The Mayor of Casterbridge, Thomas Hardy [short novels in english .TXT] 📗

His path was by the riverside at the foot of the town. Coming into the light at the bridge which stood at the end of High Street he beheld lounging thereon Mother Cuxsom and Nance Mockridge.

“We be just going down Mixen Lane way, to look into Peter’s Finger afore creeping to bed,” said Mrs. Cuxsom. “There’s a fiddle and tambourine going on there. Lord, what’s all the world⁠—do ye come along too, Jopp⁠—’twon’t hinder ye five minutes.”

Jopp had mostly kept himself out of this company, but present circumstances made him somewhat more reckless than usual, and without many words he decided to go to his destination that way.

Though the upper part of Durnover was mainly composed of a curious congeries of barns and farmsteads, there was a less picturesque side to the parish. This was Mixen Lane, now in great part pulled down.

Mixen Lane was the Adullam of all the surrounding villages. It was the hiding-place of those who were in distress, and in debt, and trouble of every kind. Farm-labourers and other peasants, who combined a little poaching with their farming, and a little brawling and bibbing with their poaching, found themselves sooner or later in Mixen Lane. Rural mechanics too idle to mechanize, rural servants too rebellious to serve, drifted or were forced into Mixen Lane.

The lane and its surrounding thicket of thatched cottages stretched out like a spit into the moist and misty lowland. Much that was sad, much that was low, some things that were baneful, could be seen in Mixen Lane. Vice ran freely in and out certain of the doors in the neighbourhood; recklessness dwelt under the roof with the crooked chimney; shame in some bow-windows; theft (in times of privation) in the thatched and mud-walled houses by the sallows. Even slaughter had not been altogether unknown here. In a block of cottages up an alley there might have been erected an altar to disease in years gone by. Such was Mixen Lane in the times when Henchard and Farfrae were Mayors.

Yet this mildewed leaf in the sturdy and flourishing Casterbridge plant lay close to the open country; not a hundred yards from a row of noble elms, and commanding a view across the moor of airy uplands and cornfields, and mansions of the great. A brook divided the moor from the tenements, and to outward view there was no way across it⁠—no way to the houses but round about by the road. But under every householder’s stairs there was kept a mysterious plank nine inches wide; which plank was a secret bridge.

If you, as one of those refugee householders, came in from business after dark⁠—and this was the business time here⁠—you stealthily crossed the moor, approached the border of the aforesaid brook, and whistled opposite the house to which you belonged. A shape thereupon made its appearance on the other side bearing the bridge on end against the sky; it was lowered; you crossed, and a hand helped you to land yourself, together with the pheasants and hares gathered from neighbouring manors. You sold them slyly the next morning, and the day after you stood before the magistrates with the eyes of all your sympathizing neighbours concentrated on your back. You disappeared for a time; then you were again found quietly living in Mixen Lane.

Walking along the lane at dusk the stranger was struck by two or three peculiar features therein. One was an intermittent rumbling from the back premises of the inn halfway up; this meant a skittle alley. Another was the extensive prevalence of whistling in the various domiciles⁠—a piped note of some kind coming from nearly every open door. Another was the frequency of white aprons over dingy gowns among the women around the doorways. A white apron is a suspicious vesture in situations where spotlessness is difficult; moreover, the industry and cleanliness which the white apron expressed were belied by the postures and gaits of the women who wore it⁠—their knuckles being mostly on their hips (an attitude which lent them the aspect of two-handled mugs), and their shoulders against doorposts; while there was a curious alacrity in the turn of each honest woman’s head upon her neck and in the twirl of her honest eyes, at any noise resembling a masculine footfall along the lane.

Yet amid so much that was bad needy respectability also found a home. Under some of the roofs abode pure and virtuous souls whose presence there was due to the iron hand of necessity, and to that alone. Families from decayed villages⁠—families of that once bulky, but now nearly extinct, section of village society called “liviers,” or lifeholders⁠—copyholders and others, whose rooftrees had fallen for some reason or other, compelling them to quit the rural spot that had been their home for generations⁠—came here, unless they chose to lie under a hedge by the wayside.

The inn called Peter’s Finger was the church of Mixen Lane.

It was centrally situate, as such places should be, and bore about the same social relation to the Three Mariners as the latter bore to the King’s Arms. At first sight the inn was so respectable as to be puzzling. The front door was kept shut, and the step was so clean that evidently but few persons entered over its sanded surface. But at the corner of the public-house was an alley, a mere slit, dividing it from the next building. Halfway up the alley was a narrow door, shiny and paintless from the rub of infinite hands and shoulders. This was the actual entrance to the inn.

A pedestrian would be seen abstractedly passing along Mixen Lane; and then, in a moment, he would vanish, causing the gazer to blink like Ashton at the disappearance of Ravenswood. That abstracted pedestrian had edged into the slit by the adroit fillip of his person sideways; from the slit he edged into the tavern by a similar exercise of skill.

The company at the Three Mariners were persons of quality