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nearer still.

“Adam Wayne,” it said, “there are men who confess only in articulo mortis; there are people who blame themselves only when they can no longer help others. I am one of them. Here, upon the field of the bloody end of it all, I come to tell you plainly what you would never understand before. Do you know who I am?”

“I know you, Auberon Quin,” answered the tall figure, “and I shall be glad to unburden your spirit of anything that lies upon it.”

“Adam Wayne,” said the other voice, “of what I have to say you cannot in common reason be glad to unburden me. Wayne, it was all a joke. When I made these cities, I cared no more for them than I care for a centaur, or a merman, or a fish with legs, or a pig with feathers, or any other absurdity. When I spoke to you solemnly and encouragingly about the flag of your freedom and the peace of your city, I was playing a vulgar practical joke on an honest gentleman, a vulgar practical joke that has lasted for twenty years. Though no one could believe it of me, perhaps, it is the truth that I am a man both timid and tenderhearted. I never dared in the early days of your hope, or the central days of your supremacy, to tell you this; I never dared to break the colossal calm of your face. God knows why I should do it now, when my farce has ended in tragedy and the ruin of all your people! But I say it now. Wayne, it was done as a joke.”

There was silence, and the freshening breeze blew the sky clearer and clearer, leaving great spaces of the white dawn.

At last Wayne said, very slowly⁠—

“You did it all only as a joke?”

“Yes,” said Quin, briefly.

“When you conceived the idea,” went on Wayne, dreamily, “of an army for Bayswater and a flag for Notting Hill, there was no gleam, no suggestion in your mind that such things might be real and passionate?”

“No,” answered Auberon, turning his round white face to the morning with a dull and splendid sincerity; “I had none at all.”

Wayne sprang down from the height above him and held out his hand.

“I will not stop to thank you,” he said, with a curious joy in his voice, “for the great good for the world you have actually wrought. All that I think of that I have said to you a moment ago, even when I thought that your voice was the voice of a derisive omnipotence, its laughter older than the winds of heaven. But let me say what is immediate and true. You and I, Auberon Quin, have both of us throughout our lives been again and again called mad. And we are mad. We are mad, because we are not two men, but one man. We are mad, because we are two lobes of the same brain, and that brain has been cloven in two. And if you ask for the proof of it, it is not hard to find. It is not merely that you, the humorist, have been in these dark days stripped of the joy of gravity. It is not merely that I, the fanatic, have had to grope without humour. It is that, though we seem to be opposite in everything, we have been opposite like man and woman, aiming at the same moment at the same practical thing. We are the father and the mother of the Charter of the Cities.”

Quin looked down at the debris of leaves and timber, the relics of the battle and stampede, now glistening in the growing daylight, and finally said⁠—

“Yet nothing can alter the antagonism⁠—the fact that I laughed at these things and you adored them.”

Wayne’s wild face flamed with something godlike, as he turned it to be struck by the sunrise.

“I know of something that will alter that antagonism, something that is outside us, something that you and I have all our lives perhaps taken too little account of. The equal and eternal human being will alter that antagonism, for the human being sees no real antagonism between laughter and respect, the human being, the common man, whom mere geniuses like you and me can only worship like a god. When dark and dreary days come, you and I are necessary, the pure fanatic, the pure satirist. We have between us remedied a great wrong. We have lifted the modern cities into that poetry which everyone who knows mankind knows to be immeasurably more common than the commonplace. But in healthy people there is no war between us. We are but the two lobes of the brain of a ploughman. Laughter and love are everywhere. The cathedrals, built in the ages that loved God, are full of blasphemous grotesques. The mother laughs continually at the child, the lover laughs continually at the lover, the wife at the husband, the friend at the friend. Auberon Quin, we have been too long separated; let us go out together. You have a halberd and I a sword, let us start our wanderings over the world. For we are its two essentials. Come, it is already day.”

In the blank white light Auberon hesitated a moment. Then he made the formal salute with his halberd, and they went away together into the unknown world.

Endnotes

Clanricarde Gardens at this time was no longer a cul-de-sac, but was connected by Pump Street to Pembridge Square. ↩

Colophon The Standard Ebooks logo.

The Napoleon of Notting Hill
was published in 1904 by
G. K. Chesterton.

This ebook was produced for
Standard Ebooks
by
Alex Cabal,
and is based on a transcription produced in 2006 by
Jason Isbell, Diane Monico, and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans available at
Google Books.

The cover page is adapted from
The Bank,
a painting completed in

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