Beyond Good and Evil, Friedrich Nietzsche [best love story novels in english .TXT] 📗

Now that the praise of the “disinterested person” is so popular one must⁠—probably not without some danger⁠—get an idea of what people actually take an interest in, and what are the things generally which fundamentally and profoundly concern ordinary men⁠—including the cultured, even the learned, and perhaps philosophers also, if appearances do not deceive. The fact thereby becomes obvious that the greater part of what interests and charms higher natures, and more refined and fastidious tastes, seems absolutely “uninteresting” to the average man⁠—if, notwithstanding, he perceive devotion to these interests, he calls it désintéressé, and wonders how it is possible to act “disinterestedly.” There have been philosophers who could give this popular astonishment a seductive and mystical, otherworldly expression (perhaps because they did not know the higher nature by experience?), instead of stating the naked and candidly reasonable truth that “disinterested” action is very interesting and “interested” action, provided that⁠ ⁠… “And love?”⁠—What! Even an action for love’s sake shall be “unegoistic”? But you fools⁠—! “And the praise of the self-sacrificer?”⁠—But whoever has really offered sacrifice knows that he wanted and obtained something for it⁠—perhaps something from himself for something from himself; that he relinquished here in order to have more there, perhaps in general to be more, or even feel himself “more.” But this is a realm of questions and answers in which a more fastidious spirit does not like to stay: for here truth has to stifle her yawns so much when she is obliged to answer. And after all, truth is a woman; one must not use force with her.

“It sometimes happens,” said a moralistic pedant and trifle-retailer, “that I honour and respect an unselfish man: not, however, because he is unselfish, but because I think he has a right to be useful to another man at his own expense. In short, the question is always who he is, and who the other is. For instance, in a person created and destined for command, self-denial and modest retirement, instead of being virtues, would be the waste of virtues: so it seems to me. Every system of unegoistic morality which takes itself unconditionally and appeals to everyone, not only sins against good taste, but is also an incentive to sins of omission, an additional seduction under the mask of philanthropy⁠—and precisely a seduction and injury to the higher, rarer, and more privileged types of men. Moral systems must be compelled first of all to bow before the gradations of rank; their presumption must be driven home to their conscience⁠—until they thoroughly understand at last that it is immoral to say that ‘what is right for one is proper for another.’ ”⁠—So said my moralistic pedant and bonhomme. Did he perhaps deserve to be laughed at when he thus exhorted systems of morals to practise morality? But one should not be too much in the right if one wishes to have the laughers on one’s own side; a grain of wrong pertains even to good taste.

Wherever sympathy (fellow-suffering) is preached nowadays⁠—and, if I gather rightly, no other religion is any longer preached⁠—let the psychologist have his ears open through all the vanity, through all the noise which is natural to these preachers (as to all preachers), he will hear a hoarse, groaning, genuine note of self-contempt. It belongs to the overshadowing and uglifying of Europe, which has been on the increase for a century (the first symptoms of which are already specified documentarily in a thoughtful letter of Galiani to Madame d’Epinay)⁠—if it is not really the cause thereof! The man of “modern ideas,” the conceited ape, is excessively dissatisfied with himself⁠—this is perfectly certain. He suffers, and his vanity wants him only “to suffer with his fellows.”

The hybrid European⁠—a tolerably ugly plebeian, taken all in all⁠—absolutely requires a costume: he needs history as a storeroom of costumes. To be sure, he notices that none of the costumes fit him properly⁠—he changes and changes. Let us look at the nineteenth century with respect to these hasty preferences and changes in its masquerades of style, and also with respect to its moments of desperation on account of “nothing suiting” us. It is in vain to get ourselves up as romantic, or classical, or Christian, or Florentine, or barocco, or “national,” in moribus et artibus: it does not “clothe us”! But the “spirit,” especially the “historical spirit,” profits even by this desperation: once and again a new sample of the past or of the foreign is tested, put on, taken off, packed up, and above all studied⁠—we are the first studious age in puncto of “costumes,” I mean as concerns morals, articles of belief, artistic tastes, and religions; we are prepared as no other age has ever been for a carnival in the grand style, for the most spiritual festival⁠—laughter and arrogance, for the transcendental height of supreme folly and Aristophanic ridicule of the world. Perhaps we are still discovering the domain of our invention just here, the domain where even we can still be original, probably as parodists of the world’s history and as God’s Merry-Andrews⁠—perhaps, though nothing else of the present have a future, our laughter itself may have a future!

The historical sense (or the capacity for divining quickly the order of rank of the valuations according to which a people, a community, or an individual has lived, the “divining instinct” for the relationships of these valuations, for the relation of the authority of the valuations to the authority of the operating forces)⁠—this historical sense, which we Europeans claim as our specialty, has come to us in the train of the enchanting and mad semi-barbarity into which Europe has been plunged by the democratic mingling of classes and races⁠—it is only the nineteenth century that has recognized this faculty as its sixth sense. Owing to this mingling, the past of every form and mode of life,