Main Street, Sinclair Lewis [red white and royal blue hardcover txt] 📗

ignorant, misled by the indifference of cities. She fancied that she was slipping through the streets invisible; but when she had passed, Mr. Ludelmeyer puffed into the store and coughed at his clerk, “I seen a young woman, she come along the side street. I bet she iss Doc Kennicott’s new bride, good-looker, nice legs, but she wore a hell of a plain suit, no style, I wonder will she pay cash, I bet she goes to Howland & Gould’s more as she does here, what you done with the poster for Fluffed Oats?”) II

When Carol had walked for thirty-two minutes she had completely covered the town, east and west, north and south; and she stood at the corner of Main Street and Washington Avenue and despaired.

Main Street with its two-story brick shops, its story-and-a-half wooden residences, its muddy expanse from concrete walk to walk, its huddle of Fords and lumber-wagons, was too small to absorb her. The broad, straight, unenticing gashes of the streets let in the grasping prairie on every side. She realized the vastness and the emptiness of the land. The skeleton iron windmill on the farm a few blocks away, at the north end of Main Street, was like the ribs of a dead cow. She thought of the coming of the Northern winter, when the unprotected houses would crouch together in terror of storms galloping out of that wild waste. They were so small and weak, the little brown houses. They were shelters for sparrows, not homes for warm laughing people.

She told herself that down the street the leaves were a splendor. The maples were orange; the oaks a solid tint of raspberry. And the lawns had been nursed with love. But the thought would not hold. At best the trees resembled a thinned woodlot. There was no park to rest the eyes. And since not Gopher Prairie but Wakamin was the county-seat, there was no courthouse with its grounds.

She glanced through the fly-specked windows of the most pretentious building in sight, the one place which welcomed strangers and determined their opinion of the charm and luxury of Gopher Prairie⁠—the Minniemashie House. It was a tall lean shabby structure, three stories of yellow-streaked wood, the corners covered with sanded pine slabs purporting to symbolize stone. In the hotel office she could see a stretch of bare unclean floor, a line of rickety chairs with brass cuspidors between, a writing-desk with advertisements in mother-of-pearl letters upon the glass-covered back. The dining-room beyond was a jungle of stained tablecloths and catsup bottles.

She looked no more at the Minniemashie House.

A man in cuffless shirtsleeves with pink arm-garters, wearing a linen collar but no tie, yawned his way from Dyer’s Drug Store across to the hotel. He leaned against the wall, scratched a while, sighed, and in a bored way gossiped with a man tilted back in a chair. A lumber-wagon, its long green box filled with large spools of barbed-wire fencing, creaked down the block. A Ford, in reverse, sounded as though it were shaking to pieces, then recovered and rattled away. In the Greek candy-store was the whine of a peanut-roaster, and the oily smell of nuts.

There was no other sound nor sign of life.

She wanted to run, fleeing from the encroaching prairie, demanding the security of a great city. Her dreams of creating a beautiful town were ludicrous. Oozing out from every drab wall, she felt a forbidding spirit which she could never conquer.

She trailed down the street on one side, back on the other, glancing into the cross streets. It was a private Seeing Main Street tour. She was within ten minutes beholding not only the heart of a place called Gopher Prairie, but ten thousand towns from Albany to San Diego:

Dyer’s Drug Store, a corner building of regular and unreal blocks of artificial stone. Inside the store, a greasy marble soda-fountain with an electric lamp of red and green and curdled-yellow mosaic shade. Pawed-over heaps of toothbrushes and combs and packages of shaving-soap. Shelves of soap-cartons, teething-rings, garden-seeds, and patent medicines in yellow “packages-nostrums” for consumption, for “women’s diseases”⁠—notorious mixtures of opium and alcohol, in the very shop to which her husband sent patients for the filling of prescriptions.

From a second-story window the sign “W. P. Kennicott, Phys. & Surgeon,” gilt on black sand.

A small wooden motion-picture theater called “The Rosebud Movie Palace.” Lithographs announcing a film called Fatty in Love.

Howland & Gould’s Grocery. In the display window, black, overripe bananas and lettuce on which a cat was sleeping. Shelves lined with red crepe paper which was now faded and torn and concentrically spotted. Flat against the wall of the second story the signs of lodges⁠—the Knights of Pythias, the Maccabees, the Woodmen, the Masons.

Dahl & Oleson’s Meat Market⁠—a reek of blood.

A jewelry shop with tinny-looking wristwatches for women. In front of it, at the curb, a huge wooden clock which did not go.

A fly-buzzing saloon with a brilliant gold and enamel whisky sign across the front. Other saloons down the block. From them a stink of stale beer, and thick voices bellowing pidgin German or trolling out dirty songs⁠—vice gone feeble and unenterprising and dull⁠—the delicacy of a mining-camp minus its vigor. In front of the saloons, farmwives sitting on the seats of wagons, waiting for their husbands to become drunk and ready to start home.

A tobacco shop called “The Smoke House,” filled with young men shaking dice for cigarettes. Racks of magazines, and pictures of coy fat prostitutes in striped bathing-suits.

A clothing store with a display of “ox-blood-shade Oxfords with bulldog toes.” Suits which looked worn and glossless while they were still new, flabbily draped on dummies like corpses with painted cheeks.

The Bon Ton Store⁠—Haydock & Simons’⁠—the largest shop in town. The first-story front of clear glass, the plates cleverly bound at the edges with brass. The second story of pleasant tapestry brick. One window of excellent clothes for men, interspersed with collars of floral piqué which showed mauve daisies on a saffron