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I was never afraid in the dark, because of that; and very often in the day I used to shut my eyes and bury my face and try to see her and to hear her singing. I came to do that at last without shutting my eyes.”

Mirah paused with a sweet content in her face, as if she were having her happy vision, while she looked out toward the river.

“Still your father was not unkind to you, I hope,” said Mrs. Meyrick, after a minute, anxious to recall her.

“No; he petted me, and took pains to teach me. He was an actor; and I found out, after, that the ‘Coburg’ I used to hear of his going to at home was a theatre. But he had more to do with the theatre than acting. He had not always been an actor; he had been a teacher, and knew many languages. His acting was not very good; I think, but he managed the stage, and wrote and translated plays. An Italian lady, a singer, lived with us a long time. They both taught me, and I had a master besides, who made me learn by heart and recite. I worked quite hard, though I was so little; and I was not nine when I first went on the stage. I could easily learn things, and I was not afraid. But then and ever since I hated our way of life. My father had money, and we had finery about us in a disorderly way; always there were men and women coming and going; there was loud laughing and disputing, strutting, snapping of fingers, jeering, faces I did not like to look at⁠—though many petted and caressed me. But then I remembered my mother. Even at first when I understood nothing, I shrank away from all those things outside me into companionship with thoughts that were not like them; and I gathered thoughts very fast, because I read many things⁠—plays and poetry, Shakespeare and Schiller, and learned evil and good. My father began to believe that I might be a great singer: my voice was considered wonderful for a child; and he had the best teaching for me. But it was painful that he boasted of me, and set me to sing for show at any minute, as if I had been a musical box. Once when I was nine years old, I played the part of a little girl who had been forsaken and did not know it, and sat singing to herself while she played with flowers. I did it without any trouble; but the clapping and all the sounds of the theatre were hateful to me; and I never liked the praise I had, because it all seemed very hard and unloving: I missed the love and trust I had been born into. I made a life in my own thoughts quite different from everything about me: I chose what seemed to me beautiful out of the plays and everything, and made my world out of it; and it was like a sharp knife always grazing me that we had two sorts of life which jarred so with each other⁠—women looking good and gentle on the stage, and saying good things as if they felt them, and directly after I saw them with coarse, ugly manners. My father sometimes noticed my shrinking ways; and Signora said one day, when I had been rehearsing, ‘She will never be an artist: she has no notion of being anybody but herself. That does very well now, but by-and-by you will see⁠—she will have no more face and action than a singing-bird.’ My father was angry, and they quarreled. I sat alone and cried, because what she had said was like a long unhappy future unrolled before me. I did not want to be an artist; but this was what my father expected of me. After a while Signora left us, and a governess used to come and give me lessons in different things, because my father began to be afraid of my singing too much; but I still acted from time to time. Rebellious feelings grew stronger in me, and I wished to get away from this life; but I could not tell where to go, and I dreaded the world. Besides, I felt it would be wrong to leave my father: I dreaded doing wrong, for I thought I might get wicked and hateful to myself, in the same way that many others seemed hateful to me. For so long, so long I had never felt my outside world happy; and if I got wicked I should lose my world of happy thoughts where my mother lived with me. That was my childish notion all through those years. Oh how long they were!”

Mirah fell to musing again.

“Had you no teaching about what was your duty?” said Mrs. Meyrick. She did not like to say “religion”⁠—finding herself on inspection rather dim as to what the Hebrew religion might have turned into at this date.

“No⁠—only that I ought to do what my father wished. He did not follow our religion at New York, and I think he wanted me not to know much about it. But because my mother used to take me to the synagogue, and I remembered sitting on her knee and looking through the railing and hearing the chanting and singing, I longed to go. One day when I was quite small I slipped out and tried to find the synagogue, but I lost myself a long while till a peddler questioned me and took me home. My father, missing me, had been much in fear, and was very angry. I too had been so frightened at losing myself that it was long before I thought of venturing out again. But after Signora left us we went to rooms where our landlady was a Jewess and observed her religion. I asked her to take me with her to the synagogue; and I

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