The History of Tom Jones, a Foundling, Henry Fielding [best ereader under 100 TXT] 📗

ancients would certainly have invoked the goddess Flora for this purpose, and it would have been no difficulty for their priests, or politicians to have persuaded the people of the real presence of the deity, though a plain mortal had personated her and performed her office. But we have no such design of imposing on our reader; and therefore those who object to the heathen theology, may, if they please, change our goddess into the above-mentioned basket-woman. Our intention, in short, is to introduce our heroine with the utmost solemnity in our power, with an elevation of style, and all other circumstances proper to raise the veneration of our reader. Indeed we would, for certain causes, advise those of our male readers who have any hearts, to read no farther, were we not well assured, that how amiable soever the picture of our heroine will appear, as it is really a copy from nature, many of our fair countrywomen will be found worthy to satisfy any passion, and to answer any idea of female perfection which our pencil will be able to raise.

And now, without any further preface, we proceed to our next chapter.

II

A short hint of what we can do in the sublime, and a description of Miss Sophia Western.

Hushed be every ruder breath. May the heathen ruler of the winds confine in iron chains the boisterous limbs of noisy Boreas, and the sharp-pointed nose of bitter-biting Eurus. Do thou, sweet Zephyrus, rising from thy fragrant bed, mount the western sky, and lead on those delicious gales, the charms of which call forth the lovely Flora from her chamber, perfumed with pearly dews, when on the 1st of June, her birthday, the blooming maid, in loose attire, gently trips it over the verdant mead, where every flower rises to do her homage, till the whole field becomes enamelled, and colours contend with sweets which shall ravish her most.

So charming may she now appear! and you the feathered choristers of nature, whose sweetest notes not even Handel can excell, tune your melodious throats to celebrate her appearance. From love proceeds your music, and to love it returns. Awaken therefore that gentle passion in every swain: for lo! adorned with all the charms in which nature can array her; bedecked with beauty, youth, sprightliness, innocence, modesty, and tenderness, breathing sweetness from her rosy lips, and darting brightness from her sparkling eyes, the lovely Sophia comes!

Reader, perhaps thou hast seen the statue of the Venus de Medicis. Perhaps, too, thou hast seen the gallery of beauties at Hampton Court. Thou may’st remember each bright Churchill of the galaxy, and all the toasts of the Kit-cat. Or, if their reign was before thy times, at least thou hast seen their daughters, the no less dazzling beauties of the present age; whose names, should we here insert, we apprehend they would fill the whole volume.

Now if thou hast seen all these, be not afraid of the rude answer which Lord Rochester once gave to a man who had seen many things. No. If thou hast seen all these without knowing what beauty is, thou hast no eyes; if without feeling its power, thou hast no heart.

Yet is it possible, my friend, that thou mayest have seen all these without being able to form an exact idea of Sophia; for she did not exactly resemble any of them. She was most like the picture of Lady Ranelagh: and, I have heard, more still to the famous dutchess of Mazarine; but most of all she resembled one whose image never can depart from my breast, and whom, if thou dost remember, thou hast then, my friend, an adequate idea of Sophia.

But lest this should not have been thy fortune, we will endeavour with our utmost skill to describe this paragon, though we are sensible that our highest abilities are very inadequate to the task.

Sophia, then, the only daughter of Mr. Western, was a middle-sized woman; but rather inclining to tall. Her shape was not only exact, but extremely delicate: and the nice proportion of her arms promised the truest symmetry in her limbs. Her hair, which was black, was so luxuriant, that it reached her middle, before she cut it to comply with the modern fashion; and it was now curled so gracefully in her neck, that few could believe it to be her own. If envy could find any part of the face which demanded less commendation than the rest, it might possibly think her forehead might have been higher without prejudice to her. Her eyebrows were full, even, and arched beyond the power of art to imitate. Her black eyes had a lustre in them, which all her softness could not extinguish. Her nose was exactly regular, and her mouth, in which were two rows of ivory, exactly answered Sir John Suckling’s description in those lines:⁠—

Her lips were red, and one was thin,
Compar’d to that was next her chin.
Some bee had stung it newly.

Her cheeks were of the oval kind; and in her right she had a dimple, which the least smile discovered. Her chin had certainly its share in forming the beauty of her face; but it was difficult to say it was either large or small, though perhaps it was rather of the former kind. Her complexion had rather more of the lily than of the rose; but when exercise or modesty increased her natural colour, no vermilion could equal it. Then one might indeed cry out with the celebrated Dr. Donne:

… Her pure and eloquent blood
Spoke in her cheeks, and so distinctly wrought
That one might almost say her body thought.

Her neck was long and finely turned: and here, if I was not afraid of offending her delicacy, I might justly say, the highest beauties of the famous Venus de Medicis were outdone. Here was whiteness which no lilies, ivory, nor alabaster could match. The finest cambric might indeed be supposed from envy to