Poor Folk, Fyodor Dostoevsky [uplifting novels txt] 📗

sleep peacefully, I retain my health, I can ruffle it with my juniors. In fact, it is a pleasure to see me. Come, come, then, sweetheart! Let us have no more of this. I know that that little head of yours is capable of any fancy⁠—that all too easily you take to dreaming and repining; but for my sake, cease to do so.

Are you to go to these people, you ask me? Never! No, no, again no! How could you think of doing such a thing as taking a journey? I will not allow it⁠—I intend to combat your intention with all my might. I will sell my frockcoat, and walk the streets in my shirt sleeves, rather than let you be in want. But no, Barbara. I know you, I know you. This is merely a trick, merely a trick. And probably Thedora alone is to blame for it. She appears to be a foolish old woman, and to be able to persuade you to do anything. Do not believe her, my dearest. I am sure that you know what is what, as well as she does. Eh, sweetheart? She is a stupid, quarrelsome, rubbish-talking old woman who brought her late husband to the grave. Probably she has been plaguing you as much as she did him. No, no, dearest; you must not take this step. What should I do then? What would there be left for me to do? Pray put the idea out of your head. What is it you lack here? I cannot feel sufficiently overjoyed to be near you, while, for your part, you love me well, and can live your life here as quietly as you wish. Read or sew, whichever you like⁠—or read and do not sew. Only, do not desert me. Try, yourself, to imagine how things would seem after you had gone. Here am I sending you books, and later we will go for a walk. Come, come, then, my Barbara! Summon to your aid your reason, and cease to babble of trifles.

As soon as I can I will come and see you, and then you shall tell me the whole story. This will not do, sweetheart; this certainly will not do. Of course, I know that I am not an educated man, and have received but a sorry schooling, and have had no inclination for it, and think too much of Rataziaev, if you will; but he is my friend, and therefore, I must put in a word or two for him. Yes, he is a splendid writer. Again and again I assert that he writes magnificently. I do not agree with you about his works, and never shall. He writes too ornately, too laconically, with too great a wealth of imagery and imagination. Perhaps you have read him without insight, Barbara? Or perhaps you were out of spirits at the time, or angry with Thedora about something, or worried about some mischance? Ah, but you should read him sympathetically, and, best of all, at a time when you are feeling happy and contented and pleasantly disposed⁠—for instance, when you have a bonbon or two in your mouth. Yes, that is the way to read Rataziaev. I do not dispute (indeed, who would do so?) that better writers than he exist⁠—even far better; but they are good, and he is good too⁠—they write well, and he writes well. It is chiefly for his own sake that he writes, and he is to be approved for so doing.

Now goodbye, dearest. More I cannot write, for I must hurry away to business. Be of good cheer, and the Lord God watch over you!⁠—Your faithful friend,

Makar Dievushkin.

P.S.⁠—Thank you so much for the book, darling! I will read it through, this volume of Pushkin, and tonight come to you.

My Dear Makar Alexievitch

My dear Makar Alexievitch⁠—No, no, my friend, I must not go on living near you. I have been thinking the matter over, and come to the conclusion that I should be doing very wrong to refuse so good a post. I should at least have an assured crust of bread; I might at least set to work to earn my employers’ favour, and even try to change my character if required to do so. Of course it is a sad and sorry thing to have to live among strangers, and to be forced to seek their patronage, and to conceal and constrain one’s own personality⁠—but God will help me. I must not remain forever a recluse, for similar chances have come my way before. I remember how, when a little girl at school, I used to go home on Sundays and spend the time in frisking and dancing about. Sometimes my mother would chide me for so doing, but I did not care, for my heart was too joyous, and my spirits too buoyant, for that. Yet as the evening of Sunday came on, a sadness as of death would overtake me, for at nine o’clock I had to return to school, where everything was cold and strange and severe⁠—where the governesses, on Mondays, lost their tempers, and nipped my ears, and made me cry. On such occasions I would retire to a corner and weep alone; concealing my tears lest I should be called lazy. Yet it was not because I had to study that I used to weep, and in time I grew more used to things, and, after my schooldays were over, shed tears only when I was parting with friends.⁠ ⁠… It is not right for me to live in dependence upon you. The thought tortures me. I tell you this frankly, for the reason that frankness with you has become a habit. Cannot I see that daily, at earliest dawn, Thedora rises to do washing and scrubbing, and remains working at it until late at night, even though her poor old bones must be aching for want