Daniel Deronda, George Eliot [portable ebook reader .TXT] 📗

waltzing, and he wished her to be distinguished. The archery ball was intended to be kept at the subdued pitch that suited all dignities clerical and secular; it was not an escapement for youthful high spirits, and he himself was of opinion that the fashionable dances were too much of a romp.

Among the remonstrant dancing men, however, Mr. Grandcourt was not numbered. After standing up for a quadrille with Miss Arrowpoint, it seemed that he meant to ask for no other partner. Gwendolen observed him frequently with the Arrowpoints, but he never took an opportunity of approaching her. Mr. Gascoigne was sometimes speaking to him; but Mr. Gascoigne was everywhere. It was in her mind now that she would probably after all not have the least trouble about him: perhaps he had looked at her without any particular admiration, and was too much used to everything in the world to think of her as more than one of the girls who were invited in that part of the country. Of course! It was ridiculous of elders to entertain notions about what a man would do, without having seen him even through a telescope. Probably he meant to marry Miss Arrowpoint. Whatever might come, she, Gwendolen, was not going to be disappointed: the affair was a joke whichever way it turned, for she had never committed herself even by a silent confidence in anything Mr. Grandcourt would do. Still, she noticed that he did sometimes quietly and gradually change his position according to hers, so that he could see her whenever she was dancing, and if he did not admire her⁠—so much the worse for him.

This movement for the sake of being in sight of her was more direct than usual rather late in the evening, when Gwendolen had accepted Klesmer as a partner; and that wide-glancing personage, who saw everything and nothing by turns, said to her when they were walking, “Mr. Grandcourt is a man of taste. He likes to see you dancing.”

“Perhaps he likes to look at what is against his taste,” said Gwendolen, with a light laugh; she was quite courageous with Klesmer now. “He may be so tired of admiring that he likes disgust for variety.”

“Those words are not suitable to your lips,” said Klesmer, quickly, with one of his grand frowns, while he shook his hand as if to banish the discordant sounds.

“Are you as critical of words as of music?”

“Certainly I am. I should require your words to be what your face and form are⁠—always among the meanings of a noble music.”

“That is a compliment as well as a correction. I am obliged for both. But do you know I am bold enough to wish to correct you, and require you to understand a joke?”

“One may understand jokes without liking them,” said the terrible Klesmer. “I have had opera books sent me full of jokes; it was just because I understood them that I did not like them. The comic people are ready to challenge a man because he looks grave. ‘You don’t see the witticism, sir?’ ‘No, sir, but I see what you meant.’ Then I am what we call ticketed as a fellow without esprit. But, in fact,” said Klesmer, suddenly dropping from his quick narrative to a reflective tone, with an impressive frown, “I am very sensible to wit and humor.”

“I am glad you tell me that,” said Gwendolen, not without some wickedness of intention. But Klesmer’s thoughts had flown off on the wings of his own statement, as their habit was, and she had the wickedness all to herself. “Pray, who is that standing near the card-room door?” she went on, seeing there the same stranger with whom Klesmer had been in animated talk on the archery ground. “He is a friend of yours, I think.”

“No, no; an amateur I have seen in town; Lush, a Mr. Lush⁠—too fond of Meyerbeer and Scribe⁠—too fond of the mechanical-dramatic.”

“Thanks. I wanted to know whether you thought his face and form required that his words should be among the meanings of noble music?” Klesmer was conquered, and flashed at her a delightful smile which made them quite friendly until she begged to be deposited by the side of her mamma.

Three minutes afterward her preparations for Grandcourt’s indifference were all canceled. Turning her head after some remark to her mother, she found that he had made his way up to her.

“May I ask if you are tired of dancing, Miss Harleth?” he began, looking down with his former unperturbed expression.

“Not in the least.”

“Will you do me the honor⁠—the next⁠—or another quadrille?”

“I should have been very happy,” said Gwendolen looking at her card, “but I am engaged for the next to Mr. Clintock⁠—and indeed I perceive that I am doomed for every quadrille; I have not one to dispose of.” She was not sorry to punish Mr. Grandcourt’s tardiness, yet at the same time she would have liked to dance with him. She gave him a charming smile as she looked up to deliver her answer, and he stood still looking down at her with no smile at all.

“I am unfortunate in being too late,” he said, after a moment’s pause.

“It seemed to me that you did not care for dancing,” said Gwendolen. “I thought it might be one of the things you had left off.”

“Yes, but I have not begun to dance with you,” said Grandcourt. Always there was the same pause before he took up his cue. “You make dancing a new thing, as you make archery.”

“Is novelty always agreeable?”

“No, no⁠—not always.”

“Then I don’t know whether to feel flattered or not. When you had once danced with me there would be no more novelty in it.”

“On the contrary, there would probably be much more.”

“That is deep. I don’t understand.”

“It is difficult to make Miss Harleth understand her power?” Here Grandcourt had turned to Mrs. Davilow, who, smiling gently at her daughter, said,

“I think she does not generally strike people as slow to understand.”

“Mamma,” said Gwendolen, in a deprecating tone, “I