Satan’s Diary, Leonid Andreyev [the beginning after the end read novel .TXT] 📗

leaf in the woods smells stronger than the young and green foliage. Will you believe me when I say that I sensed the odor of blood and Nero? But when I opened my eyes expectantly I observed a plain, everyday kiosk and a lemonade stand.

“Well, how do you like it?” growled Toppi, still dissatisfied.

“It smells⁠—”

“Well, certainly it smells! It will smell stronger with every hour: these are old, strong aromas, Mr. Wondergood.”

And so it really was: the odor grew in strength. I cannot find comparisons to make it clear to you. All the sections of my brain began to move and buzz like bees aroused by smoke. It is strange, but it seems that Rome is included in the archive of the silly Wondergood. Perhaps this is his native town? When we approached a certain populous square I sensed the clear odor of some blood relatives, which was soon followed by the conviction that I, too, have walked these streets before. Have I, like Toppi, previously donned the human form? Ever louder buzzed the bees. My entire beehive buzzed and suddenly thousands of faces, dim and white, beautiful and horrible, began to dance before me; thousands upon thousands of voices, noises, cries, laughters and sighs nearly set me deaf. No, this was no longer a beehive: it was a huge, fiery smithy, where firearms were being forged with the red sparks flying all about. Iron!

Of course, if I had lived in Rome before, I must have been one of its emperors: I remember the expression of my face. I remember the movement of my bare neck as I turn my head. I remember the touch of golden laurels upon my bald head⁠—Iron! Ah, I hear the steps of the iron legions of Rome. I hear the iron voices: “Vivat Caesar!”

I am hot. I am burning. Or was I not an emperor but simply one of the “victims” when Rome burned down in accordance with the magnificent plan of Nero? No, this is not a fire. This is a funeral pyre on which I am forcibly esconsced. I hear the snakelike hissing of the tongues of flame beneath my feet. I strain my neck, all lined with blue veins, and in my throat there rises the final curse⁠—or blessing? Think of it: I even remember that Roman face in the front row of spectators, which even then gave me no rest because of its idiotic expression and sleepy eyes: I am being burned and it sleeps!

“Hotel ‘Internationale’ ”⁠—cried Toppi, and I opened my eyes.

We were going up a hill along a quiet street, at the end of which there glowed a large structure, worthy even of New York: it was the hotel where we had previously wired for reservations. They probably thought we had perished in the wreck. My funeral pyre was extinguished. I grew as merry as a darkey who has just escaped from hard labor and I whispered to Toppi:

“Well, Toppi, and how about the Madonna?”

“Y-yes, interesting. I was frightened at first and nearly choked to death⁠—”

“With a bone? You are silly, Toppi: she is polite and did not recognize you. She simply took you for one of her saints. It is a pity, old boy, that we have chosen for ourselves these solemn, American faces: had we looked around more carefully we might have found some more beautiful.”

“I am quite satisfied with mine,” said Toppi sadly, and turned away. A glow of secret self-satisfaction appeared upon his long, shiny nose. Ah, Toppi, Ah, the saint!

But we were already being accorded a triumphal reception.

February 14.
Rome, Hotel “Internationale.”

I do not want to go to Magnus. I am thinking too much of his Madonna of flesh and bone. I have come here to lie and to play merrily and I am not at all taken by the prospect of being a mediocre actor, who weeps behind the scenes and appears on the stage with his eyes perfectly dry. Moreover, I have no time to gad about the fields catching butterflies with a net like a boy.

The whole of Rome is buzzing about me. I am an extraordinary man, who loves his fellow beings and I am celebrated. The mobs who flock to worship Me are no less numerous than those who worship the Vicar of Christ himself, two Popes all at once.⁠—Yes, happy Rome cannot consider itself an orphan!

I am now living at the hotel, where all is aquiver with ecstacy when I put my shoes outside my door for the night, but they are renovating a palace for me: the historic Villa Orsini. Painters, sculptors and poets are kept busy. One brush-pusher is already painting my portrait, assuring me that I remind him of one of the Medicis. The other brush-pushers are sharpening their knives for him.

I ask him:

“And can you paint a Madonna?”

Certainly he can. It was he, if the signor recollects, who painted the famous Turk on the cigarette boxes, the Turk whose fame is known even in America. And now three brush-pushers are painting Madonnas for me. The rest are running about Rome seeking models. I said to one, in my barbarous, American ignorance of the higher arts:

“But if you find such a model, Signor, just bring her to me. Why waste paint and canvas?”

He was evidently pained and mumbled:

“Ah, Signor⁠—a model?”

I think he took me for a merchant in “live stock.” But, fool, why do I need your aid for which I must pay a commission, when my antechamber is filled with a flock of beauties? They all worship me. I remind them of Savanarola, and they seek to transform every dark corner in my drawing room, and every soft couch into a confessional. I am so glad that these society ladies, like the painters, know so well the history of their country and realize who I am.

The joy of the Roman papers on finding that I did not perish in the wreck and lost neither my legs nor my billions, was equal