Clarissa Harlowe, Samuel Richardson [black authors fiction .txt] 📗
- Author: Samuel Richardson
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How reasonable was all this!—It showed, indeed, that she herself had well considered it. But yet we could not help being shocked at the thoughts of the coffin thus brought in; the lovely person before our eyes who is, in all likelihood, so soon to fill it.
We were all silent still, the women in grief; I in a manner stunned. She would not ask me, she said; but would be glad, since it had thus earlier than she had intended been brought in, that her two good friends would walk in and look upon it. They would be less shocked when it was made more familiar to their eye: don’t you lead back, said she, a starting steed to the object he is apt to start at, in order to familiarize him to it, and cure his starting? The same reason will hold in this case. Come, my good friends, I will lead you in.
I took my leave; telling her she had done wrong, very wrong; and ought not, by any means, to have such an object before her.
The women followed her in.—’Tis a strange sex! Nothing is too shocking for them to look upon, or see acted, that has but novelty and curiosity in it.
Down I posted; got a chair; and was carried home, extremely shocked and discomposed: yet, weighing the lady’s arguments, I know not why I was so affected—except, as she said, at the unusualness of the thing.
While I waited for a chair, Mrs. Smith came down, and told me that there were devices and inscriptions upon the lid. Lord bless me! is a coffin a proper subject to display fancy upon?—But these great minds cannot avoid doing extraordinary things!
Letter 451 Mr. Belford, to Robert Lovelace, Esq.Friday Morn. Sept. 1
It is surprising, that I, a man, should be so much affected as I was, at such an object as is the subject of my former letter; who also, in my late uncle’s case, and poor Belton’s had the like before me, and the directing of it: when she, a woman, of so weak and tender a frame, who was to fill it (so soon perhaps to fill it!) could give orders about it, and draw out the devices upon it, and explain them with so little concern as the women tell me she did to them last night after I was gone.
I really was ill, and restless all night. Thou wert the subject of my execration, as she was of my admiration, all the time I was quite awake: and, when I dozed, I dreamt of nothing but of flying hourglasses, deaths-heads, spades, mattocks, and eternity; the hint of her devices (as given me by Mrs. Smith) running in my head.
However, not being able to keep away from Smith’s, I went thither about seven. The lady was just gone out: she had slept better, I found, than I, though her solemn repository was under her window, not far from her bedside.
I was prevailed upon by Mrs. Smith and her nurse Shelburne (Mrs. Lovick being abroad with her) to go up and look at the devices. Mrs. Lovick has since shown me a copy of the draught by which all was ordered; and I will give thee a sketch of the symbols.
The principal device, neatly etched on a plate of white metal, is a crowned serpent, with its tail in its mouth, forming a ring, the emblem of eternity: and in the circle made by it is this inscription:
Clarissa Harlowe.
April X.
(Then the year).
Aetat. XIX.
For ornaments: at top, an hourglass, winged. At bottom, an urn.
Under the hourglass, on another plate, this inscription:
Here the wicked cease from troubling: and here the weary be at rest. Job 3:17.
Over the urn, near the bottom:
Turn again unto thy rest, O my soul! for the Lord hath rewarded thee: And why? Thou hast delivered my soul from death; mine eyes from tears; and my feet from falling. Psalms 116:7, 8.
Over this is the head of a white lily snapped short off, and just falling from the stalk; and this inscription over that, between the principal plate and the lily:
The days of man are but as grass. For he flourisheth as a flower of the field: for, as soon as the wind goeth over it, it is gone; and the place thereof shall know it no more. Psalms 103:15, 16.
She excused herself to the women, on the score of her youth, and being used to draw for her needleworks, for having shown more fancy than would perhaps be thought suitable on so solemn an occasion.
The date, April 10, she accounted for, as not being able to tell what her closing-day would be; and as that was the fatal day of her leaving her father’s house.
She discharged the undertaker’s bill after I went away, with as much cheerfulness as she could ever have paid for the clothes she sold to purchase this her palace: for such she called
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