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the habit of going to the cemetery after the death of her brother⁠—for hours she never takes her eyes off the oak cross; she recalls Olga Meschersky’s pale face in the coffin amid the flowers, and remembers what she once overheard: once during the luncheon hour, while walking in the school garden, Olga Meschersky was quickly, quickly saying to her favourite friend, the tall plump Subbotin:

“I have been reading one of papa’s books⁠—he has a lot of funny old books⁠—I read about the kind of beauty which woman ought to possess. There’s such a lot written there, you see, I can’t remember it all; well, of course, eyes black as boiling pitch⁠—upon my word, that’s what they say there, boiling pitch!⁠—eyebrows black as night, and a tender flush in the complexion, a slim figure, hands longer than the ordinary⁠—little feet, a fairly large breast, a regularly rounded leg, a knee the colour of the inside of a shell, high but sloping shoulders⁠—a good deal of it I have nearly learnt by heart, it is all so true; but do you know what the chief thing is? Gentle breathing! And I have got it; you listen how I breathe; isn’t it gentle?”

Now the gentle breathing has again vanished away into the world, into the cloudy day, into the cold spring wind.⁠ ⁠…

Aglaia

In that community, in that forest village where Aglaia was born and had grown up, she was called Anna. She was bereaved of her father and mother at an early age. The smallpox visited the village one winter, and many of those who had gone to their rest were carted off then to the churchyard in the settlement beyond Sviyat-Oziero.12 Two coffins in one day stood in the hut of the Skuratovs as well. The little girl had experienced neither fear nor pity; she had only come to remember forever that odour which emanated from them, which is like nothing else on earth and is unknown and oppressive to the living, and that winter freshness, that cold of the Lenten thaw before Easter, which had been let into the hut by the peasants who were carrying the coffins out to the wide sledge standing under the windows.

In that forest-covered region the villages are few and small; their crude, log-enclosed yards are scattered without any order, just as the clayey hummocks permit and as near as possible to the little rivers, to the lakes. The folk thereabouts are not so very poor and watch after their goods, their ancient way of living⁠—notwithstanding the fact that they have been going out to hire since time out of mind, leaving the women to plough the stepmotherly earth, where it is free of the forest; to mow the grasses in the forest; and in winter to whirr at the weaving loom. Toward that way of living did Anna’s heart incline in her childhood; endeared to her were both the black hut and the burning rush light in its cresset.

Katherine, her sister, had long been married. She it was who managed the house⁠—at first together with her husband, who had been taken into the household; and later, when he began going away for a whole year at a time, all by herself. Under her eyes the girl grew, steadily and rapidly; never did she cry, never did she complain of aught; only she had constant fits of pensiveness. If Katherine called to her, asking what the matter with her was, she would answer simply, saying that her neck was creaking, and that she was listening to it. “There,” she would say, turning her neck, and her fair little face, “do you hear it?” “And what are you thinking of?” “Oh, just so. I don’t know.” During her childhood she never had anything to do with girls of her own age, and never did she go anywheres⁠—only once had she gone with her sister to that old settlement beyond Sviyat-Oziero, where in the churchyard, under pine trees, crosses of pine wood stick up out of the ground, and where stands a little church of logs, roofed with blackened tiles of wood that look like scales. That was the first time that she had been dressed up in bast slippers and a sarafan of bright coloured linen, and that a necklace and a yellow kerchief had been bought for her.

Katherine grieved about her husband and wept; wept, too, about her childlessness. But, having shed all her tears, she gave a vow to have no more knowledge of her husband. When her husband would come, she would meet him joyously, speaking with him cheerily, painstakingly looked over his shirts, mending all that stood in need of mending; she bustled about the oven, and was pleased when he liked anything; but they slept apart, like strangers. And when he would go away, she would again become wearied and quiet. More and more frequently did she leave the house, staying at a nearby nunnery, visiting the holy old man Rodion, who was striving for his soul in a hut within a forest that was beyond that nunnery. She was perseveringly learning to read, bringing saintly books from the nunnery, and would read them aloud; not in her usual voice, but pitching it in high singsong. She would be sitting at a table, her eyes castdown, holding the book with both hands, while the girl stood near by, listening and picking a splinter from the table, looking all about the hut, which was always in the best of order. Drinking in the sounds of her own voice, Katherine read on of saints, of martyrs, who had contemned the dark things of our earth for things heavenly, desirous of crucifying their flesh with its lusts and its passions. Anna listened attentively to the reading, as to a chant in an unknown tongue. But as soon as Katherine would shut the book, she would never ask her to read some more: the book was

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