Ways of Wood Folk, William J. Long [ebook reader for pc .TXT] 📗
- Author: William J. Long
- Performer: -
Book online «Ways of Wood Folk, William J. Long [ebook reader for pc .TXT] 📗». Author William J. Long
The Project Gutenberg EBook of Ways of Wood Folk, by William J. Long
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Ways of Wood Folk
Author: William J. Long
Illustrator: Charles Copeland
Release Date: April 17, 2006 [EBook #18193]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK WAYS OF WOOD FOLK ***
Produced by Ted Garvin, Diane Monico, and the Project
Gutenberg Online Distributed Proofreading Team at
http://www.pgdp.net
Cover: Ways of Wood Folk
WAYS OF WOOD FOLK BY WILLIAM J. LONGFIRST SERIES
BOSTON, U.S.A.
GINN & COMPANY, PUBLISHERS
The Athenæum Press
1902
COPYRIGHT, 1899
BY WILLIAM J. LONG
ALL RIGHTS RESERVED
To Plato, the owl, who looks
over my shoulder as I write, and
who knows all about the woods.
"All crows are alike," said a wise man, speaking of politicians. That is quite true—in the dark. By daylight, however, there is as much difference, within and without, in the first two crows one meets as in the first two men or women. I asked a little child once, who was telling me all about her chicken, how she knew her chicken from twenty others just like him in the flock. "How do I know my chicken? I know him by his little face," she said. And sure enough, the face, when you looked at it closely, was different from all other faces.
This is undoubtedly true of all birds and all animals. They recognize each other instantly amid multitudes of their kind; and one who watches them patiently sees quite as many odd ways and individualities among Wood Folk as among other people. No matter, therefore, how well you know the habits of crows or the habits of caribou in general, watch the first one that crosses your path as if he were an entire stranger; open eyes to see and heart to interpret, and you will surely find some new thing, some curious unrecorded way, to give delight to your tramp and bring you home with a new interest.
This individuality of the wild creatures will account, perhaps, for many of these Ways, which can seem no more curious or startling to the reader than to the writer when he first discovered them. They are, almost entirely, the records of personal observation in the woods and fields. Occasionally, when I know my hunter or woodsman well, I have taken his testimony, but never without weighing it carefully, and proving it whenever possible by watching the animal in question for days or weeks till I found for myself that it was all true.
The sketches are taken almost at random from old note-books and summer journals. About them gather a host of associations, of living-over-agains, that have made it a delight to write them; associations of the winter woods, of apple blossoms and nest-building, of New England uplands and wilderness rivers, of camps and canoes, of snowshoes and trout rods, of sunrise on the hills, when one climbed for the eagle's nest, and twilight on the yellow wind-swept beaches, where the surf sobbed far away, and wings twanged like reeds in the wind swooping down to decoys,—all thronging about one, eager to be remembered if not recorded. Among them, most eager, most intense, most frequent of all associations, there is a boy with nerves all a-tingle at the vast sweet mystery that rustled in every wood, following the call of the winds and the birds, or wandering alone where the spirit moved him, who never studied nature consciously, but only loved it, and who found out many of these Ways long ago, guided solely by a boy's instinct.
If they speak to other boys, as to fellow explorers in the always new world, if they bring back to older children happy memories of a golden age when nature and man were not quite so far apart, then there will be another pleasure in having written them.
My thanks are due, and are given heartily, to the editors of The Youth's Companion for permission to use several sketches that have already appeared, and to Mr. Charles Copeland, the artist, for his care and interest in preparing the illustrations.
Wm. J. Long.
Andover, Mass., June, 1899.
CONTENTS.I. FOX-WAYS.
Did you ever meet a fox face to face, surprising him quite as much as yourself? If so, you were deeply impressed, no doubt, by his perfect dignity and self-possession. Here is how the meeting generally comes about.
It is a late winter afternoon. You are swinging rapidly over the upland pastures, or loitering along the winding old road through the woods. The color deepens in the west; the pines grow black against it; the rich brown of the oak leaves seems to glow everywhere in the last soft light; and the mystery that never sleeps long in the woods begins to rustle again in the thickets. You are busy with your own thoughts, seeing nothing, till a flash of yellow passes before your eyes, and a fox stands in the path before you, one foot uplifted, the fluffy brush swept aside in graceful curve, the bright eyes looking straight into yours—nay, looking through them to read the intent which gives the eyes their expression. That is always the way with a fox; he seems to be looking at your thoughts.
