Don Quixote, Miguel de Cervantes Saavedra [reading well .txt] 📗

pursuit of better and worthier adventures; for, from what I see of this country, we cannot fail to find plenty of marvellous ones in it.”

He at once wheeled about, Sancho ran to take possession of his Dapple, Death and his flying squadron returned to their cart and pursued their journey, and thus the dread adventure of the cart of Death ended happily, thanks to the advice Sancho gave his master; who had, the following day, a fresh adventure, of no less thrilling interest than the last, with an enamoured knight-errant.

XII

Of the strange adventure which befell the valiant Don Quixote with the bold Knight of the Mirrors.

The night succeeding the day of the encounter with Death, Don Quixote and his squire passed under some tall shady trees, and Don Quixote at Sancho’s persuasion ate a little from the store carried by Dapple, and over their supper Sancho said to his master, “Señor, what a fool I should have looked if I had chosen for my reward the spoils of the first adventure your worship achieved, instead of the foals of the three mares. After all, ‘a sparrow in the hand is better than a vulture on the wing.’ ”543

“At the same time, Sancho,” replied Don Quixote, “if thou hadst let me attack them as I wanted, at the very least the emperor’s gold crown and Cupid’s painted wings would have fallen to thee as spoils, for I should have taken them by force and given them into thy hands.”

“The sceptres and crowns of those play-actor emperors,” said Sancho, “were never yet pure gold, but only brass foil or tin.”

“That is true,” said Don Quixote, “for it would not be right that the accessories of the drama should be real, instead of being mere fictions and semblances, like the drama itself; towards which, Sancho⁠—and, as a necessary consequence, towards those who represent and produce it⁠—I would that thou wert favourably disposed, for they are all instruments of great good to the State, placing before us at every step a mirror in which we may see vividly displayed what goes on in human life; nor is there any similitude544 that shows us more faithfully what we are and ought to be than the play and the players. Come, tell me, hast thou not seen a play acted in which kings, emperors, pontiffs, knights, ladies, and diverse other personages were introduced? One plays the villain, another the knave, this one the merchant, that the soldier, one the sharp-witted fool, another the foolish lover; and when the play is over, and they have put off the dresses they wore in it, all the actors become equal.”

“Yes, I have seen that,” said Sancho.

“Well then,” said Don Quixote, “the same thing happens in the comedy and life of this world, where some play emperors, others popes, and, in short, all the characters that can be brought into a play; but when it is over, that is to say when life ends, death strips them all of the garments that distinguish one from the other, and all are equal in the grave.”545

“A fine comparison!” said Sancho; “though not so new but that I have heard it many and many a time, as well as that other one of the game of chess; how, so long as the game lasts, each piece has its own particular office, and when the game is finished they are all mixed, jumbled up and shaken together, and stowed away in the bag, which is much like ending life in the grave.”

“Thou art growing less doltish and more shrewd every day, Sancho,” said Don Quixote.

“Ay,” said Sancho; “it must be that some of your worship’s shrewdness sticks to me; land that, of itself, is barren and dry, will come to yield good fruit if you dung it and till it; what I mean is that your worship’s conversation has been the dung that has fallen on the barren soil of my dry wit, and the time I have been in your service and society has been the tillage; and with the help of this I hope to yield fruit in abundance that will not fall away or slide from those paths of good breeding that your worship has made in my parched understanding.”

Don Quixote laughed at Sancho’s affected phraseology, and perceived that what he said about his improvement was true, for now and then he spoke in a way that surprised him; though always, or mostly, when Sancho tried to talk fine and attempted polite language, he wound up by toppling over from the summit of his simplicity into the abyss of his ignorance; and where he showed his culture and his memory to the greatest advantage was in dragging in proverbs, no matter whether they had any bearing or not upon the subject in hand, as may have been seen already and will be noticed in the course of this history.

In conversation of this kind they passed a good part of the night, but Sancho felt a desire to let down the curtains of his eyes, as he used to say when he wanted to go to sleep; and stripping Dapple he left him at liberty to graze his fill. He did not remove Rocinante’s saddle, as his master’s express orders were, that so long as they were in the field or not sleeping under a roof Rocinante was not to be stripped⁠—the ancient usage established and observed by knights-errant being to take off the bridle and hang it on the saddlebow, but to remove the saddle from the horse⁠—never! Sancho acted accordingly, and gave him the same liberty he had given Dapple, between whom and Rocinante there was a friendship so unequalled and so strong, that it is handed down by tradition from father to son, that the author of this veracious history devoted some special chapters to it, which, in order to preserve the propriety and decorum due