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his younger brother Henleigh. This last had married Miss Grandcourt, and taken her name along with her estates, thus making a junction between two equally old families, impaling the three Saracens’ heads proper and three bezants of the one with the tower and falcons argent of the other, and, as it happened, uniting their highest advantages in the prospects of that Henleigh Mallinger Grandcourt who is at present more of an acquaintance to us than either Sir Hugo or his nephew Daniel Deronda.

In Sir Hugo’s youthful portrait with rolled collar and high cravat, Sir Thomas Lawrence had done justice to the agreeable alacrity of expression and sanguine temperament still to be seen in the original, but had done something more than justice in slightly lengthening the nose, which was in reality shorter than might have been expected in a Mallinger. Happily the appropriate nose of the family reappeared in his younger brother, and was to be seen in all its refined regularity in his nephew Mallinger Grandcourt. But in the nephew Daniel Deronda the family faces of various types, seen on the walls of the gallery, found no reflex. Still he was handsomer than any of them, and when he was thirteen might have served as model for any painter who wanted to image the most memorable of boys: you could hardly have seen his face thoroughly meeting yours without believing that human creatures had done nobly in times past, and might do more nobly in time to come. The finest childlike faces have this consecrating power, and make us shudder anew at all the grossness and basely-wrought griefs of the world, lest they should enter here and defile.

But at this moment on the grass among the rose-petals, Daniel Deronda was making a first acquaintance with those griefs. A new idea had entered his mind, and was beginning to change the aspect of his habitual feelings as happy careless voyagers are changed with the sky suddenly threatened and the thought of danger arises. He sat perfectly still with his back to the tutor, while his face expressed rapid inward transition. The deep blush, which had come when he first started up, gradually subsided; but his features kept that indescribable look of subdued activity which often accompanies a new mental survey of familiar facts. He had not lived with other boys, and his mind showed the same blending of child’s ignorance with surprising knowledge which is oftener seen in bright girls. Having read Shakespeare as well as a great deal of history, he could have talked with the wisdom of a bookish child about men who were born out of wedlock and were held unfortunate in consequence, being under disadvantages which required them to be a sort of heroes if they were to work themselves up to an equal standing with their legally born brothers. But he had never brought such knowledge into any association with his own lot, which had been too easy for him ever to think about it⁠—until this moment when there had darted into his mind with the magic of quick comparison, the possibility that here was the secret of his own birth, and that the man whom he called uncle was really his father. Some children, even younger than Daniel, have known the first arrival of care, like an ominous irremovable guest in their tender lives, on the discovery that their parents, whom they had imagined able to buy everything, were poor and in hard money troubles. Daniel felt the presence of a new guest who seemed to come with an enigmatic veiled face, and to carry dimly-conjectured, dreaded revelations. The ardor which he had given to the imaginary world in his books suddenly rushed toward his own history and spent its pictorial energy there, explaining what he knew, representing the unknown. The uncle whom he loved very dearly took the aspect of a father who held secrets about him⁠—who had done him a wrong⁠—yes, a wrong: and what had become of his mother, for whom he must have been taken away?⁠—Secrets about which he, Daniel, could never inquire; for to speak or to be spoken to about these new thoughts seemed like falling flakes of fire to his imagination. Those who have known an impassioned childhood will understand this dread of utterance about any shame connected with their parents. The impetuous advent of new images took possession of him with the force of fact for the first time told, and left him no immediate power for the reflection that he might be trembling at a fiction of his own. The terrible sense of collision between a strong rush of feeling and the dread of its betrayal, found relief at length in big slow tears, which fell without restraint until the voice of Mr. Fraser was heard saying:

“Daniel, do you see that you are sitting on the bent pages of your book?”

Daniel immediately moved the book without turning round, and after holding it before him for an instant, rose with it and walked away into the open grounds, where he could dry his tears unobserved. The first shock of suggestion past, he could remember that he had no certainty how things really had been, and that he had been making conjectures about his own history, as he had often made stories about Pericles or Columbus, just to fill up the blanks before they became famous. Only there came back certain facts which had an obstinate reality, almost like the fragments of a bridge, telling you unmistakably how the arches lay. And again there came a mood in which his conjectures seemed like a doubt of religion, to be banished as an offense, and a mean prying after what he was not meant to know; for there was hardly a delicacy of feeling this lad was not capable of. But the summing-up of all his fluctuating experience at this epoch was, that a secret impression had come to him which had given him something like a new sense

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