not finding anything sufficiently strong in reply to express her feelings, she signed to the servants to follow her, and went out of the apartment with all the dignity that anger permitted her to summon to her aid.
Scarcely had Lady Lochleven left the room than the queen sat down again, joyful and triumphant at the victory she had just gained, and ate with a better appetite than she had yet done since she was a prisoner, while Mary Seyton deplored in a low tone and with all possible respect this fatal gift of repartee that Mary had received, and which, with her beauty, was one of the causes of all her misfortunes; but the queen did nothing but laugh at all her observations, saying she was curious to see the figure her good hostess would cut at dinnertime.
After breakfast, the queen went down into the garden: her satisfied pride had restored some of her cheerfulness, so much so that, seeing, while crossing the hall, a mandolin lying forgotten on a chair, she told Mary Seyton to take it, to see, she said, if she could recall her old talent. In reality the queen was one of the best musicians of the time, and played admirably, says Brantome, on the lute and viol d'amour, an instrument much resembling the mandolin.
Mary Seyton obeyed.
Arrived in the garden, the queen sat down in the deepest shade, and there, having tuned her instrument, she at first drew from it lively and light tones, which soon darkened little by little, at the same time that her countenance assumed a hue of deep melancholy. Mary Seyton looked at her with uneasiness, although for a long time she had been used to these sudden changes in her mistress's humour, and she was about to ask the reason of this gloomy veil suddenly spread over her face, when, regulating her harmonies, Mary began to sing in a low voice, and as if for herself alone, the following verses:--
"Caverns, meadows, plains and mounts,
Lands of tree and stone,
Rivers, rivulets and founts,
By which I stray alone,
Bewailing as I go,
With tears that overflow,
Sing will I
The miserable woe
That bids me grieve and sigh.
Ay, but what is here to lend
Ear to my lament?
What is here can comprehend
My dull discontent?
Neither grass nor reed,
Nor the ripples heed,
Flowing by,
While the stream with speed
Hastens from my eye.
Vainly does my wounded heart
Hope, alas, to heal;
Seeking, to allay its smart,
Things that cannot feel.
Better should my pain
Bitterly complain,
Crying shrill,
To thee who dost constrain
My spirit to such ill.
Goddess, who shalt never die,
List to what I say;
Thou who makest me to lie
Weak beneath thy sway,
If my life must know
Ending at thy blow,
Cruellest!
Own it perished so
But at thy behest.
Lo! my face may all men see
Slowly pine and fade,
E'en as ice doth melt and flee
Near a furnace laid.
Yet the burning ray
Wasting me away
Passion's glow,
Wakens no display
Of pity for my woe.
Yet does every neighbour tree,
Every rocky wall,
This my sorrow know and see;
So, in brief, doth all
Nature know aright
This my sorry plight;
Thou alone
Takest thy delight
To hear me cry and moan.
But if it be thy will,
To see tormented still
Wretched me,
Then let my woful ill
Immortal be."
This last verse died away as if the queen were exhausted, and at the same time the mandolin slipped from her hands, and would have fallen to the ground had not Mary Seyton thrown herself on her knees and prevented it. The young girl remained thus at her mistress's feet for some time, gazing at her silently, and as she saw that she was losing herself more and more in gloomy reverie--
"Have those lines brought back to your Majesty some sad remembrance?" she asked hesitatingly.
"Oh, yes," answered the queen; "they reminded me of the unfortunate being who composed them."
"And may I, without indiscretion, inquire of your grace who is their author?"
"Alas! he was a noble, brave, and handsome young man, with a faithful heart and a hot head, who would defend me to-day, if I had defended him then; but his boldness seemed to me rashness, and his fault a crime. What was to be done? I did not love him. Poor Chatelard! I was very cruel to him."
"But you did not prosecute him, it was your brother; you did not condemn him, the judges did."
"Yes, yes; I know that he too was Murray's victim, and that is no doubt the reason that I am calling him to mind just now. But I was able to pardon him, Mary, and I was inflexible; I let ascend the scaffold a man whose only crime was in loving me too well; and now I am astonished and complain of being abandoned by everyone. Listen, darling, there is one thing that terrifies me: it is, that when I search within myself I find that I have not only deserved my fate, but even that God did not punish me severely enough."
"What strange thoughts for your grace!" cried Mary; "and see where those unlucky lines which returned to your mind have led you, the very day when you were beginning to recover a little of your cheerfulness."
"Alas!" replied the queen, shaking her head and uttering a deep sigh, "for six years very few days have passed that I have not repeated those lines to myself, although it may be for the first time to-day that I repeat them aloud. He was a Frenchman too, Mary: they have exiled from me, taken or killed all who came to me from France. Do you remember that vessel which was swallowed up before our eyes when we came out of Calais harbour? I exclaimed then that it was a sad omen: you all wanted to reassure me. Well, who was right, now, you or I?"
