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development on the part of Harold Beecham. He had such a marked aversion to anything of that sort, and never went even to Sydney or Melbourne for more than a few days at a stretch, and that on business or at a time of stock shows.

There were many conjectures re the motive of his visit to ’Possum Gully, but I held my peace.

XXXVIII A Tale That Is Told and a Day That Is Done

“There are others toiling and straining
’Neath burdens graver than mine;
They are weary, yet uncomplaining
—I know it, yet I repine:
I know it, how time will ravage,
How time will level, and yet
I long with a longing savage,
I regret with a fierce regret.”

—⁠A. L. Gordon.

’Possum Gully, 25th March, 1899.

Christmas, only distinguished from the fifty-two slow Sundays of the year by plum-pudding, roast turkey, and a few bottles of homemade beer, has been once more; New Year, ushered in with sweet-scented midsummer wattle and bloom of gum- and box-tree has gone;Februaryhas followed,Marchis doing likewise, and my life is still the same.

What the future holds I know not, and am tonight so weary that I do not care.

“Time rules us all. And life, indeed, is not
The thing we planned it out, ere hope was dead;
And then, we women cannot choose our lot.”

Time is thorough in his work, and as that arch-cheat, Hope, gradually becomes a phantom of the past, the neck will grow inured to its yoke.

Tonight is one of the times when the littleness⁠—the abject littleness⁠—of all things in life comes home to me.

After all, what is there in vain ambition? King or slave, we all must die, and when death knocks at our door, will it matter whether our life has been great or small, fast or slow, so long as it has been true⁠—true with the truth that will bring rest to the soul?

“But the toughest lives are brittle,
And the bravest and the best
Lightly fall⁠—it matters little;
Now I only long for rest.”

To weary hearts throbbing slowly in hopeless breasts the sweetest thing is rest.

And my heart is weary. Oh, how it aches tonight⁠—not with the ache of a young heart passionately crying out for battle, but with the slow dead ache of an old heart returning vanquished and defeated!

Enough of pessimistic snarling and grumbling! Enough! Enough! Now for a lilt of another theme:

I am proud that I am an Australian, a daughter of the Southern Cross, a child of the mighty bush. I am thankful I am a peasant, a part of the bone and muscle of my nation, and earn my bread by the sweat of my brow, as man was meant to do. I rejoice I was not born a parasite, one of the bloodsuckers who loll on velvet and satin, crushed from the proceeds of human sweat and blood and souls.

Ah, my sunburnt brothers!⁠—sons of toil and of Australia! I love and respect you well, for you are brave and good and true. I have seen not only those of you with youth and hope strong in your veins, but those with pathetic streaks of grey in your hair, large families to support, and with half a century sitting upon your work-laden shoulders. I have seen you struggle uncomplainingly against flood, fire, disease in stock, pests, drought, trade depression, and sickness, and yet have time to extend your hands and hearts in true sympathy to a brother in misfortune, and spirits to laugh and joke and be cheerful.

And for my sisters a great love and pity fills my heart. Daughters of toil, who scrub and wash and mend and cook, who are dressmakers, paperhangers, milkmaids, gardeners, and candle-makers all in one, and yet have time to be cheerful and tasty in your homes, and make the best of the few oases to be found along the narrow dusty track of your existence. Would that I were more worthy to be one of you⁠—more a typical Australian peasant⁠—cheerful, honest, brave!

I love you, I love you. Bravely you jog along with the rope of class distinction drawing closer, closer, tighter, tighter around you: a few more generations and you will be as enslaved as were ever the muzhiks of Russia. I see it and know it, but I cannot help you. My ineffective life will be trod out in the same round of toil⁠—I am only one of yourselves, I am only an unnecessary, little, bush commoner, I am only a⁠—woman!

The great sun is sinking in the west, grinning and winking knowingly as he goes, upon the starving stock and drought-smitten wastes of land. Nearer he draws to the gum-tree scrubby horizon, turns the clouds to orange, scarlet, silver flame, gold! Down, down he goes. The gorgeous, garish splendour of sunset pageantry flames out; the long shadows eagerly cover all; the kookaburras laugh their merry mocking good night; the clouds fade to turquoise, green, and grey; the stars peep shyly out; the soft call of the mopoke arises in the gullies! With much love and good wishes to all⁠—Good night! Goodbye!

Amen.

Endnotes

Shouting⁠—i.e., treating ↩

Poddied⁠—i.e., hand-fed. ↩

Colophon The Standard Ebooks logo.

My Brilliant Career
was published in 1901 by
Miles Franklin.

This ebook was produced for
Standard Ebooks
by
David Grigg,
and is based on a transcription produced in 2004 by
An Anonymous Volunteer
for
Project Gutenberg
and on digital scans available at
Google Books.

The cover page is adapted from
An Afternoon Walk,
a painting completed in 1888 by
Julian Ashton.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
April 24, 2019, 11:01 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/miles-franklin/my-brilliant-career.

The volunteer-driven Standard Ebooks project relies on

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