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did anyone know of that thing which lay deep, deep below at the very bottom of the dark hold, near the gloomy and sultry bowels of the ship that was so gravely overcoming the darkness, the ocean, the blizzard.⁠ ⁠… Son

Madame Maraud was born and grew up in Lausanne, in a strict, honest, industrious family. She did not marry young, but she married for love. In March, 1876, among the passengers on an old French ship, the Auvergne, sailing from Marseilles to Italy, was the newly married couple. The weather was calm and fresh; the silvery mirror of the sea appeared and disappeared in the mists of the spring horizon. The newly married couple never left the deck. Everyone liked them, everyone looked at their happiness with friendly smiles; his happiness showed itself in the energy and keenness of his glance, in a need for movement, in the animation of his welcome to those around him; hers showed itself in the joy and interest with which she took in each detail.⁠ ⁠… The newly married couple were the Marauds.

He was about ten years her elder; he was not tall, with a swarthy face and curly hair; his hand was dry and his voice melodious. One felt in her the presence of some other, non-Latin blood; she was over medium height, although her figure was charming, and she had dark hair and blue-grey eyes. After touching at Naples, Palermo, and Tunis, they arrived at the Algerian town of Constantine, where M. Maraud had obtained a rather good post. And their life in Constantine, for the fourteen years since that happy spring, gave them everything with which people are normally satisfied: wealth, family happiness, healthy and beautiful children.

During the fourteen years the Marauds had greatly changed in appearance. He became as dark as an Arab; from his work, from travelling, from tobacco and the sun, he had grown grey and dried up⁠—many people mistook him for a native of Algeria. And it would have been impossible to recognize in her the woman who sailed once in the Auvergne: at that time there was even in the boots which she put outside her door at night the charm of youth; now there was silver in her hair, her skin had become more transparent and more of a golden colour, her hands were thinner and in her care of them, of her linen, and of her clothes she already showed a certain excessive tidiness. Their relations had certainly changed too, although no one could say for the worse. They each lived their own life: his time was filled with work⁠—he remained the same passionate, and, at the same time, sober man that he had been before; her time was filled up with looking after him and their children, two pretty girls, of whom the elder was almost a young lady: and everyone with one voice agreed that in all Constantine there was no better hostess, no better mother, no more charming companion in the drawing-room than Madame Maraud.

Their house stood in a quiet, clean part of the town. From the front rooms on the second floor, which were always half dark with the blinds drawn down, one saw Constantine, known the world over for its picturesqueness. On steep rocks stands the ancient Arab fortress which has become a French city. The windows of the living-rooms looked into a garden where in perpetual heat and sunshine slumbered the evergreen eucalyptuses, the sycamores, and palms behind high walls. The master was frequently away on business, and the lady led the secluded existence to which the wives of Europeans are doomed in the colonies. On Sundays she always went to church. On weekdays she rarely went out, and she visited only a small and select circle. She read, did needlework, talked or did lessons with the children; sometimes taking her younger daughter, the black-eyed Marie, on her knee, she would play the piano with one hand and sing old French songs, in order to while away the long African day, while the great breath of hot wind blew in through the open windows from the garden.⁠ ⁠… Constantine, with all its shutters closed and scorched pitilessly by the sun, seemed at such hours a dead city: only the birds called behind the garden wall, and from the hills behind the town came the dreary sound of pipes, filled with the melancholy of colonial countries, and at times there the dull thud of guns shook the earth, and you could see the flashing of the white helmets of soldiers.

The days in Constantine passed monotonously, but no one noticed that Madame Maraud minded that. In her pure, refined nature there was no trace of abnormal sensitiveness or excessive nervousness. Her health could not be called robust, but it gave no cause of anxiety to M. Maraud. Only one incident once astonished him: in Tunis once, an Arab juggler so quickly and completely hypnotized her that it was only with difficulty that she could be brought to. But this happened at the time of their arrival from France; she had never since experienced so sudden a loss of willpower, such a morbid suggestibility. And M. Maraud was happy, untroubled, convinced that her soul was tranquil and open to him. And it was so, even in the last, the fourteenth year of their married life. But then there appeared in Constantine Emile Du-Buis.

Emile Du-Buis, the son of Madame Bonnay, an old and good friend of M. Maraud, was only nineteen. Emile was the son of her first husband and had grown up in Paris where he studied law, but he spent most of his time in writing poems, intelligible only to himself; he was attached to the school of “Seekers” which has now ceased to exist. Madame Bonnay, the widow of an engineer, also had a daughter, Elise. In May, 1889, Elise was just going to be married, when she fell ill and died

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