Short Fiction, Anton Chekhov [websites to read books for free .TXT] 📗

“Yes, when I hadn’t the money to study. Even if I hadn’t anyone could understand that. A beggar is anyway a free man, and you are a slave.”

The dark woman stretched, and watched with sleepy eyes the footman who was bringing a trayful of glasses and seltzer water.

“Stand me a glass of porter,” she said, and yawned again.

“Porter,” thought Vassilyev. “And what if your brother or mother walked in at this moment? What would you say? And what would they say? There would be porter then, I imagine.⁠ ⁠…”

All at once there was the sound of weeping. From the adjoining room, from which the footman had brought the seltzer water, a fair man with a red face and angry eyes ran in quickly. He was followed by the tall, stout “madam,” who was shouting in a shrill voice:

“Nobody has given you leave to slap girls on the cheeks! We have visitors better than you, and they don’t fight! Impostor!”

A hubbub arose. Vassilyev was frightened and turned pale. In the next room there was the sound of bitter, genuine weeping, as though of someone insulted. And he realized that there were real people living here who, like people everywhere else, felt insulted, suffered, wept, and cried for help. The feeling of oppressive hate and disgust gave way to an acute feeling of pity and anger against the aggressor. He rushed into the room where there was weeping. Across rows of bottles on a marble-top table he distinguished a suffering face, wet with tears, stretched out his hands towards that face, took a step towards the table, but at once drew back in horror. The weeping girl was drunk.

As he made his way though the noisy crowd gathered about the fair man, his heart sank and he felt frightened like a child; and it seemed to him that in this alien, incomprehensible world people wanted to pursue him, to beat him, to pelt him with filthy words.⁠ ⁠… He tore down his coat from the hatstand and ran headlong downstairs.

Leaning against the fence, he stood near the house waiting for his friends to come out. The sounds of the pianos and violins, gay, reckless, insolent, and mournful, mingled in the air in a sort of chaos, and this tangle of sounds seemed again like an unseen orchestra tuning up on the roofs. If one looked upwards into the darkness, the black background was all spangled with white, moving spots: it was snow falling. As the snowflakes came into the light they floated round lazily in the air like down, and still more lazily fell to the ground. The snowflakes whirled thickly round Vassilyev and hung upon his beard, his eyelashes, his eyebrows.⁠ ⁠… The cabmen, the horses, and the passersby were white.

“And how can the snow fall in this street!” thought Vassilyev. “Damnation take these houses!”

His legs seemed to be giving way from fatigue, simply from having run down the stairs; he gasped for breath as though he had been climbing uphill, his heart beat so loudly that he could hear it. He was consumed by a desire to get out of the street as quickly as possible and to go home, but even stronger was his desire to wait for his companions and vent upon them his oppressive feeling.

There was much he did not understand in these houses, the souls of ruined women were a mystery to him as before; but it was clear to him that the thing was far worse than could have been believed. If that sinful woman who had poisoned herself was called fallen, it was difficult to find a fitting name for all these who were dancing now to this tangle of sound and uttering long, loathsome sentences. They were not on the road to ruin, but ruined.

“There is vice,” he thought, “but neither consciousness of sin nor hope of salvation. They are sold and bought, steeped in wine and abominations, while they, like sheep, are stupid, indifferent, and don’t understand. My God! My God!”

It was clear to him, too, that everything that is called human dignity, personal rights, the Divine image and semblance, were defiled to their very foundations⁠—“to the very marrow,” as drunkards say⁠—and that not only the street and the stupid women were responsible for it.

A group of students, white with snow, passed him laughing and talking gaily; one, a tall thin fellow, stopped, glanced into Vassilyev’s face, and said in a drunken voice:

“One of us! A bit on, old man? Aha-ha! Never mind, have a good time! Don’t be downhearted, old chap!”

He took Vassilyev by the shoulder and pressed his cold wet mustache against his cheek, then he slipped, staggered, and, waving both hands, cried:

“Hold on! Don’t upset!”

And laughing, he ran to overtake his companions.

Through the noise came the sound of the artist’s voice:

“Don’t you dare to hit the women! I won’t let you, damnation take you! You scoundrels!”

The medical student appeared in the doorway. He looked from side to side, and seeing Vassilyev, said in an agitated voice:

“You here! I tell you it’s really impossible to go anywhere with Yegor! What a fellow he is! I don’t understand him! He has got up a scene! Do you hear? Yegor!” he shouted at the door. “Yegor!”

“I won’t allow you to hit women!” the artist’s piercing voice sounded from above. Something heavy and lumbering rolled down the stairs. It was the artist falling headlong. Evidently he had been pushed downstairs.

He picked himself up from the ground, shook his hat, and, with an angry and indignant face, brandished his fist towards the top of the stairs and shouted:

“Scoundrels! Torturers! Bloodsuckers! I won’t allow you to hit them! To hit a weak, drunken woman! Oh, you brutes!⁠ ⁠…”

“Yegor!⁠ ⁠… Come, Yegor!⁠ ⁠…” the medical student began imploring him. “I give you my word of honor I’ll never come with you again. On my word of honor I won’t!”

Little by little the artist was pacified and the friends went homewards.

“Against my will an unknown force,” hummed