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and unusually taciturn woman; a very rich young man, familiarly known in society as Vasuchok, who was famous for his ability to sing, recite poetry, organize charity balls and entertainments; the famous pianist, Jennie Reiter, Princess Vera’s school friend; and Vera’s brother, Nikolay Nikolayevich. Then came Anna’s husband in his automobile, bringing with him the clean-shaven, fat Professor Speshnikov, and the Vice-Governor Von Zeck. The last one to arrive was General Anosov, in a fine hired landau, accompanied by two army officers, Ponomarev, a colonel of the staff, and Lieutenant Bakhtinsky, who was famous in Petersburg as a splendid dancer and cotillon leader.

General Anosov was a stout, tall old man with silver hair. He alighted heavily from his carriage, holding on to it with both hands. Usually he had an ear-tube in his left hand and a walking-stick with a rubber head in the right. He had a large, coarse, red face, with a prominent nose and that kindly, majestic, just a little contemptuous expression in his slightly screwed-up eyes, which is characteristic of brave and simple men, who had often seen mortal danger immediately before their eyes. The two sisters, recognizing him at a distance, ran to the carriage just in time to support him by both arms half in jest and half seriously.

“Just like an⁠ ⁠… archbishop,” said the general in a kindly, hoarse bass.

“Grandpa, grandpa,” said Vera in a tone of light reproach, “we wait for you every day almost, and you never show yourself.”

“Grandpa must have lost all conscience down here in the south,” continued Anna. “Might at least have remembered his goddaughter. Shame on you! You behave like a regular Don Juan, and have forgotten entirely about our existence.”

The general, baring his majestic head, kissed their hands, then kissed their cheeks, and then their hands again.

“Wait, wait⁠ ⁠… girls⁠ ⁠… don’t scold me,” he said, alternating his words with deep sighs, resulting from habitual short breathing. “My word of honor⁠ ⁠… those good-for-nothing doctors⁠ ⁠… bathed my rheumatisms⁠ ⁠… all summer⁠ ⁠… in some kind of⁠ ⁠… jelly.⁠ ⁠… Smells awfully.⁠ ⁠… And wouldn’t let me go.⁠ ⁠… You are the first.⁠ ⁠… Ever so glad⁠ ⁠… to see you.⁠ ⁠… How are you?⁠ ⁠… You’ve become⁠ ⁠… an English lady⁠ ⁠… Vera⁠ ⁠… you look so much⁠ ⁠… like your mother.⁠ ⁠… When are we going to have⁠ ⁠… the christening?”

“Never, I am afraid, grandpa.”

“Don’t despair.⁠ ⁠… Pray to God.⁠ ⁠… And you haven’t changed a bit, Anna.⁠ ⁠… I guess when you are sixty⁠ ⁠… you’ll still be the same prattler. Wait a moment. Let me introduce the officers to you.”

“I had the honor long ago,” said Colonel Ponomarev, bowing.

“I was introduced to the princess in Petersburg,” said the hussar.

“Well, then let me introduce to you, Anna, Lieutenant Bakhtinsky, a fine dancer, a good scrapper, and a first-class cavalryman. Will you get that parcel out of the carriage, Bakhtinsky, please? Well, let’s go now.⁠ ⁠… What’ll you give us tonight, Vera? I tell you, after that treatment⁠ ⁠… I have an appetite⁠ ⁠… like a graduating ensign.”

General Anosov was a war comrade and loyal friend of the late Prince Mirza-Bulat-Tuganovsky. After the prince’s death he transferred all his friendship and affection to the two daughters. He had known them since their early childhood, and was Anna’s godfather. At that time, just as at the time of the story, he was the commandant of the large though almost useless Fortress K., and visited the Tuganovsky house almost every day. The children simply adored him for his presents, for the theatre and circus tickets that he used to get for them, and for the fact that nobody could play with them as the old general did. But his greatest fascination lay in the stories that he told them. For hours at a time, he would tell them of marches and battles, victories and defeats, and death and wounds, and bitter cold; they were slow, simple stories, epic-like in their calm, told between the evening tea and the dreary time when the children would be taken to bed.

According to modern ideas, this fragment of the old days was really a gigantic and picturesque figure. In him were brought together those touching and deep characteristics which are more commonly met with among plain soldiers, and not officers⁠—those unadulterated characteristics of a Russian peasant, which, in proper combination, produce that lofty type which often makes our soldier not only unconquerable, but a martyr, almost a saint⁠—those characteristics of unsophisticated, naive faith, a clear, joyful view of life, cool courage, meekness before the face of death, pity for the conquered, boundless patience, and remarkable physical and moral endurance.

Starting with the Polish campaign, Anosov took part in every war except the one against the Japanese. He would have gone to that war, too, but he was not summoned, and he had a rule, really great in its modesty, which was as follows: “Do not tempt death until you are called upon to do so.” During his whole military career, he not only never had a soldier flogged, but never even struck one. During the Polish uprising he refused to shoot some prisoners, although he was ordered to do so by the commander of the regiment. “When it comes to a spy,” he said, “I would not only have him shot, but, if you will order me, I shall kill him myself. But these are prisoners of war; I can’t do it.” And he said this with such simplicity, so respectfully, without a trace of a challenge, looking his superior straight in the face with his clear eyes, that he was let alone, instead of being himself ordered shot for insubordination.

During the war of 1877⁠–⁠9, he quickly reached the colonel’s rank, although he had received no education, having been graduated, in his own words, from the “bears’ academy.” He took part in the crossing of the Danube, went through the Balkans, took part in the defense of Shipka, and the last attack on Plevna. During this campaign he received one serious wound and four slighter ones, besides receiving serious head lacerations through being struck by the fragment of a

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