is what they relate of that shepherd who set fire to the famous temple of Diana, by repute one of the seven wonders of the world, and burned it with the sole object of making his name live in after ages; and, though it was forbidden to name him, or mention his name by word of mouth or in writing, lest the object of his ambition should be attained, nevertheless it became known that he was called Erostratus. And something of the same sort is what happened in the case of the great emperor Charles V and a gentleman in Rome. The emperor was anxious to see that famous temple of the Rotunda, called in ancient times the temple ‘of all the gods,’512 but nowadays, by a better nomenclature, ‘of all the saints,’ which is the best preserved building of all those of pagan construction in Rome, and the one which best sustains the reputation of mighty works and magnificence of its founders. It is in the form of a half orange, of enormous dimensions, and well lighted, though no light penetrates it save that which is admitted by a window, or rather round skylight, at the top; and it was from this that the emperor examined the building. A Roman gentleman stood by his side and explained to him the skilful construction and ingenuity of the vast fabric and its wonderful architecture, and when they had left the skylight he said to the emperor, ‘A thousand times, your Sacred Majesty, the impulse came upon me to seize your Majesty in my arms and fling myself down from yonder skylight, so as to leave behind me in the world a name that would last forever.’ ‘I am thankful to you for not carrying such an evil thought into effect,’ said the emperor, ‘and I shall give you no opportunity in future of again putting your loyalty to the test; and I therefore forbid you ever to speak to me or to be where I am;’ and he followed up these words by bestowing a liberal bounty upon him. My meaning is, Sancho, that the desire of acquiring fame is a very powerful motive. What, thinkest thou, was it that flung Horatius in full armour down from the bridge into the depths of the Tiber? What burned the hand and arm of Mutius? What impelled Curtius to plunge into the deep burning gulf that opened in the midst of Rome? What, in opposition to all the omens that declared against him, made Julius Caesar cross the Rubicon? And to come to more modern examples, what scuttled the ships, and left stranded and cut off the gallant Spaniards under the command of the most courteous Cortés in the New World? All these and a variety of other great exploits are, were and will be, the work of fame that mortals desire as a reward and a portion of the immortality their famous deeds deserve; though we Catholic Christians and knights-errant look more to that future glory that is everlasting in the ethereal regions of heaven than to the vanity of the fame that is to be acquired in this present transitory life; a fame that, however long it may last, must after all end with the world itself, which has its own appointed end. So that, O Sancho, in what we do we must not overpass the bounds which the Christian religion we profess has assigned to us. We have to slay pride in giants, envy by generosity and nobleness of heart, anger by calmness of demeanour and equanimity, gluttony and sloth by the spareness of our diet and the length of our vigils, lust and lewdness by the loyalty we preserve to those whom we have made the mistresses of our thoughts, indolence by traversing the world in all directions seeking opportunities of making ourselves, besides Christians, famous knights. Such, Sancho, are the means by which we reach those extremes of praise that fair fame carries with it.”
“All that your worship has said so far,” said Sancho, “I have understood quite well; but still I would be glad if your worship would dissolve a doubt for me, which has just this minute come into my mind.”
“Solve, thou meanest, Sancho,” said Don Quixote; “say on, in God’s name, and I will answer as well as I can.”
“Tell me, señor,” Sancho went on to say, “those Julys or Augusts,513 and all those venturous knights that you say are now dead—where are they now?”
“The heathens,” replied Don Quixote, “are, no doubt, in hell; the Christians, if they were good Christians, are either in purgatory or in heaven.”
“Very good,” said Sancho; “but now I want to know—the tombs where the bodies of those great lords are, have they silver lamps before them, or are the walls of their chapels ornamented with crutches, winding-sheets, tresses of hair, legs and eyes in wax? Or what are they ornamented with?”
To which Don Quixote made answer: “The tombs of the heathens were generally sumptuous temples; the ashes of Julius Caesar’s body were placed on the top of a stone pyramid of vast size, which they now call in Rome Saint Peter’s needle.514 The emperor Hadrian had for a tomb a castle as large as a good-sized village, which they called the ‘Moles Adriani,’ and is now the castle of St. Angelo in Rome. The queen Artemisia buried her husband Mausolus in a tomb which was reckoned one of the seven wonders of the world; but none of these tombs, or of the many others of the heathens, were ornamented with winding-sheets or any of those other offerings and tokens that show that they who are buried there are saints.”
“That’s the point I’m coming to,” said Sancho; “and now tell me, which is the greater work, to bring a dead man to life or to kill a giant?”
“The answer is easy,” replied Don Quixote; “it is a greater work to bring
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