The Son of the Wolf, Jack London [the lemonade war series .txt] 📗

dust of the realm. An assistant was sent to the man at the scales, upon whom had fallen the burden of weighing up the sacks, while several of the gamblers, with the rules of chance at their finger-ends, made up alluring books on the field and favourites.

Which was Freda? Time and again the Greek dancer was thought to have been discovered, but each discovery brought panic to the betting ring and a frantic registering of new wagers by those who wished to hedge. Malemute Kid took an interest in the hunt, his advent being hailed uproariously by the revelers, who knew him to a man. The Kid had a good eye for the trick of a step, and ear for the lilt of a voice, and his private choice was a marvelous creature who scintillated as the “Aurora Borealis.” But the Greek dancer was too subtle for even his penetration. The majority of the gold-hunters seemed to have centered their verdict on the “Russian Princess,” who was the most graceful in the room, and hence could be no other than Freda Moloof.

During a quadrille a roar of satisfaction went up. She was discovered. At previous balls, in the figure, “all hands round,” Freda had displayed an inimitable step and variation peculiarly her own. As the figure was called, the “Russian Princess” gave the unique rhythm to limb and body. A chorus of I-told-you-so’s shook the squared roof-beams, when lo! it was noticed that “Aurora Borealis” and another masque, the “Spirit of the Pole,” were performing the same trick equally well. And when two twin “Sun Dogs” and a “Frost Queen” followed suit, a second assistant was dispatched to the aid of the man at the scales.

Bettles came off trail in the midst of the excitement, descending upon them in a hurricane of frost. His rimed brows turned to cataracts as he whirled about; his moustache, still frozen, seemed gemmed with diamonds and turned the light in varicoloured rays; while the flying feet slipped on the chunks of ice which rattled from his moccasins and German socks. A Northland dance is quite an informal affair, the men of the creeks and trails having lost whatever fastidiousness they might have at one time possessed; and only in the high official circles are conventions at all observed. Here, caste carried no significance. Millionaires and paupers, dog-drivers and mounted policemen joined hands with “ladies in the centre,” and swept around the circle performing most remarkable capers. Primitive in their pleasure, boisterous and rough, they displayed no rudeness, but rather a crude chivalry more genuine than the most polished courtesy.

In his quest for the Greek dancer, Cal Galbraith managed to get into the same set with the “Russian Princess,” toward whom popular suspicion had turned. But by the time he had guided her through one dance, he was willing not only to stake his millions that she was not Freda, but that he had had his arm about her waist before. When or where he could not tell, but the puzzling sense of familiarity so wrought upon him that he turned his attention to the discovery of her identity. Malemute Kid might have aided him instead of occasionally taking the “Princess” for a few turns and talking earnestly to her in low tones. But it was Jack Harrington who paid the “Russian Princess” the most assiduous court. Once he drew Cal Galbraith aside and hazarded wild guesses as to who she was, and explained to him that he was going in to win. That rankled the Circle City King, for man is not by nature monogamic, and he forgot both Madeline and Freda in the new quest.

It was soon noised about that the “Russian Princess” was not Freda Moloof. Interest deepened. Here was a fresh enigma. They knew Freda though they could not find her, but here was somebody they had found and did not know. Even the women could not place her, and they knew every good dancer in the camp. Many took her for one of the official clique, indulging in a silly escapade. Not a few asserted she would disappear before the unmasking. Others were equally positive that she was the woman-reporter of the Kansas City Star, come to write them up at ninety dollars per column. And the men at the scales worked busily.

At one o’clock every couple took to the floor. The unmasking began amid laughter and delight, like that of carefree children. There was no end of oh’s and ah’s as mask after mask was lifted. The scintillating “Aurora Borealis” became the brawny negress whose income from washing the community’s clothes ran at about five hundred a month. The twin “Sun Dogs” discovered mustaches on their upper lips, and were recognized as brother fraction-kings of El Dorado. In one of the most prominent sets, and the slowest in uncovering, was Cal Galbraith with the “Spirit of the Pole.” Opposite him was Jack Harrington and the “Russian Princess.” The rest had discovered themselves, yet the Greek dancer was still missing. All eyes were upon the group. Cal Galbraith, in response to their cries, lifted his partner’s mask. Freda’s wonderful face and brilliant eyes flashed out upon them. A roar went up, to be squelched suddenly in the new and absorbing mystery of the “Russian Princess.” Her face was still hidden, and Jack Harrington was struggling with her. The dancers tittered on the tiptoes of expectancy. He crushed her dainty costume roughly, and then⁠—and then the revelers exploded. The joke was on them. They had danced all night with a tabooed native woman.

But those that knew, and they were many, ceased abruptly, and a hush fell upon the room. Cal Galbraith crossed over with great strides, angrily, and spoke to Madeline in polyglot Chinook. But she retained her composure, apparently oblivious to the fact that she was the cynosure of all eyes, and answered him in English. She showed neither fright nor anger, and Malemute Kid chuckled at her well-bred equanimity.