Dead Souls, Nikolai Gogol [best biographies to read .TXT] 📗

there materialises a pair of lips; two thrusts with a drill, and there issues a pair of eyes. Lastly, scorning to plane down the roughness, she sends out that person into the world, saying: “There is another live creature.” Sobakevitch was just such a ragged, curiously put together figure⁠—though the above model would seem to have been followed more in his upper portion than in his lower. One result was that he seldom turned his head to look at the person with whom he was speaking, but, rather, directed his eyes towards, say, the stove corner or the doorway. As host and guest crossed the dining-room Chichikov directed a second glance at his companion. “He is a bear, and nothing but a bear,” he thought to himself. And, indeed, the strange comparison was inevitable. Incidentally, Sobakevitch’s Christian name and patronymic were Michael Semenovitch. Of his habit of treading upon other people’s toes Chichikov had become fully aware; wherefore he stepped cautiously, and, throughout, allowed his host to take the lead. As a matter of fact, Sobakevitch himself seemed conscious of his failing, for at intervals he would inquire: “I hope I have not hurt you?” and Chichikov, with a word of thanks, would reply that as yet he had sustained no injury.

At length they reached the drawing-room, where Sobakevitch pointed to an armchair, and invited his guest to be seated. Chichikov gazed with interest at the walls and the pictures. In every such picture there were portrayed either young men or Greek generals of the type of Movrogordato (clad in a red uniform and breaches), Kanaris, and others; and all these heroes were depicted with a solidity of thigh and a wealth of moustache which made the beholder simply shudder with awe. Among them there were placed also, according to some unknown system, and for some unknown reason, firstly, Bagration24⁠—tall and thin, and with a cluster of small flags and cannon beneath him, and the whole set in the narrowest of frames⁠—and, secondly, the Greek heroine, Bobelina, whose legs looked larger than do the whole bodies of the drawing-room dandies of the present day. Apparently the master of the house was himself a man of health and strength, and therefore liked to have his apartments adorned with none but folk of equal vigour and robustness. Lastly, in the window, and suspended cheek by jowl with Bobelina, there hung a cage whence at intervals there peered forth a white-spotted blackbird. Like everything else in the apartment, it bore a strong resemblance to Sobakevitch. When host and guest had been conversing for two minutes or so the door opened, and there entered the hostess⁠—a tall lady in a cap adorned with ribands of domestic colouring and manufacture. She entered deliberately, and held her head as erect as a palm.

“This is my wife, Theodulia Ivanovna,” said Sobakevitch.

Chichikov approached and took her hand. The fact that she raised it nearly to the level of his lips apprised him of the circumstance that it had just been rinsed in cucumber oil.

“My dear, allow me to introduce Paul Ivanovitch Chichikov,” added Sobakevitch. “He has the honour of being acquainted both with our Governor and with our Postmaster.”

Upon this Theodulia Ivanovna requested her guest to be seated, and accompanied the invitation with the kind of bow usually employed only by actresses who are playing the role of queens. Next, she took a seat upon the sofa, drew around her her merino gown, and sat thereafter without moving an eyelid or an eyebrow. As for Chichikov, he glanced upwards, and once more caught sight of Kanaris with his fat thighs and interminable moustache, and of Bobelina and the blackbird. For fully five minutes all present preserved a complete silence⁠—the only sound audible being that of the blackbird’s beak against the wooden floor of the cage as the creature fished for grains of corn. Meanwhile Chichikov again surveyed the room, and saw that everything in it was massive and clumsy in the highest degree; as also that everything was curiously in keeping with the master of the house. For example, in one corner of the apartment there stood a hazelwood bureau with a bulging body on four grotesque legs⁠—the perfect image of a bear. Also, the tables and the chairs were of the same ponderous, unrestful order, and every single article in the room appeared to be saying either, “I, too, am a Sobakevitch,” or “I am exactly like Sobakevitch.”

“I heard speak of you one day when I was visiting the President of the Council,” said Chichikov, on perceiving that no one else had a mind to begin a conversation. “That was on Thursday last. We had a very pleasant evening.”

“Yes, on that occasion I was not there,” replied Sobakevitch.

“What a nice man he is!”

“Who is?” inquired Sobakevitch, gazing into the corner by the stove.

“The President of the Local Council.”

“Did he seem so to you? True, he is a mason, but he is also the greatest fool that the world ever saw.”

Chichikov started a little at this mordant criticism, but soon pulled himself together again, and continued:

“Of course, every man has his weakness. Yet the President seems to be an excellent fellow.”

“And do you think the same of the Governor?”

“Yes. Why not?”

“Because there exists no greater rogue than he.”

“What? The Governor a rogue?” ejaculated Chichikov, at a loss to understand how the official in question could come to be numbered with thieves. “Let me say that I should never have guessed it. Permit me also to remark that his conduct would hardly seem to bear out your opinion⁠—he seems so gentle a man.” And in proof of this Chichikov cited the purses which the Governor knitted, and also expatiated on the mildness of his features.

“He has the face of a robber,” said Sobakevitch. “Were you to give him a knife, and to turn him loose on a turnpike, he would cut your throat for two kopecks. And the same with the Vice-Governor. The pair are just