Surprise, eagerness, a lively curiosity are all in your face on the instant; but the beautiful creature before you only draws himself together with quiet self-possession. He lifts his head slightly; a superior look creeps into his eyes; he seems to be speaking. Listen—
"You are surprised?"—this with an almost imperceptible lift of his eyebrows, which reminds you somehow that it is really none of your affair. "O, I frequently use this road in attending to some matters over in the West Parish. To be sure, we are socially incompatible; we may even regard each other as enemies, unfortunately. I did take your chickens last week; but yesterday your unmannerly dogs hunted me. At least we may meet and pass as gentlemen. You are the older; allow me to give you the path."
Dropping his head again, he turns to the left, English fashion, and trots slowly past you. There is no hurry; not the shadow of suspicion or uneasiness. His eyes are cast down; his brow wrinkled, as if in deep thought; already he seems to have forgotten your existence. You watch him curiously as he reenters the path behind you and disappears over the hill. Somehow a queer feeling, half wonder, half rebuke, steals over you, as if you had been outdone in courtesy, or had passed a gentleman without sufficiently recognizing him.
Ah, but you didn't watch sharply enough! You didn't see, as he circled past, that cunning side gleam of his yellow eyes, which understood your attitude perfectly. Had you stirred, he would have vanished like a flash. You didn't run to the top of the hill where he disappeared, to see that burst of speed the instant he was out of your sight. You didn't see the capers, the tail-chasing, the high jumps, the quick turns and plays; and then the straight, nervous gallop, which told more plainly than words his exultation that he had outwitted you and shown his superiority.
Reynard, wherever you meet him, whether on the old road at twilight, or on the runway before the hounds, impresses you as an animal of dignity and calculation. He never seems surprised, much less frightened; never loses his head; never does things hurriedly, or on the spur of the moment, as a scatter-brained rabbit or meddling squirrel might do. You meet him, perhaps as he leaves the warm rock on the south slope of the old oak woods, where he has been curled up asleep all the sunny afternoon. (It is easy to find him there in winter.) Now he is off on his nightly hunt; he is trotting along, head down, brows deep-wrinkled, planning it all out.
"Let me see," he is thinking, "last night I hunted the Draper woods. To-night I'll cross the brook just this side the old bars, and take a look into that pasture-corner among the junipers. There's a rabbit which plays round there on moonlight nights; I'll have him presently. Then I'll go down to the big South meadow after mice. I haven't been there for a week; and last time I got six. If I don't find mice, there's that chicken coop of old Jenkins. Only"—He stops, with his foot up, and listens a minute—"only he locks the coop and leaves the dog loose ever since I took the big rooster. Anyway I'll take a look round there. Sometimes Deacon Jones's hens get to roosting in the next orchard. If I can find them up an apple tree, I'll bring a couple down with a good trick I know. On the way—Hi, there!"
In the midst of his planning he gives a grasshopper-jump aside, and brings down both paws hard on a bit of green moss that quivered as he passed. He spreads his paws apart carefully; thrusts his nose down between them; drags a young wood-mouse from under the moss; eats him; licks his chops twice, and goes on planning as if nothing had happened.
"On the way back, I'll swing round by the Fales place, and take a sniff under the wall by the old hickory, to see if those sleepy skunks are still there for the winter. I'll have that whole family before spring, if I'm hungry and can't find anything else. They come out on sunny days; all you have to do is just hide behind the hickory and watch."
So off he goes on his well-planned hunt; and if you follow his track to-morrow in the snow, you will see how he has gone from one hunting ground directly to the next. You will find the depression where he lay in a clump of tall dead grass and watched a while for the rabbit; reckon the number of mice he caught in the meadow; see his sly tracks about the chicken coop, and in the orchard; and pause a moment at the spot where he cast a knowing look behind the hickory by the wall,—all just as he planned it on his way to the brook.
If, on the other hand, you stand by one of his runways while the dogs are driving him, expecting, of course, to see him come tearing along in a desperate hurry, frightened out of half his wits by the savage uproar behind him, you can only rub your eyes in wonder when a fluffy yellow ball comes drifting through the woods towards you, as if the breeze were blowing it along. There he is, trotting down the runway in the same leisurely, self-possessed way, wrapped in his own thoughts apparently, the same deep wrinkles over his eyes. He played a
Comments (0)