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About the Book

Norman and Jax are a legendary comedy duo in the making, with a five-year plan to perform at the Edinburgh Fringe by the time they’re fifteen. But then Jax dies before they even turn twelve.

Norman’s mum Sadie knows she won’t win Mother of the Year anytime soon, and she really doesn’t know, or care, who Norman’s father is. But her heart is broken when she discovers her grieving son’s revised plan: ‘Find Dad’ and ‘Get to the Edinburgh Fringe’.

If meeting his dad and performing at the Festival are the two things that will help Norman through this devastating time, then Sadie is going to make them happen. So mother and son set off from Cornwall, with their friend Leonard in his vintage Austin Maxi, on a pilgrimage to Edinburgh – to honour Jax and to track down a few maybe-fathers on the way . . .

The Funny Thing about Norman Foreman is an inspiring, feel-good novel about a small boy with a big heart, a woman who would do anything for her son, and a journey that will change their lives . . .

Contents

Cover

About the Book

Title Page

Dedication

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Acknowledgements

About the Author

Praise

Imprint

Read more at Penguin Books Australia

For the original Big Al

1Sadie

When I was born my insides lay outside my body for twenty-one days. Which is unexpected, but not nearly as unusual as you might think. For every 3,999 babies that come out with everything tucked in neatly and sealed away exactly where it should be, there’s one like me. Nobody really knows why. Luck of the draw, my father used to say.

For those three weeks, while I lay spreadeagled in an incubator like a Nando’s special, a crowd of doctors gathered every morning to discuss their cleverness and, as my organs shrank to their correct size, bit by bit they gently posted a little more of the me-parts that had made a break for it back inside.

Well, that’s the way my mother told it anyway. The way my father told it, the doctors gathered around the incubator every morning to discuss whether they’d be having my large intestine or my liver for their lunch, and whether it’d be with chips or salad. And that right there might tell you almost everything you need to know about my parents.

On my insides’ final day of freedom the head surgeon pushed the last bit through the slit in my stomach and stitched it closed, presumably with everything in its rightful place. I was declared whole and sent home to begin life almost like nothing had ever happened.

Except that even when the regular hospital check-ups stopped and the scar on my stomach that I’d never lived without faded to a thin silver seam, I can always remember still feeling the tugging behind it. Something I could never quite name, nudging at the fleshy edges whenever things were going badly, or too well. Or just for fun. To remind me how easily those parts of me that never quite fitted could come sliding out. Any time we like, Sadie. Any time we like.

It wasn’t until I held my own son for the first time that the constant, dull pressure of keeping the scar together receded. When a nurse placed that slippery, crumpled-up bundle of boy on my chest, I tightened my grip on a handful of hospital sheet as my world creaked on its axis, bumped into a comfy spot and was finally facing the right way.

I didn’t feel the tug on the scar again until a different boy died, and to say I wasn’t ready for it isn’t even the most important thing. Because by then there was a whole lot more at stake than just my own stupid insides spilling out into the world. I was as scared as hell and I had no idea how to fix any of it. And that right there might tell you almost everything you need to know about me.

2NORMAN

First rule of comedy: Timing is everything.

Timing is everything. First rule of comedy, Jax says. Because when push comes to shove, if you can get the timing right, you can get a laugh. He says. Well I don’t really know how to tell when push is coming to shove, but I’ll tell you something I do know. That rule works the other way too. Because when the you-know-what starts to hit the fan, if your timing’s wrong there’s pretty much zilcho you can do to stop it from splattering all over the place.

Stare straight ahead and think about nothing. That’s a world-famous Jax Fenton tactic for what to do when you get yourself into a bit of a mess. Works every time he reckons, and he should know. Only maybe it doesn’t. Because when I stare straight ahead all I can see is that big, shiny wooden box and instead of nothing I’m thinking about everything. And loads of it. Like does any light get in through the joins and did they let Jax wear his Frankie Boyle Tramadol Nights tour T-shirt. And does whoever put him in there know he only likes to sleep on his side.

The massive scab on my chest feels so tight that I’m scared to breathe too deep in case it splits down the middle and bleeds all over my new shirt. Stare straight ahead. I move just a bit so I almost can’t see the box behind a couple of heads,

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