The queen was in one of those fits of sadness for which tears are the sole remedy; so Mary Seyton, perceiving that not only would every consolation be vain, but also unreasonable, far from continuing to react against her mistress's melancholy, fully agreed with her: it followed that the queen, who was suffocating, began to weep, and that her tears brought her comfort; then little by little she regained self-control, and this crisis passed as usual, leaving her firmer and more resolute than ever, so that when she went up to her room again it was impossible to read the slightest alteration in her countenance.
The dinner-hour was approaching, and Mary, who in the morning was looking forward impatiently to the enjoyment of her triumph over Lady Lochleven, now saw her advance with uneasiness: the mere idea of again facing this woman, whose pride one was always obliged to oppose with insolence, was, after the moral fatigues of the day, a fresh weariness. So she decided not to appear for dinner, as on the day before: she was all the more glad she had taken this resolution, that this time it was not Lady Lochleven who came to fulfil the duties enjoined on a member of the family to make the queen easy, but George Douglas, whom his mother in her displeasure at the morning scene sent to replace her. Thus, when Mary Seyton told the queen that she saw the young man with dark hair cross the courtyard on his way to her, Mary still further congratulated herself on her decision; for this young man's insolence had wounded her more deeply than all his mother's haughty insults. The queen was not a little astonished, then, when in a few minutes Mary Seyton returned and informed her that George Douglas, having sent away the servants, desired the honour of speaking to her on a matter of importance. At first the queen refused; but Mary Seyton told her that the young man's air and manner this time were so different from what she had seen two days before, that she thought her mistress would be wrong to refuse his request.
The queen rose then, and with the pride and majesty habitual to her, entered the adjoining room, and, having taken three steps, stopped with a disdainful air, waiting for George to address her.
Mary Seyton had spoken truly: George Douglas was now another man. To-day he seemed to be as respectful and timid as the preceding day he had seemed haughty and proud. He, in his turn, made a step towards the queen; but seeing Mary Seyton standing behind her--
"Those who know how to take so well, my lady," the queen answered, "have no need of being given to: it seems to me the Douglases have lost nothing by waiting, and there is not a younger son of this noble family who might not aspire to the highest alliances; it is truly vexatious that our sister the queen of England has taken a vow of virginity; as is stated."
"Or rather," interrupted Lady Lochleven, "that the Queen of Scotland is not a widow by her third husband. But," continued the old lady, pretending to recollect herself, "I do not say that to reproach your grace. Catholics look upon marriage as a sacrament, and on this head receive it as often as they can."
"This, then," returned Mary, "is the difference between them and the Huguenots; for they, not having the same respect for it, think it is allowed them to dispense with it in certain circumstances."
At this terrible sarcasm Lady Lochleven took a step towards Mary Stuart, holding in her hand the knife which she had just been using to cut off a piece of meat brought her to taste; but the queen rose up with so great a calm and with such majesty, that either from involuntary respect or shame of her first impulse, she let fall the weapon she was holding, and not finding anything sufficiently strong in reply to express her feelings, she signed to the servants to follow her, and went out of the apartment with all the dignity that anger permitted her to summon to her aid.
Scarcely had Lady Lochleven left the room than the queen sat down again, joyful and triumphant at the victory she had just gained, and ate with a better appetite than she had yet done since she was a prisoner, while Mary Seyton deplored in a low tone and with all possible respect this fatal gift of repartee that Mary had received, and which, with her beauty, was one of the causes of all her misfortunes; but the queen did nothing but laugh at all her observations, saying she was curious to see the figure her good hostess would cut at dinnertime.
After breakfast, the queen went down into the garden: her satisfied pride had restored some of her cheerfulness, so much so that, seeing, while crossing the hall, a mandolin lying forgotten on a chair, she told Mary Seyton to take it, to see, she said, if she could recall her old talent. In reality the queen was one of the best musicians of the time, and played admirably, says Brantome, on the lute and viol d'amour, an instrument much resembling the mandolin.
Mary Seyton obeyed.
Arrived in the garden, the queen sat down in the deepest shade, and there, having tuned her instrument, she at first drew from it lively and light tones, which soon darkened little by little, at the same time that her countenance assumed a hue of deep melancholy. Mary Seyton looked at her with uneasiness, although for a long time she had been used to these sudden changes in her mistress's humour, and she was about to ask the reason of this gloomy veil suddenly spread over her face, when, regulating her harmonies, Mary began to sing in a low voice, and as if for herself alone, the following verses:--
"Caverns, meadows, plains and mounts,
Lands of tree and stone,
Rivers, rivulets and founts,
By which I stray alone,
Bewailing as I go,
With tears that overflow,
Sing will I
The miserable woe
That bids me grieve and sigh.
Ay, but what is here to lend
Ear to my lament?
What is here can comprehend
My dull discontent?
Neither grass nor reed,
Nor the ripples heed,
Flowing by,
While the stream with speed
Hastens from my eye.
