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perfect simplicity. Why, I might almost have written the book myself! Why not, indeed? I can feel just as the people in the book do, and find myself in positions precisely similar to those of, say, the character Samson Virin. In fact, how many good-hearted wretches like Virin are there not walking about amongst us? How easily, too, it is all described! I assure you, my darling, that I almost shed tears when I read that Virin so took to drink as to lose his memory, become morose, and spend whole days over his liquor; as also that he choked with grief and wept bitterly when, rubbing his eyes with his dirty hand, he bethought him of his wandering lamb, his daughter Dunasha! How natural, how natural! You should read the book for yourself. The thing is actually alive. Even I can see that; even I can realise that it is a picture cut from the very life around me. In it I see our own Theresa (to go no further) and the poor chinovnik⁠—who is just such a man as this Samson Virin, except for his surname of Gorshkov. The book describes just what might happen to ourselves⁠—to myself in particular. Even a count who lives in the Nevski Prospect or in Naberezhnaia Street might have a similar experience, though he might appear to be different, owing to the fact that his life is cast on a higher plane. Yes, just the same things might happen to him⁠—just the same things.⁠ ⁠… Here you are wishing to go away and leave us; yet, be careful lest it would not be I who had to pay the penalty of your doing so. For you might ruin both yourself and me. For the love of God, put away these thoughts from you, my darling, and do not torture me in vain. How could you, my poor little unfledged nestling, find yourself food, and defend yourself from misfortune, and ward off the wiles of evil men? Think better of it, Barbara, and pay no more heed to foolish advice and calumny, but read your book again, and read it with attention. It may do you much good.

I have spoken of Rataziaev’s The Station Overseer. However, the author has told me that the work is old-fashioned, since, nowadays, books are issued with illustrations and embellishments of different sorts (though I could not make out all that he said). Pushkin he adjudges a splendid poet, and one who has done honour to Holy Russia. Read your book again, Barbara, and follow my advice, and make an old man happy. The Lord God Himself will reward you. Yes, He will surely reward you.⁠—Your faithful friend,

Makar Dievushkin.

My Dearest Makar Alexievitch

My dearest Makar Alexievitch⁠—Today Thedora came to me with fifteen roubles in silver. How glad was the poor woman when I gave her three of them! I am writing to you in great haste, for I am busy cutting out a waistcoat to send to you⁠—buff, with a pattern of flowers. Also I am sending you a book of stories; some of which I have read myself, particularly one called “The Cloak.”⁠ ⁠… You invite me to go to the theatre with you. But will it not cost too much? Of course we might sit in the gallery. It is a long time (indeed I cannot remember when I last did so) since I visited a theatre! Yet I cannot help fearing that such an amusement is beyond our means. Thedora keeps nodding her head, and saying that you have taken to living above your income. I myself divine the same thing by the amount which you have spent upon me. Take care, dear friend, that misfortune does not come of it, for Thedora has also informed me of certain rumours concerning your inability to meet your landlady’s bills. In fact, I am very anxious about you. Now, goodbye, for I must hasten away to see about another matter⁠—about the changing of the ribands on my bonnet.

P.S.⁠—Do you know, if we go to the theatre, I think that I shall wear my new hat and black mantilla. Will that not look nice?

July 7th: My Dearest Barbara Alexievna

July 7th.

My dearest Barbara Alexievna⁠—So much for yesterday! Yes, dearest, we have both been caught playing the fool, for I have become thoroughly bitten with the actress of whom I spoke. Last night I listened to her with all my ears, although, strangely enough, it was practically my first sight of her, seeing that only once before had I been to the theatre. In those days I lived cheek by jowl with a party of five young men⁠—a most noisy crew⁠—and one night I accompanied them, willy-nilly, to the theatre, though I held myself decently aloof from their doings, and only assisted them for company’s sake. How those fellows talked to me of this actress! Every night when the theatre was open, the entire band of them (they always seemed to possess the requisite money) would betake themselves to that place of entertainment, where they ascended to the gallery, and clapped their hands, and repeatedly recalled the actress in question. In fact, they went simply mad over her. Even after we had returned home they would give me no rest, but would go on talking about her all night, and calling her their Glasha, and declaring themselves to be in love with “the canary-bird of their hearts.” My defenseless self, too, they would plague about the woman, for I was as young as they. What a figure I must have cut with them on the fourth tier of the gallery! Yet, I never got a sight of more than just a corner of the curtain, but had to content myself with listening. She had a fine, resounding, mellow voice like a nightingale’s, and we all of us used to

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