The Autobiography of Mark Twain, Mark Twain [good summer reads .TXT] 📗

in the nature of an autobiography, recollections of his Missouri childhood, a picture as primitive and far removed from today as anything of the Colonial period. These chapters were handwritten, his memory was fresh and eager, and in none of his work is there greater charm.

As he proceeded he did not confine himself to his earlier years, but traveled back and forth, setting down whatever was in his mind at the moment. He worked incidentally at this record for two or three years, eventually laying it aside for more immediate things. Five years later, in Florence, where he had taken Mrs. Clemens for her health, he again applied himself to what he now definitely termed his “Autobiography.” As in that earlier day, he dictated, and this time found it quite to his liking. He completed some random memories of more or less importance, and might have carried the work further but for his wife’s rapidly failing health. Her death and his return to America followed, and there was an interval of another two years before the autobiographical chapters were again resumed.

It was in January, 1906, that the present writer became associated with Mark Twain as his biographer. Elsewhere I have told of that arrangement and may omit most of the story here. It had been agreed that I should bring a stenographer, to whom he would dictate notes for my use, but a subsequent inspiration prompted him to suggest that he might in this way continue his autobiography, from which I would be at liberty to draw material for my own undertaking. We began with this understanding, and during two hours of the forenoon, on several days of each week, he talked pretty steadily to a select audience of two, wandering up and down the years as inclination led him, relating in his inimitable way incidents, episodes, conclusions, whatever the moment presented to his fancy.

It was his custom to stay in bed until noon, and he remained there during most of the earlier dictations, clad in a handsome dressing-gown, propped against great snowy pillows. He loved this loose luxury and ease and found it conducive to thought. On a little table beside him, where lay his cigars, papers, pipes, and various knickknacks, shone a reading lamp, making more brilliant his rich coloring and the gleam of his shining hair. There was daylight, too, but it was north light and the winter days were dull, the walls of the room a deep, unreflecting red. His bed was a vast carved antique affair, its outlines blending into the luxuriant background. The whole, focusing to the striking central figure, made a picture of classic value.

His talk was absorbingly interesting⁠—it never failed to be that, even when it left something to be desired as history. Mark Twain’s memory had become capricious and his vivid imagination did not always supply his story with details of crystal accuracy. But always it was a delightful story, amusing, tragic, or instructive, and it was likely to be one of these things at one instant and another at the next. Often he did not know until the moment of beginning what was to be his subject for the day; then he was likely to go drifting among his memories in a quite irresponsible fashion, the fashion of table conversation, as he said, the methodless method of the human mind. He had concluded that this was the proper way to write autobiography, or, as he best conveys it in his own introductory note:

Start at no particular time of your life; wander at your free will all over your life; talk only about the things which interest you for the moment; drop it the moment its interest threatens to pale, and turn your talk upon the new and more interesting thing that has intruded itself into your mind meantime.

Certainly there is something to be said in favor of his plan, and I often thought it the best plan for his kind of autobiography, which was really not autobiography at all, in the meaning generally conveyed by that term, but a series of entertaining stories and opinions⁠—dinner-table talks, in fact, such as he had always delivered in his own home and elsewhere, and with about the same latitude and elaboration.

I do not wish to convey that his narrative is in any sense a mere fairy tale. Many of the chapters, especially the earlier ones, are vividly true in their presentation; the things he told of Mrs. Clemens and Susy are marvelously and beautifully true in spirit and aspect, and the story as a whole is amazingly faithful in the character picture it presents of the man himself. It was only when he relied upon his memory for details of general history, or when his imagination responded to old prejudice, or when lifelong habit prompted a “good story” that he went wandering into fields of elaboration and gathered there such flowers and thorns as his fancy or feelings seemed to require. Mark Twain’s soul was built of the very fabric of truth, so far as moral intent was concerned, but memory often betrayed him, even when he tried most to be accurate. He realized this himself, and once said, plaintively:

“When I was younger I could remember anything, whether it happened or not; but I am getting old and soon I shall remember only the latter.”

And at another time, paraphrasing Josh Billings:

“It isn’t so astonishing the things that I can remember, as the number of things I can remember that aren’t so.”

Perhaps it is proper to assure the reader that positive mistakes of date and occurrence have been corrected, while, for the rest, the matter of mere detail, is of less importance than that the charm of the telling should remain undisturbed.

Our work, begun in the New York house at 21 Fifth Avenue, continued with considerable regularity during a period of about two years, and intermittently during another two. When the first spring came it was transferred to the Upton House, on the slopes of Monadnock,