The Autobiography of Mark Twain, Mark Twain [good summer reads .TXT] 📗

near Dublin, New Hampshire, a perfect setting for the dictations. He no longer remained in bed, but, clad in creamy-white flannels and loose morocco slippers, bareheaded, he paced up and down the long veranda against a background of far-lying forest and distant hill. As I think of that time, now, I can still hear the ceaseless slippered, shuffling walk, and see the white figure, with its rocking, rolling movement, that preternaturally beautiful landscape behind it, and hear his deliberate speech⁠—always deliberate except at rare intervals; always impressive, whatever the subject might be. In September we returned to the New York house and the work was continued there, that winter and the next. It reached its conclusion at Stormfield, the new home which he had built at Redding, Connecticut, and it was here that he died, April 21, 1910.

In the beginning it was Mark Twain’s frequently expressed command that the “Autobiography” was not to be published until he had been dead at least a hundred years. But as the months passed he modified this idea, and himself selected a number of chapters for use in the North American Review. Discussing the matter later, he expressed a willingness that any portions of the work not dealing too savagely with living persons or their immediate descendants should be published sooner, either serially or in book form.

The manuscript in time became very large and very inclusive. He even incorporated in it articles and stories which he had written and laid aside, among them “Captain Stormfield’s Visit to Heaven.” “Is Shakespeare Dead?” was originally a part of the “Autobiography,” but he published it separately in a small volume. “The Death of Jean,” written (not dictated) immediately following that tragic event, was to be the closing chapter, and such in time it will become. He wished, however, that it should have separate publication and it is for the present included in another volume. It was his last complete writing of any sort, and in all his work from beginning to end there is nothing more perfect⁠—nothing more beautiful.

Albert Bigelow Paine

Preface As from the Grave

In this Autobiography I shall keep in mind the fact that I am speaking from the grave. I am literally speaking from the grave, because I shall be dead when the book issues from the press.

I speak from the grave rather than with my living tongue, for a good reason: I can speak thence freely. When a man is writing a book dealing with the privacies of his life⁠—a book which is to be read while he is still alive⁠—he shrinks from speaking his whole frank mind; all his attempts to do it fail, he recognizes that he is trying to do a thing which is wholly impossible to a human being. The frankest and freest and privatest product of the human mind and heart is a love letter; the writer gets his limitless freedom of statement and expression from his sense that no stranger is going to see what he is writing. Sometimes there is a breach-of-promise case by and by; and when he sees his letter in print it makes him cruelly uncomfortable and he perceives that he never would have unbosomed himself to that large and honest degree if he had known that he was writing for the public. He cannot find anything in the letter that was not true, honest, and respect-worthy; but no matter, he would have been very much more reserved if he had known he was writing for print.

It has seemed to me that I could be as frank and free and unembarrassed as a love letter if I knew that what I was writing would be exposed to no eye until I was dead, and unaware, and indifferent.

Mark Twain

Early Fragments

1870⁠–⁠1877

Note.⁠—The various divisions and chapters of this work, in accordance with the author’s wish, are arranged in the order in which they were written, regardless of the chronology of events.

I will construct a text:

What a wee little part of a person’s life are his acts and his words! His real life is led in his head, and is known to none but himself. All day long, and every day, the mill of his brain is grinding, and his thoughts, not those other things, are his history. His acts and his words are merely the visible, thin crust of his world, with its scattered snow summits and its vacant wastes of water⁠—and they are so trifling a part of his bulk! a mere skin enveloping it. The mass of him is hidden⁠—it and its volcanic fires that toss and boil, and never rest, night nor day. These are his life, and they are not written, and cannot be written. Every day would make a whole book of eighty thousand words⁠—three hundred and sixty-five books a year. Biographies are but the clothes and buttons of the man⁠—the biography of the man himself cannot be written.

M. T.

The Autobiography of Mark Twain Volume I The Tennessee Land2

Written about 1870

The monster tract of land which our family own in Tennessee was purchased by my father a little over forty years ago. He bought the enormous area of seventy-five thousand acres at one purchase. The entire lot must have cost him somewhere in the neighborhood of four hundred dollars. That was a good deal of money to pass over at one payment in those days⁠—at least it was considered so away up there in the pineries and the “Knobs” of the Cumberland Mountains of Fentress County, East Tennessee. When my father paid down that great sum, and turned and stood in the courthouse door of Jamestown, and looked abroad over his vast possessions, he said, “Whatever befalls me, my heirs are secure; I shall not live to see these acres turn to silver and gold, but my children will.” Thus with the very