Poetry, William Carlos Williams [best english novels to read TXT] 📗

voices
who will believe me?

“None has dipped his hand
in the black waters of the sky
nor picked the yellow lilies
that sway on their clear stems
and no tree has waited
long enough nor still enough
to touch fingers with the moon.”

I looked and there were little frogs
with puffed out throats,
singing in the slime.

Spring Strains

In a tissue-thin monotone of blue-grey buds
crowded erect with desire against
the sky⁠—
tense blue-grey twigs
slenderly anchoring them down, drawing
them in⁠—
two blue-grey birds chasing
a third struggle in circles, angles,
swift convergings to a point that bursts
instantly!

Vibrant bowing limbs
pull downward, sucking in the sky
that bulges from behind, plastering itself
against them in packed rifts, rock blue
and dirty orange!
But⁠—

(Hold hard, rigid jointed trees!)
the blinding and red-edged sun-blur⁠—
creeping energy, concentrated
counterforce⁠—welds sky, buds, trees,
rivets them in one puckering hold!
Sticks through! Pulls the whole
counter-pulling mass upward, to the right,
locks even the opaque, not yet defined
ground in a terrific drag that is
loosening the very tap-roots!

On a tissue-thin monotone of blue-grey buds
two blue-grey birds, chasing a third,
at full cry! Now they are
flung outward and up⁠—disappearing suddenly!

Trees

Crooked, black tree
on your little grey-black hillock,
ridiculously raised one step toward
the infinite summits of the night:
even you the few grey stars
draw upward into a vague melody
of harsh threads.

Bent as you are from straining
against the bitter horizontals of
a north wind⁠—there below you
how easily the long yellow notes
of poplars flow upward in a descending
scale, each note secure in its own
posture⁠—singularly woven.

All voices are blent willingly
against the heaving contra-bass
of the dark but you alone
warp yourself passionately to one side
in your eagerness.

A Portrait in Greys

Will it never be possible
to separate you from your greyness?
Must you be always sinking backward
into your grey-brown landscapes⁠—and trees
always in the distance, always against
a grey sky?
Must I be always
moving counter to you? Is there no place
where we can be at peace together
and the motion of our drawing apart
be altogether taken up?
I see myself
standing upon your shoulders touching
a grey, broken sky⁠—
but you, weighted down with me,
yet gripping my ankles⁠—move
laboriously on,
where it is level and undisturbed by colors.

Invitation

You who had the sense
to choose me such a mother,
you who had the indifference
to create me,
you who went to some pains
to leave hands off me
in the formative stages,⁠—
(I thank you most for that
perhaps)
but you who
with an iron head, first,
fiercest and with strongest love
brutalized me into strength,
old dew-lap⁠—
I have reached the stage
where I am teaching myself
to laugh.
Come on,
take a walk with me.

Divertimiento

Miserable little woman
in a brown coat⁠—
quit whining!
My hand for you!
We’ll skip down the tin cornices
of Main Street
flicking the dull roof-line
with our toe-tips!
Hop clear of the bank! A
pin-wheel round the white flag-pole.

And I’ll sing you the while
a thing to split your sides
about Johann Sebastian Bach,
the father of music, who had
three wives and twenty-two children.

January Morning Suite I

I have discovered that most of
the beauties of travel are due to
the strange hours we keep to see them:

the domes of the Church of
the Paulist Fathers in Weehawken
against a smoky dawn⁠—the heart stirred⁠—
are beautiful as Saint Peters
approached after years of anticipation.

II

Though the operation was postponed
I saw the tall probationers
in their tan uniforms
hurrying to breakfast!

III

—and from basement entrys
neatly coiffed, middle aged gentlemen
with orderly moustaches and
well brushed coats

IV

—and the sun, dipping into the avenues
streaking the tops of
the irregular red houselets,
and
the gay shadows dropping and dropping.

V

—and a young horse with a green bed-quilt
on his withers shaking his head:
bared teeth and nozzle high in the air!

VI

—and a semicircle of dirt colored men
about a fire bursting from an old
ash can,

VII

—and the worn,
blue car rails (like the sky!)
gleaming among the cobbles!

VIII

—and the rickety ferry-boat “Arden”!
What an object to be called “Arden”
among the great piers,⁠—on the
ever new river!
“Put me a Touchstone
at the wheel, white gulls, and we’ll
follow the ghost of the Half Moon
to the North West Passage⁠—and through!
(at Albany!) for all that!”

IX

Exquisite brown waves⁠—long
circlets of silver moving over you!
enough with crumbling ice-crusts among you!
The sky has come down to you,
lighter than tiny bubbles, face to
face with you!
His spirit is
a white gull with delicate pink feet
and a snowy breast for you to
hold to your lips delicately!

X

The young doctor is dancing with happiness
in the sparkling wind, alone
at the prow of the ferry! He notices
the curdy barnacles and broken ice crusts
left at the slip’s base by the low tide
and thinks of summer and green
shell crusted ledges among
the emerald eel-grass!

XI

Who knows the Palisades as I do
knows the river breaks east from them
above the city⁠—but they continue south
—under the sky⁠—to bear a crest of
little peering houses that brighten
with dawn behind the moody
water-loving giants of Manhattan.

XII

Long yellow rushes bending
above the white snow patches;
purple and gold ribbon
of the distant wood:
what an angle
you make with each other as
you lie there in contemplation.

XIII

Work hard all your young days
and they’ll find you too, some morning
staring up under
your chiffonier at its warped
bass-wood bottom and your soul⁠—
out!
—among the little sparrows
behind the shutter.

XIV

—and the flapping flags are at
half mast for the dead admiral.

XV

All this⁠—
was for you, old woman.
I wanted to write a poem
that you would understand.
For what good is it to me
if you can’t understand it?
But you got to try hard⁠—
But⁠—
Well, you know how
the young girls run giggling
on Park Avenue after dark
when they ought to be home in bed?
Well,
that’s the way it is with me somehow.

To a Solitary Disciple

Rather notice, mon cher,
that the moon is
tilted above
the point of the steeple
than that its color
is shell-pink.

Rather observe
that it is early morning
than that the sky
is smooth
as a turquoise.

Rather grasp
how the dark
converging lines
of the steeple
meet at the pinnacle⁠—
perceive how
its little ornament
tries to stop them⁠—

See how it fails!
See how the converging lines
of