Dead Souls, Nikolai Gogol [best biographies to read .TXT] 📗

But in the present case the hero was a man of middle-age, and of cautious and frigid temperament. True, he pondered over the incident, but in more deliberate fashion than a younger man would have done. That is to say, his reflections were not so irresponsible and unsteady. “She was a comely damsel,” he said to himself as he opened his snuffbox and took a pinch. “But the important point is: Is she also a nice damsel? One thing she has in her favour⁠—and that is that she appears only just to have left school, and not to have had time to become womanly in the worser sense. At present, therefore, she is like a child. Everything in her is simple, and she says just what she thinks, and laughs merely when she feels inclined. Such a damsel might be made into anything⁠—or she might be turned into worthless rubbish. The latter, I surmise, for trudging after her she will have a fond mother and a bevy of aunts, and so forth⁠—persons who, within a year, will have filled her with womanishness to the point where her own father wouldn’t know her. And to that there will be added pride and affectation, and she will begin to observe established rules, and to rack her brains as to how, and how much, she ought to talk, and to whom, and where, and so forth. Every moment will see her growing timorous and confused lest she be saying too much. Finally, she will develop into a confirmed prevaricator, and end by marrying the devil knows whom!” Chichikov paused awhile. Then he went on: “Yet I should like to know who she is, and who her father is, and whether he is a rich landowner of good standing, or merely a respectable man who has acquired a fortune in the service of the government. Should he allow her, on marriage, a dowry of, say, two hundred thousand roubles, she will be a very nice catch indeed. She might even, so to speak, make a man of good breeding happy.”

Indeed, so attractively did the idea of the two hundred thousand roubles begin to dance before his imagination that he felt a twinge of self-reproach because, during the hubbub, he had not inquired of the postillion or the coachman who the travellers might be. But soon the sight of Sobakevitch’s country house dissipated his thoughts, and forced him to return to his stock subject of reflection.

Sobakevitch’s country house and estate were of very fair size, and on each side of the mansion were expanses of birch and pine forest in two shades of green. The wooden edifice itself had dark-grey walls and a red-gabled roof, for it was a mansion of the kind which Russia builds for her military settlers and for German colonists. A noticeable circumstance was the fact that the taste of the architect had differed from that of the proprietor⁠—the former having manifestly been a pedant and desirous of symmetry, and the latter having wished only for comfort. Consequently he (the proprietor) had dispensed with all windows on one side of the mansion, and had caused to be inserted, in their place, only a small aperture which, doubtless, was intended to light an otherwise dark lumber-room. Likewise, the architect’s best efforts had failed to cause the pediment to stand in the centre of the building, since the proprietor had had one of its four original columns removed. Evidently durability had been considered throughout, for the courtyard was enclosed by a strong and very high wooden fence, and both the stables, the coach-house, and the culinary premises were partially constructed of beams warranted to last for centuries. Nay, even the wooden huts of the peasantry were wonderful in the solidity of their construction, and not a clay wall or a carved pattern or other device was to be seen. Everything fitted exactly into its right place, and even the draw-well of the mansion was fashioned of the oakwood usually thought suitable only for mills or ships. In short, wherever Chichikov’s eye turned he saw nothing that was not free from shoddy make and well and skilfully arranged. As he approached the entrance steps he caught sight of two faces peering from a window. One of them was that of a woman in a mobcap with features as long and as narrow as a cucumber, and the other that of a man with features as broad and as short as the Moldavian pumpkins (known as gorlianki) whereof balallaiki⁠—the species of light, two-stringed instrument which constitutes the pride and the joy of the gay young fellow of twenty as he sits winking and smiling at the white-necked, white-bosomed maidens who have gathered to listen to his low-pitched tinkling⁠—are fashioned. This scrutiny made, both faces withdrew, and there came out on to the entrance steps a lackey clad in a grey jacket and a stiff blue collar. This functionary conducted Chichikov into the hall, where he was met by the master of the house himself, who requested his guest to enter, and then led him into the inner part of the mansion.

A covert glance at Sobakevitch showed our hero that his host exactly resembled a moderate-sized bear. To complete the resemblance, Sobakevitch’s long frockcoat and baggy trousers were of the precise colour of a bear’s hide, while, when shuffling across the floor, he made a crisscross motion of the legs, and had, in addition, a constant habit of treading upon his companion’s toes. As for his face, it was of the warm, ardent tint of a piatok.23 Persons of this kind⁠—persons to whose designing nature has devoted not much thought, and in the fashioning of whose frames she has used no instruments so delicate as a file or a gimlet and so forth⁠—are not uncommon. Such persons she merely roughhews. One cut with a hatchet, and there results a nose; another such cut with a hatchet, and