Lavengro, George Borrow [i love reading books txt] 📗
- Author: George Borrow
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“Dear me,” said I, “how very extraordinary! Do you think that your going to sleep is caused by the meadow or the book?” “I suppose by both,” said my new acquaintance, “acting in cooperation.” “It may be so,” said I; “the magic influence does certainly not proceed from the meadow alone; for since I have been here, I have not felt the slightest inclination to sleep. Does the book consist of prose or poetry?” “It consists of poetry,” said the individual. “Not Byron’s?” said I. “Byron’s!” repeated the individual, with a smile of contempt; “no, no; there is nothing narcotic in Byron’s poetry. I don’t like it. I used to read it, but it thrilled, agitated and kept me awake. No; this is not Byron’s poetry, but the inimitable ⸻’s”—mentioning a name that I had never heard till then. “Will you permit me to look at it?” said I. “With pleasure,” he answered, politely handing me the book. I took the volume, and glanced over the contents. It was written in blank verse, and appeared to abound in descriptions of scenery; there was much mention of mountains, valleys, streams and waterfalls, harebells and daffodils.270 These descriptions were interspersed with dialogues, which though they proceeded from the mouths of pedlars and rustics, were of the most edifying description; mostly on subjects moral or metaphysical, and couched in the most gentlemanly and unexceptionable language, without the slightest mixture of vulgarity, coarseness or piebald grammar. Such appeared to me to be the contents of the book; but before I could form a very clear idea of them, I found myself nodding, and a surprising desire to sleep coming over me. Rousing myself, however, by a strong effort, I closed the book, and, returning it to the owner, inquired of him, “Whether he had any motive in coming and lying down in the meadow, besides the wish of enjoying sleep?” “None whatever,” he replied; “indeed, I should be very glad not to be compelled to do so, always provided I could enjoy the blessing of sleep; for by lying down under trees, I may possibly catch the rheumatism, or be stung by serpents; and, moreover, in the rainy season and winter the thing will be impossible, unless I erect a tent, which will possibly destroy the charm.” “Well,” said I, “you need give yourself no further trouble about coming here, as I am fully convinced that with this book in your hand, you may go to sleep anywhere, as your friend was doubtless aware, though he wished to interest your imagination for a time by persuading you to lie abroad; therefore, in future, whenever you feel disposed to sleep, try to read the book, and you will be sound asleep in a minute, the narcotic influence lies in the book, and not the field.” “I will follow your advice,” said the individual; “and this very night take it with me to bed, though I hope in time to be able to sleep without it, my nerves being already much quieted from the slumbers I have enjoyed in this field.” He then moved towards the gate, where we parted, he going one way and I and my horse the other.
More than twenty years subsequent to this period, after much wandering about the world, returning to my native country, I was invited to a literary tea-party, where, the discourse turning upon poetry, I, in order to show that I was not more ignorant than my neighbours, began to talk about Byron, for whose writings I really entertained considerable admiration, though I had no particular esteem for the man himself. At first, I received no answer to what I said—the company merely surveying me with a kind of sleepy stare. At length a lady, about the age of forty, with a large wart on her face, observed in a drawling tone, “That she had not read Byron—at least, since her girlhood—and then only a few passages; but that the impression on her mind was that his writings were of a highly objectionable character.” “I also read a little of him in my boyhood,” said a gentleman about sixty, but who evidently, from his dress and demeanour, wished to appear about thirty, “but I highly disapproved of him; for notwithstanding he was a nobleman, he is frequently very coarse, and very fond of raising emotion. Now emotion is what I dislike,” drawling out the last syllable of the word dislike. “There is only one poet for me—the divine ⸻,” and
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