The Awakening, Kate Chopin [grave mercy .TXT] 📗

able to paint in color rather than in words!” exclaimed Miss Mayblunt, losing herself in a rhapsodic dream as she looked at him.

“ ‘There was a graven image of Desire
Painted with red blood on a ground of gold.’ ”

murmured Gouvernail, under his breath.

The effect of the wine upon Victor was to change his accustomed volubility into silence. He seemed to have abandoned himself to a reverie, and to be seeing pleasing visions in the amber bead.

“Sing,” entreated Mrs. Highcamp. “Won’t you sing to us?”

“Let him alone,” said Arobin.

“He’s posing,” offered Mr. Merriman; “let him have it out.”

“I believe he’s paralyzed,” laughed Mrs. Merriman. And leaning over the youth’s chair, she took the glass from his hand and held it to his lips. He sipped the wine slowly, and when he had drained the glass she laid it upon the table and wiped his lips with her little filmy handkerchief.

“Yes, I’ll sing for you,” he said, turning in his chair toward Mrs. Highcamp. He clasped his hands behind his head, and looking up at the ceiling began to hum a little, trying his voice like a musician tuning an instrument. Then, looking at Edna, he began to sing:

“Ah! si tu savais!”

“Stop!” she cried, “don’t sing that. I don’t want you to sing it,” and she laid her glass so impetuously and blindly upon the table as to shatter it against a carafe. The wine spilled over Arobin’s legs and some of it trickled down upon Mrs. Highcamp’s black gauze gown. Victor had lost all idea of courtesy, or else he thought his hostess was not in earnest, for he laughed and went on:

“Ah! si tu savais!
Ce que tes yeux me disent”⁠—

“Oh! you mustn’t! you mustn’t,” exclaimed Edna, and pushing back her chair she got up, and going behind him placed her hand over his mouth. He kissed the soft palm that pressed upon his lips.

“No, no, I won’t, Mrs. Pontellier. I didn’t know you meant it,” looking up at her with caressing eyes. The touch of his lips was like a pleasing sting to her hand. She lifted the garland of roses from his head and flung it across the room.

“Come, Victor; you’ve posed long enough. Give Mrs. Highcamp her scarf.”

Mrs. Highcamp undraped the scarf from about him with her own hands. Miss Mayblunt and Mr. Gouvernail suddenly conceived the notion that it was time to say good night. And Mr. and Mrs. Merriman wondered how it could be so late.

Before parting from Victor, Mrs. Highcamp invited him to call upon her daughter, who she knew would be charmed to meet him and talk French and sing French songs with him. Victor expressed his desire and intention to call upon Miss Highcamp at the first opportunity which presented itself. He asked if Arobin were going his way. Arobin was not.

The mandolin players had long since stolen away. A profound stillness had fallen upon the broad, beautiful street. The voices of Edna’s disbanding guests jarred like a discordant note upon the quiet harmony of the night.

XXXI

“Well?” questioned Arobin, who had remained with Edna after the others had departed.

“Well,” she reiterated, and stood up, stretching her arms, and feeling the need to relax her muscles after having been so long seated.

“What next?” he asked.

“The servants are all gone. They left when the musicians did. I have dismissed them. The house has to be closed and locked, and I shall trot around to the pigeon house, and shall send Celestine over in the morning to straighten things up.”

He looked around, and began to turn out some of the lights.

“What about upstairs?” he inquired.

“I think it is all right; but there may be a window or two unlatched. We had better look; you might take a candle and see. And bring me my wrap and hat on the foot of the bed in the middle room.”

He went up with the light, and Edna began closing doors and windows. She hated to shut in the smoke and the fumes of the wine. Arobin found her cape and hat, which he brought down and helped her to put on.

When everything was secured and the lights put out, they left through the front door, Arobin locking it and taking the key, which he carried for Edna. He helped her down the steps.

“Will you have a spray of jessamine?” he asked, breaking off a few blossoms as he passed.

“No; I don’t want anything.”

She seemed disheartened, and had nothing to say. She took his arm, which he offered her, holding up the weight of her satin train with the other hand. She looked down, noticing the black line of his leg moving in and out so close to her against the yellow shimmer of her gown. There was the whistle of a railway train somewhere in the distance, and the midnight bells were ringing. They met no one in their short walk.

The “pigeon house” stood behind a locked gate, and a shallow parterre that had been somewhat neglected. There was a small front porch, upon which a long window and the front door opened. The door opened directly into the parlor; there was no side entry. Back in the yard was a room for servants, in which old Celestine had been ensconced.

Edna had left a lamp burning low upon the table. She had succeeded in making the room look habitable and homelike. There were some books on the table and a lounge near at hand. On the floor was a fresh matting, covered with a rug or two; and on the walls hung a few tasteful pictures. But the room was filled with flowers. These were a surprise to her. Arobin had sent them, and had had Celestine distribute them during Edna’s absence. Her bedroom was adjoining, and across a small passage were the dining-room and kitchen.

Edna seated herself with every appearance of discomfort.

“Are you tired?” he asked.

“Yes, and chilled, and miserable. I feel as if I had been wound up to a certain pitch⁠—too tight⁠—and something inside