An Historical Mystery, Honoré de Balzac [management books to read .TXT] 📗

which it might be interesting to examine; but they are mentioned here merely to explain how it was that Adrien was not likely to find a rival in his brother. Robert's affection for Laurence was that of a relation, the respect of a noble for a girl of his own caste. In matters of sentiment the elder d'Hauteserre belonged to the class of men who consider woman as an appendage to man, limiting her sphere to the physical duties of maternity; demanding perfection in that respect, but regarding her mentally as of no account. To such men the admittance of woman as an actual sharer in society, in the body politic, in the family, meant the subversion of the social system. In these days we are so far removed from this theory of primitive people that almost all women, even those who do not desire the fatal emancipation offered by the new sects, will be shocked in merely hearing of it; but it must be owned that Robert d'Hauteserre had the misfortune to think in that way. Robert was a man of the middle-ages, Adrien a man of to-day. These differences instead of hindering their affection had drawn its bonds the closer. On the first evening after the return of the young men these shades of character were caught and understood by the abbe, Mademoiselle Goujet, and Madame d'Hauteserre, who, while playing their boston, were secretly foreseeing the difficulties of the future.

At twenty-three years of age, having passed through the many reflections of a long solitude and the anguish of a defeated enterprise, Laurence had become a woman, and felt within her an absorbing desire for affection. She now put forth all her graces of her mind and was charming; she revealed the hidden beauties of her tender heart with the simple candor of a child. For the last thirteen years she had been a woman only through suffering; she longed to obtain amends for it, and she showed herself as loving and winning as she had been, up to this time, strong and great.

The four elders, who were the last to leave the salon that night, admitted to each other that they felt uneasy at the new position of this charming girl. What power might not passion have on a young woman of her character and with her nobility of soul? The twin brothers loved her with one and the same love and a blind devotion; which of the two would Laurence choose? To choose one was to kill the other. Countess in her own right, she could bring her husband a title and certain prerogatives, together with a long lineage. Perhaps in thinking of these advantages the elder of the twins, the Marquis de Simeuse, would sacrifice himself to give Laurence to his brother, who, according to the old laws, was poor and without a title. But would the younger brother deprive the elder of the happiness of having Laurence for a wife? At a distance, this strife of love and generosity might do no harm,--in fact, so long as the brothers were facing danger the chances of war might end the difficulty; but what would be the result of this reunion? When Marie-Paul and Paul-Marie reached the age when passions rise to their greatest height could they share, as now, the looks and words and attentions of their cousin? must there not inevitably arise a jealousy between them the consequences of which might be horrible? What would then become of the unity of those beautiful lives, one in heart though twain in body? To these questionings, passed from one to another as they finished their game, Madame d'Hauteserre replied that in her opinion Laurence would not marry either of her cousins. The poor lady had experienced that evening one of those inexplicable presentiments which are secrets between the mother's heart and God.

Laurence, in her inward consciousness, was not less alarmed at finding herself tete-a-tete with her cousins. To the active drama of conspiracy, to the dangers which the brothers had incurred, to the pain and penalties of their exile, was now succeeding another sort of drama, of which she had never thought. This noble girl could not resort to the violent means of refusing to marry either of the twins; and she was too honest a woman to marry one and keep an irresistible passion for the other in her heart. To remain unmarried, to weary her cousins' love by no decision, and then to take the one who was faithful to her in spite of her caprices, was a solution of the difficulty not so much sought for by her as vaguely admitted. As she fell asleep that night she told herself the wisest course to follow was to let things take their chance. Chance is, in love, the providence of women.

The next morning Michu went to Paris, whence he returned a few days later with four fine horses for his new masters. In six weeks' time the hunting would begin, and the young countess sagely reflected that the violent excitements of that exercise would be a help against the tete-a-tetes of the chateau. At first, however, an unexpected result surprised the spectators of these strange loves and roused their admiration. Without any premeditated agreement the brothers rivalled each other in attentions to Laurence, with a sense of pleasure in so doing which appeared to suffice them. The relation between themselves and Laurence was just as fraternal as that between themselves. What could be more natural? After so long an absence they felt the necessity of studying her, of knowing her well and letting her know them, leaving to her the right of choice. They were sustained in this first trial by the mutual affection which made their double life one and the same life.

