Short Fiction, Leonid Andreyev [good e books to read .TXT] 📗

two children were also removed from the dangerous house, before which the bomb-throwers were to gather upon the following day.

While the lights were burning in the palace, and courteous, familiar faces were bowing to him, smiling and expressing their concern, the dignitary experienced a sensation of pleasant excitement⁠—he felt as if he had already received, or was soon to receive, some great and unexpected reward. But the people went away, the lights were extinguished, and through the mirrors, the lace-like and fantastic reflection of the electric lamps on the street, quivered across the ceiling and over the walls. A stranger in the house, with its paintings, its statues and its silence, the light⁠—itself silent and indefinite⁠—awakened painful thoughts in him as to the vanity of bolts and guards and walls. And then, in the dead of night, in the silence and solitude of a strange bedroom, a sensation of unbearable fear swept over the dignitary.

He had some kidney trouble, and whenever he grew strongly agitated, his face, his hands and his feet became swollen. Now, rising like a mountain of bloated flesh above the taut springs of the bed, he felt, with the anguish of a sick man, his swollen face, which seemed to him to belong to someone else. Unceasingly he kept thinking of the cruel fate which people were preparing for him. He recalled, one after another, all the recent horrible instances of bombs that had been thrown at men of even greater eminence than himself; he recalled how the bombs had torn bodies to pieces, had spattered brains over dirty brick walls, had knocked teeth from their roots. And influenced by these meditations, it seemed to him that his own stout, sickly body, outspread on the bed, was already experiencing the fiery shock of the explosion. He seemed to be able to feel his arms being severed from the shoulders, his teeth knocked out, his brains scattered into particles, his feet growing numb, lying quietly, their toes upward, like those of a dead man. He stirred with an effort, breathed loudly and coughed in order not to seem to himself to resemble a corpse in any way. He encouraged himself with the live noise of the grating springs, of the rustling blanket; and to assure himself that he was actually alive and not dead, he uttered in a bass voice, loudly and abruptly, in the silence and solitude of the bedroom:

“Molodtsi! Molodtsi! Molodtsi! (Good boys)!”

He was praising the detectives, the police, and the soldiers⁠—all those who guarded his life, and who so opportunely and so cleverly had averted the assassination. But even though he stirred, even though he praised his protectors, even though he forced an unnatural smile, in order to express his contempt for the foolish, unsuccessful terrorists, he nevertheless did not believe in his safety, he was not sure that his life would not leave him suddenly, at once. Death, which people had devised for him, and which was only in their minds, in their intention, seemed to him to be already standing there in the room. It seemed to him that Death would remain standing there, and would not go away until those people had been captured, until the bombs had been taken from them, until they had been placed in a strong prison. There Death was standing in the corner, and would not go away⁠—it could not go away, even as an obedient sentinel stationed on guard by a superior’s will and order.

“At one o’clock in the afternoon, your Excellency!” this phrase kept ringing, changing its tone continually: now it was cheerfully mocking, now angry, now dull and obstinate. It sounded as if a hundred wound-up gramophones had been placed in his room, and all of them, one after another, were shouting with idiotic repetition the words they had been made to shout:

“At one o’clock in the afternoon, your Excellency!”

And suddenly, this one o’clock in the afternoon tomorrow, which but a short while ago was not in any way different from other hours, which was only a quiet movement of the hand along the dial of his gold watch, assumed an ominous finality, sprang out of the dial, began to live separately, stretched itself into an enormously huge black pole which cut all life in two. It seemed as if no other hours had existed before it and no other hours would exist after it⁠—as if this hour alone, insolent and presumptuous, had a right to a certain peculiar existence.

“Well, what do you want?” asked the Minister angrily, muttering between his teeth.

The gramophone shouted:

“At one o’clock in the afternoon, your Excellency!” and the black pole smiled and bowed. Gnashing his teeth, the Minister rose in his bed to a sitting posture, leaning his face on the palms of his hands⁠—he positively could not sleep on that dreadful night.

Clasping his face in his swollen, perfumed palms, he pictured to himself with horrifying clearness how on the following morning, not knowing anything of the plot against his life, he would have risen, would have drunk his coffee, not knowing anything, and then would have put on his coat in the hallway. And neither he, nor the doorkeeper who would have handed him his fur coat, nor the lackey who would have brought him the coffee, would have known that it was utterly useless to drink coffee, and to put on the coat, since a few instants later, everything⁠—the fur coat and his body and the coffee within it⁠—would be destroyed by an explosion, would be seized by death. The doorkeeper would have opened the glass door.⁠ ⁠… He, the amiable, kind, gentle doorkeeper, with the blue, typical eyes of a soldier, and with medals across his breast⁠—he himself with his own hands would have opened the terrible door, opened it because he knew nothing. Everybody would have smiled because they did not know anything.

“Oho!” he suddenly said aloud, and slowly removed his hands from his face. Peering into the darkness, far ahead of him,