Vainly does my wounded heart
Hope, alas, to heal;
Seeking, to allay its smart,
Things that cannot feel.
Better should my pain
Bitterly complain,
Crying shrill,
To thee who dost constrain
My spirit to such ill.
Goddess, who shalt never die,
List to what I say;
Thou who makest me to lie
Weak beneath thy sway,
If my life must know
Ending at thy blow,
Cruellest!
Own it perished so
But at thy behest.
Lo! my face may all men see
Slowly pine and fade,
E'en as ice doth melt and flee
Near a furnace laid.
Yet the burning ray
Wasting me away
Passion's glow,
Wakens no display
Of pity for my woe.
Yet does every neighbour tree,
Every rocky wall,
This my sorrow know and see;
So, in brief, doth all
Nature know aright
This my sorry plight;
Thou alone
Takest thy delight
To hear me cry and moan.
But if it be thy will,
To see tormented still
Wretched me,
Then let my woful ill
Immortal be."
This last verse died away as if the queen were exhausted, and at the same time the mandolin slipped from her hands, and would have fallen to the ground had not Mary Seyton thrown herself on her knees and prevented it. The young girl remained thus at her mistress's feet for some time, gazing at her silently, and as she saw that she was losing herself more and more in gloomy reverie--
"Have those lines brought back to your Majesty some sad remembrance?" she asked hesitatingly.
"Oh, yes," answered the queen; "they reminded me of the unfortunate being who composed them."
"And may I, without indiscretion, inquire of your grace who is their author?"
"Alas! he was a noble, brave, and handsome young man, with a faithful heart and a hot head, who would defend me to-day, if I had defended him then; but his boldness seemed to me rashness, and his fault a crime. What was to be done? I did not love him. Poor Chatelard! I was very cruel to him."
"But you did not prosecute him, it was your brother; you did not condemn him, the judges did."
"Yes, yes; I know that he too was Murray's victim, and that is no doubt the reason that I am calling him to mind just now. But I was able to pardon him, Mary, and I was inflexible; I let ascend the scaffold a man whose only crime was in loving me too well; and now I am astonished and complain of being abandoned by everyone. Listen, darling, there is one thing that terrifies me: it is, that when I search within myself I find that I have not only deserved my fate, but even that God did not punish me severely enough."
"What strange thoughts for your grace!" cried Mary; "and see where those unlucky lines which returned to your mind have led you, the very day when you were beginning to recover a little of your cheerfulness."
"Alas!" replied the queen, shaking her head and uttering a deep sigh, "for six years very few days have passed that I have not repeated those lines to myself, although it may be for the first time to-day that I repeat them aloud. He was a Frenchman too, Mary: they have exiled from me, taken or killed all who came to me from France. Do you remember that vessel which was swallowed up before our eyes when we came out of Calais harbour? I exclaimed then that it was a sad omen: you all wanted to reassure me. Well, who was right, now, you or I?"
The queen was in one of those fits of sadness for which tears are the sole remedy; so Mary Seyton, perceiving that not only would every consolation be vain, but also unreasonable, far from continuing to react against her mistress's melancholy, fully agreed with her: it followed that the queen, who was suffocating, began to weep, and that her tears brought her comfort; then little by little she regained self-control, and this crisis passed as usual, leaving her firmer and more resolute than ever, so that when she went up to her room again it was impossible to read the slightest alteration in her countenance.
The dinner-hour was approaching, and Mary, who in the morning was looking forward impatiently to the enjoyment of her triumph over Lady Lochleven, now saw her advance with uneasiness: the mere idea of again facing this woman, whose pride one was always obliged to oppose with insolence, was, after the moral fatigues of the day, a fresh weariness. So she decided not to appear for dinner, as on the day before: she was all the more glad she had taken this resolution, that this time it was not Lady Lochleven who came to fulfil the duties enjoined on a member of the family to make the queen easy, but George Douglas, whom his mother in her displeasure at the morning scene sent to replace her. Thus, when Mary Seyton told the queen that she saw the young man with dark hair cross the courtyard on his way to her, Mary still further congratulated herself on her decision; for this young man's insolence had wounded her more deeply than all his mother's haughty insults. The queen was not a little astonished, then, when in a few minutes Mary Seyton returned and informed her that George Douglas, having sent away the servants, desired the honour of speaking to her on a matter of importance. At first the queen refused; but Mary Seyton told her that the young man's air and manner this time were so different from what she had seen two days before, that she thought her mistress would be wrong to refuse his request.
The queen rose then, and with the pride and majesty habitual to her, entered the adjoining room, and, having taken three steps, stopped with a disdainful air, waiting for George to address her.
Mary Seyton had spoken truly: George Douglas was now another man. To-day he seemed to be as respectful and timid as the preceding day he had seemed haughty and proud. He, in his turn, made a step towards the queen; but seeing Mary Seyton standing behind her--
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