Daniel Deronda, George Eliot [portable ebook reader .TXT] 📗
- Author: George Eliot
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Mr. Middleton was persuaded to play various grave parts, Gwendolen having flattered him on his enviable immobility of countenance; and at first a little pained and jealous at her comradeship with Rex, he presently drew encouragement from the thought that this sort of cousinly familiarity excluded any serious passion. Indeed, he occasionally felt that her more formal treatment of himself was such a sign of favor as to warrant his making advances before he left Pennicote, though he had intended to keep his feelings in reserve until his position should be more assured. Miss Gwendolen, quite aware that she was adored by this unexceptionable young clergyman with pale whiskers and square-cut collar, felt nothing more on the subject than that she had no objection to being adored: she turned her eyes on him with calm mercilessness and caused him many mildly agitating hopes by seeming always to avoid dramatic contact with him—for all meanings, we know, depend on the key of interpretation.
Some persons might have thought beforehand that a young man of Anglican leanings, having a sense of sacredness much exercised on small things as well as great, rarely laughing save from politeness, and in general regarding the mention of spades by their naked names as rather coarse, would not have seen a fitting bride for himself in a girl who was daring in ridicule, and showed none of the special grace required in the clergyman’s wife; or, that a young man informed by theological reading would have reflected that he was not likely to meet the taste of a lively, restless young lady like Miss Harleth. But are we always obliged to explain why the facts are not what some persons thought beforehand? The apology lies on their side, who had that erroneous way of thinking.
As for Rex, who would possibly have been sorry for poor Middleton if he had been aware of the excellent curate’s inward conflict, he was too completely absorbed in a first passion to have observation for any person or thing. He did not observe Gwendolen; he only felt what she said or did, and the back of his head seemed to be a good organ of information as to whether she was in the room or out. Before the end of the first fortnight he was so deeply in love that it was impossible for him to think of his life except as bound up with Gwendolen’s. He could see no obstacles, poor boy; his own love seemed a guarantee of hers, since it was one with the unperturbed delight in her image, so that he could no more dream of her giving him pain than an Egyptian could dream of snow. She sang and played to him whenever he liked, was always glad of his companionship in riding, though his borrowed steeds were often comic, was ready to join in any fun of his, and showed a right appreciation of Anna. No mark of sympathy seemed absent. That because Gwendolen was the most perfect creature in the world she was to make a grand match, had not occurred to him. He had no conceit—at least not more than goes to make up the necessary gum and consistence of a substantial personality: it was only that in the young bliss of loving he took Gwendolen’s perfection as part of that good which had seemed one with life to him, being the outcome of a happy, well-embodied nature.
One incident which happened in the course of their dramatic attempts impressed Rex as a sign of her unusual sensibility. It showed an aspect of her nature which could not have been preconceived by anyone who, like him, had only seen her habitual fearlessness in active exercises and her high spirits in society.
After a good deal of rehearsing it was resolved that a select party should be invited to Offendene to witness the performances which went with so much satisfaction to the actors. Anna had caused a pleasant surprise; nothing could be neater than the way in which she played her little parts; one would even have suspected her of hiding much sly observation under her simplicity. And Mr. Middleton answered very well by not trying to be comic. The main source of doubt and retardation had been Gwendolen’s desire to appear in her Greek dress. No word for a charade would occur to her either waking or dreaming that suited her purpose of getting a statuesque pose in this favorite costume. To choose a motive from Racine was of no use, since Rex and the others could not declaim French verse, and improvised speeches would turn the scene into burlesque. Besides, Mr. Gascoigne prohibited the acting of scenes from plays: he usually protested against the notion that an amusement which was fitting for everyone else was unfitting for a clergyman; but he would not in this matter overstep the line of decorum as drawn in that part of Wessex, which did not exclude his sanction of the young people’s acting charades in his sister-in-law’s house—a very different affair from private theatricals in the full sense of the word.
Everybody of course was concerned to satisfy
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