Love, like their own mother, was unable to distinguish between the brothers. Laurence was obliged (in order to know them apart and make no mistakes) to give them different cravats--to the elder a white one, to the younger black. Without this perfect resemblance, this identity of life, which misled all about them, such a situation would be justly thought impossible. It can, indeed, be explained only by the fact itself, which is one of those which men do not believe in unless they see them; and then the mind is more bewildered by having to explain them than by the actual sight which caused belief. If Laurence spoke, her voice echoed in two hearts equally faithful and loving with one tone. Did she give utterance to an intelligent, or witty, or noble thought, her glance encountered the delight expressed in two glances which followed her every movement, interpreted her slightest wish, and beamed upon her ever with a new expression, gaiety in the one, tender melancholy in the other. In any matter that concerned their mistress the brothers showed an admirable quick-wittedness of heart coupled with instant action which (to use the abbe's own expression) approached the sublime. Often, if something had to be fetched, if it was a question of some little attention which men delight to pay to a beloved woman, the elder would leave that pleasure to the younger with a look at Laurence that was proud and tender. The younger, on the other hand, put all his own pride into paying such debts. This rivalry of noble natures in a feeling which leads men often to the jealous ferocity of the beasts amazed the old people who were watching it, and bewildered their ideas.

Such little details often drew tears to the eyes of the countess. A single sensation, which is perhaps all-powerful in some rare organizations, will give an idea of Laurence's emotions; it may be perceived by recalling the perfect unison of two fine voices (like those of Malibran and Sontag) in some harmonious _duo_, or the blending of two instruments touched by the hand of genius, their melodious tones entering the soul like the passionate sighing of one heart. Sometimes, seeing the Marquis de Simeuse buried in an arm-chair and glancing from time to time with deepest melancholy at his brother and Laurence who were talking and laughing, the abbe believed him capable of making the great sacrifice; presently, however, the priest would see in the young man's eyes the flash of an unconquerable passion. Whenever either of the brothers found himself alone with Laurence he might reasonably suppose himself the one preferred.

"I fancy then that there is but one of them," explained the countess to the abbe when he questioned her. That answer showed the priest her total want of coquetry. Laurence did not conceive that she was loved by two men.

"But, my dear child," said Madame d'Hauteserre one evening (her own son silently dying of love for Laurence), "you must choose!"

"Oh, let us be happy," she replied; "God will save us from ourselves."

Adrien d'Hauteserre buried within his breast the jealousy that was consuming him; he kept the secret of his torture, aware of how little he could hope. He tried to be content with the happiness of seeing the charming woman who during the few months this struggle lasted shone in all her brilliancy. In one sense Laurence had become coquettish, taking that dainty care of her person which women who are loved delight in. She followed the fashions, and went more than once to Paris to deck her beauty with _chiffons_ or some choice novelty. Desirous of giving her cousins a sense of home and its every enjoyment, from which they had so long been severed, she made her chateau, in spite of the remonstrances of her late guardian, the most completely comfortable house in Champagne.

Robert d'Hauteserre saw nothing of this hidden drama; he never noticed his brother's love for Laurence. As to the girl herself, he liked to tease her about her coquetry,--for he confounded that odious defect with the natural desire to please; he was always mistaken in matters of feeling, taste, and the higher ethics. So, whenever this man of the middle-ages appeared on the scene, Laurence immediately made him, unknown to himself, the clown of the play; she amused her cousins by arguing with Robert, and leading him, step by step, into some bog of ignorance and stupidity. She excelled in such clever mischief, which, to be really successful, must leave the victim content with himself. And yet, though his nature was a coarse one, Robert never, during those delightful months (the only happy period in the lives of the three young people) said one virile word which might have brought matters to a crisis between Laurence and her cousins. He was struck with the sincerity of the brothers; he saw how the one could be glad at the happiness of the other and yet suffer anguish in the depths of his heart, and he did perceive how a woman might shrink from showing tenderness to one which would grieve the other. This perception on Robert's part was a just one; it explains a situation which, in times of faith, when the sovereign pontiff had power to intervene and cut the Gordian knot of such phenomena (allied to the deepest and most impenetrable mysteries), would have found its solution. The Revolution had deepened the Catholic faith in these young hearts, and religion now rendered this crisis in their lives the more severe, because nobility of character is ever heightened by the grandeur of circumstances. A sense of this truth kept Monsieur and Madame d'Hauteserre and the abbe from the slightest fear of any unworthy result on the part of the brothers or of Laurence.

This private drama, secretly developing within the limits of the family life where each member watched it silently, ran its course so rapidly and withal so slowly, it carried with it so many unhoped-for pleasures, trifling jars, frustrated fancies, hopes reversed, anxious