Little Women, Louisa May Alcott [free books to read txt] 📗

“There’s no need for me to say it, for everyone can see that I’m far happier than I deserve,” added Jo, glancing from her good husband to her chubby children, tumbling on the grass beside her. “Fritz is getting gray and stout; I’m growing as thin as a shadow, and am thirty; we never shall be rich, and Plumfield may burn up any night, for that incorrigible Tommy Bangs will smoke sweet-fern cigars under the bedclothes, though he’s set himself afire three times already. But in spite of these unromantic facts, I have nothing to complain of, and never was so jolly in my life. Excuse the remark, but living among boys, I can’t help using their expressions now and then.”

“Yes, Jo, I think your harvest will be a good one,” began Mrs. March, frightening away a big black cricket that was staring Teddy out of countenance.

“Not half so good as yours, mother. Here it is, and we never can thank you enough for the patient sowing and reaping you have done,” cried Jo, with the loving impetuosity which she never could outgrow.

“I hope there will be more wheat and fewer tares every year,” said Amy softly.

“A large sheaf, but I know there’s room in your heart for it, Marmee dear,” added Meg’s tender voice.

Touched to the heart, Mrs. March could only stretch out her arms, as if to gather children and grandchildren to herself, and say, with face and voice full of motherly love, gratitude, and humility⁠—

“O, my girls, however long you may live, I never can wish you a greater happiness than this!”

Little Women
was published in 1868 and 1869 by
Louisa May Alcott.

This ebook was produced for
Standard Ebooks
by
Alex Cabal and Alina Pyzowski,
and is based on transcriptions produced in 2011 by
David Edwards, Ernest Schaal, and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans available at the
Internet Archive.

The cover page is adapted from
They All Drew to the Fire,
a painting completed in 1915 by
Jessie Willcox Smith.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
May 6, 2016, 4:48 a.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/louisa-may-alcott/little-women.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

Copyright laws are different around the world. If you’re not located in the U.S., check with your local laws before using this ebook.

Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of other countries. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.