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soldering something near the stove, or drawing or planing, taking no notice whatever of the noise and stuffiness. And she longed to wash, to iron, to run to the shop and the tavern as she used to do every day when she lived with her mother. She ought to have been a workgirl and not the factory owner! Her big house with its chandeliers and pictures; her footman Mishenka, with his glossy moustache and swallowtail coat; the devout and dignified Varvarushka, and smooth-tongued Agafyushka; and the young people of both sexes who came almost every day to ask her for money, and with whom she always for some reason felt guilty; and the clerks, the doctors, and the ladies who were charitable at her expense, who flattered her and secretly despised her for her humble origin⁠—how wearisome and alien it all was to her!

Here was the railway crossing and the city gate; then came houses alternating with kitchen gardens; and at last the broad street where stood the renowned Gushtchin’s Buildings. The street, usually quiet, was now on Christmas Eve full of life and movement. The eating-houses and beer-shops were noisy. If someone who did not belong to that quarter but lived in the centre of the town had driven through the street now, he would have noticed nothing but dirty, drunken, and abusive people; but Anna Akimovna, who had lived in those parts all her life, was constantly recognizing in the crowd her own father or mother or uncle. Her father was a soft fluid character, a little fantastical, frivolous, and irresponsible. He did not care for money, respectability, or power; he used to say that a working man had no time to keep the holy-days and go to church; and if it had not been for his wife, he would probably never have gone to confession, taken the sacrament or kept the fasts. While her uncle, Ivan Ivanovitch, on the contrary, was like flint; in everything relating to religion, politics, and morality, he was harsh and relentless, and kept a strict watch, not only over himself, but also over all his servants and acquaintances. God forbid that one should go into his room without crossing oneself before the icon! The luxurious mansion in which Anna Akimovna now lived he had always kept locked up, and only opened it on great holidays for important visitors, while he lived himself in the office, in a little room covered with icons. He had leanings towards the Old Believers, and was continually entertaining priests and bishops of the old ritual, though he had been christened, and married, and had buried his wife in accordance with the Orthodox rites. He disliked Akim, his only brother and his heir, for his frivolity, which he called simpleness and folly, and for his indifference to religion. He treated him as an inferior, kept him in the position of a workman, paid him sixteen roubles a month. Akim addressed his brother with formal respect, and on the days of asking forgiveness, he and his wife and daughter bowed down to the ground before him. But three years before his death Ivan Ivanovitch had drawn closer to his brother, forgave his shortcomings, and ordered him to get a governess for Anyutka.

There was a dark, deep, evil-smelling archway under Gushtchin’s Buildings; there was a sound of men coughing near the walls. Leaving the sledge in the street, Anna Akimovna went in at the gate and there inquired how to get to No. 46 to see a clerk called Tchalikov. She was directed to the furthest door on the right in the third story. And in the courtyard and near the outer door, and even on the stairs, there was still the same loathsome smell as under the archway. In Anna Akimovna’s childhood, when her father was a simple workman, she used to live in a building like that, and afterwards, when their circumstances were different, she had often visited them in the character of a Lady Bountiful. The narrow stone staircase with its steep dirty steps, with landings at every story; the greasy swinging lanterns; the stench; the troughs, pots, and rags on the landings near the doors⁠—all this had been familiar to her long ago.⁠ ⁠… One door was open, and within could be seen Jewish tailors in caps, sewing. Anna Akimovna met people on the stairs, but it never entered her head that people might be rude to her. She was no more afraid of peasants or workpeople, drunk or sober, than of her acquaintances of the educated class.

There was no entry at No. 46; the door opened straight into the kitchen. As a rule the dwellings of workmen and mechanics smell of varnish, tar, hides, smoke, according to the occupation of the tenant; the dwellings of persons of noble or official class who have come to poverty may be known by a peculiar rancid, sour smell. This disgusting smell enveloped Anna Akimovna on all sides, and as yet she was only on the threshold. A man in a black coat, no doubt Tchalikov himself, was sitting in a corner at the table with his back to the door, and with him were five little girls. The eldest, a broad-faced thin girl with a comb in her hair, looked about fifteen, while the youngest, a chubby child with hair that stood up like a hedgehog, was not more than three. All the six were eating. Near the stove stood a very thin little woman with a yellow face, far gone in pregnancy. She was wearing a skirt and a white blouse, and had an oven fork in her hand.

“I did not expect you to be so disobedient, Liza,” the man was saying reproachfully. “Fie, fie, for shame! Do you want papa to whip you⁠—eh?”

Seeing an unknown lady in the doorway, the thin woman started, and put down the fork.

“Vassily Nikititch!” she cried, after a pause, in a hollow voice, as though she could not believe her eyes.

The man looked round

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