Short Fiction, Vladimir Korolenko [finding audrey TXT] 📗

excited by some dream. That night she put him to bed herself, and when she saw that he was on the point of falling asleep, she left him without observing anything unusual. But on the following day the boy again spoke to her of something he had heard the previous evening which had made him feel so happy. “It was lovely, mamma⁠—so lovely! What was it?”

That night the mother decided to remain longer by her child’s bedside, to discover if possible the solution to this strange riddle. She sat in a chair beside the crib, knitting mechanically, listening meanwhile to the even breathing of her Petrùsya.41 She thought he was asleep, when suddenly his gentle voice was heard in the darkness:

“Mamma, are you there?”

“Yes, yes, my boy!”

“Please go away; it must be afraid of you; it has not come. I had almost dropped to sleep, and still it has not come.”

The astonished mother heard the child’s drowsy and plaintive whisper with a strange sensation. He spoke of his dreams in the most perfect good faith, as though they were reality. Nevertheless the mother rose, bent down to kiss him, and then quietly left the room; but she determined to creep cautiously round to the open window that looked out into the garden. Before she succeeded in carrying her plan into execution, the riddle was solved. Suddenly from the stable came the soft musical tones of a shepherd’s pipe, blending with the gentle rustling sounds of the southern evening. She had no difficulty in divining the pleasing influence which these simple modulations of an artless melody, harmonizing with the witching hour of dreams, would naturally possess over the imagination of her boy. She herself paused, and stood for a moment listening to the tender strains of a song of Little Russia, and with a sense of relief entered the dusky garden in search of Uncle Maxim.

“Joachim plays well,” the mother thought. “It is strange that this fellow who seems so rough should possess such an amount of feeling.”

IV

Joachim really did play well. He could even handle the more intricate violin, and there had been a time when on a Sunday at the inn no one had played the Cossack dance or the merry Polish Cracovienne better than himself. When seated on a cask with the violin braced against his shaven chin, and his tall sheepskin hat on the back of his head, he would draw the bow across the quivering strings, hardly a man in the inn could keep his seat. Even the old one-eyed Jew who accompanied Joachim on a bass-viol would wax enthusiastic, his awkward instrument with its heavy bass straining every nerve, as it were, to keep time with the light notes of Joachim’s violin, which seemed to dance as well as sing; while old Yankel himself, with his skullcap on his head, would lift his shoulders and turn his bald head, keeping time with his body to the gay capricious tune. It would hardly be worth while to describe the effect upon others whose feet are so made that at the very first note of a dancing tune they involuntarily begin to shuffle and stamp.

Ever since Joachim had fallen in love with Màrya, a courtyard servant-maid of the neighboring Pan, he had neglected his merry violin. In truth it had not helped him to win the heart of the saucy Màrya, who preferred the smooth German face of her master’s valet to the bearded visage of the musician. Since that time his violin had not been heard either in the inn or at the evening gatherings. He had hung it on a nail in the stable, nor did he seem aware that from dampness and neglect the strings of the instrument, once so dear to his heart, were constantly snapping with a sound so sharp, plaintive, and dismal that the very horses neighed in sympathy, and turned their heads to gaze in wonder at their indifferent master. In order to supply its place, Joachim had purchased from a travelling Carpathian mountaineer a wooden pipe. He probably expected to find it a more suitable medium wherewith to express the sorrow of a rejected heart, and that its sympathetic modulations would harmonize with his hard lot. But the mountain pipe disappointed Joachim’s expectations. He tried nearly a dozen of them in turn, in every possible way; he cut them, soaked them in water, dried them in the sun, hung them up under the roof to dry in the wind⁠—but all to no avail. The mountain pipe did not commend itself to the Hohòl’s42 heart. It whistled where it should have sung, wailed when he wanted a sentimental tremolo, and never in fact responded to his mood.

At last Joachim grew disgusted with all the wandering mountaineers, having made up his mind that not one of them understood the art of producing a good pipe, and decided to manufacture one with his own hands. For several days he roamed with frowning brow through swamp and field; went up to every willow bush, examined its branches, occasionally cut off one of them; but he failed to find just what he needed. With sternly frowning brow he still pursued his search, and came at last to a spot above the slowly running river, where the placid waters barely stirred the lilies’ snow-white heads. This nook was sheltered from the wind by a dense growth of spreading willows that hung their pensive heads over the dusky and peaceful depths below. Parting the bushes, Joachim made his way down to the river, where he paused for a moment; and the idea suddenly came to him that this was the very spot where he was to find the object of his search. The wrinkles vanished from his brow. From his bootleg he drew out a knife with a string attached to it, and after carefully examining a faintly whispering young willow, he unhesitatingly selected