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floor, listening to the heavy voices of the men rumbling up and down in mimic thunder. Like familiar chords of childhood melodies, every intonation, every trick of her husband’s voice swept in upon her, fluttering her heart and weakening her knees till she lay half-fainting against the door. It was well she could neither see nor hear when he took his departure.

“When do you expect to go back to Circle City?” Malemute Kid asked simply.

“Haven’t thought much about it,” he replied. “Don’t think till after the ice breaks.”

“And Madeline?”

He flushed at the question, and there was a quick droop to his eyes. Malemute Kid could have despised him for that, had he known men less. As it was, his gorge rose against the wives and daughters who had come into the land, and not satisfied with usurping the place of the native women, had put unclean thoughts in the heads of the men and made them ashamed.

“I guess she’s all right,” the Circle City King answered hastily, and in an apologetic manner. “Tom Dixon’s got charge of my interests, you know, and he sees to it that she has everything she wants.”

Malemute Kid laid hand upon his arm and hushed him suddenly. They had stepped without. Overhead, the aurora, a gorgeous wanton, flaunted miracles of color; beneath lay the sleeping town. Far below, a solitary dog gave tongue. The King again began to speak, but the Kid pressed his hand for silence. The sound multiplied. Dog after dog took up the strain till the full-throated chorus swayed the night. To him who hears for the first time this weird song, is told the first and greatest secret of the Northland; to him who has heard it often, it is the solemn knell of lost endeavor. It is the plaint of tortured souls, for in it is invested the heritage of the North, the suffering of countless generations⁠—the warning and the requiem to the world’s estrays.

Cal Galbraith shivered slightly as it died away in half-caught sobs. The Kid read his thoughts openly, and wandered back with him through all the weary days of famine and disease; and with him was also the patient Madeline, sharing his pains and perils, never doubting, never complaining. His mind’s retina vibrated to a score of pictures, stern, clear-cut, and the hand of the past drew back with heavy fingers on his heart. It was the psychological moment. Malemute Kid was half-tempted to play his reserve card and win the game; but the lesson was too mild as yet, and he let it pass. The next instant they had gripped hands, and the King’s beaded moccasins were drawing protests from the outraged snow as he crunched down the hill.

Madeline in collapse was another woman to the mischievous creature of an hour before, whose laughter had been so infectious and whose heightened color and flashing eyes had made her teachers for the while forget. Weak and nerveless, she sat in the chair just as she had been dropped there by Prince and Harrington. Malemute Kid frowned. This would never do. When the time of meeting her husband came to hand, she must carry things off with high-handed imperiousness. It was very necessary she should do it after the manner of white women, else the victory would be no victory at all. So he talked to her, sternly, without mincing of words, and initiated her into the weaknesses of his own sex, till she came to understand what simpletons men were after all, and why the word of their women was law.

A few days before Thanksgiving Night, Malemute Kid made another call on Mrs. Eppingwell. She promptly overhauled her feminine fripperies, paid a protracted visit to the dry-goods department of the P.C. Company, and returned with the Kid to make Madeline’s acquaintance. After that came a period such as the cabin had never seen before, and what with cutting, and fitting, and basting, and stitching, and numerous other wonderful and unknowable things, the male conspirators were more often banished the premises than not. At such times the Opera House opened its double storm-doors to them. So often did they put their heads together, and so deeply did they drink to curious toasts, that the loungers scented unknown creeks of incalculable richness, and it is known that several che-cha-quas and at least one Old-Timer kept their stampeding packs stored behind the bar, ready to hit the trail at a moment’s notice.

Mrs. Eppingwell was a woman of capacity; so, when she turned Madeline over to her trainers on Thanksgiving Night she was so transformed that they were almost afraid of her. Prince wrapped a Hudson Bay blanket about her with a mock reverence more real than feigned, while Malemute Kid, whose arm she had taken, found it a severe trial to resume his wonted mentorship. Harrington, with the list of purchases still running through his head, dragged along in the rear, nor opened his mouth once all the way down into the town. When they came to the back door of the Opera House they took the blanket from Madeline’s shoulders and spread it on the snow. Slipping out of Prince’s moccasins, she stepped upon it in new satin slippers. The masquerade was at its height. She hesitated, but they jerked open the door and shoved her in. Then they ran around to come in by the front entrance.

III

“Where is Freda?” the Old-Timers questioned, while the che-cha-quas were equally energetic in asking who Freda was. The ballroom buzzed with her name. It was on everybody’s lips. Grizzled “sourdough boys,” day-laborers at the mines but proud of their degree, either patronized the spruce-looking tenderfeet and lied eloquently⁠—the “sourdough boys” being specially created to toy with truth⁠—or gave them savage looks of indignation because of their ignorance. Perhaps forty kings of the Upper and Lower Countries were on the floor, each deeming himself hot on the trail and sturdily backing his judgment with the yellow

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