Tono-Bungay, H. G. Wells [reading like a writer .TXT] 📗

large-stomached, pointing and gesticulating, threatening this calm.

He began with a wave of his arm. “That’s the place, George,” he said. “See?”

“Eh!” I cried⁠—for I had been thinking of remote things.

“I got it.”

“Got what?”

“For a house!⁠—a Twentieth Century house! That’s the place for it!”

One of his characteristic phrases was begotten in him.

“Foursquare to the winds of heaven, George!” he said. “Eh? Foursquare to the winds of heaven!”

“You’ll get the winds up here,” I said.

“A mammoth house it ought to be, George⁠—to suit these hills.”

“Quite,” I said.

“Great galleries and things⁠—running out there and there⁠—See? I been thinking of it, George! Looking out all this way⁠—across the Weald. With its back to Lady Grove.”

“And the morning sun in its eye.”

“Like an eagle, George⁠—like an eagle!”

So he broached to me what speedily became the leading occupation of his culminating years, Crest Hill. But all the world has heard of that extravagant place which grew and changed its plans as it grew, and bubbled like a salted snail, and burgeoned and bulged and evermore grew. I know not what delirium of pinnacles and terraces and arcades and corridors glittered at last upon the uplands of his mind; the place, for all that its expansion was terminated abruptly by our collapse, is wonderful enough as it stands⁠—that empty instinctive building of a childless man. His chief architect was a young man named Westminster, whose work he had picked out in the architecture room of the Royal Academy on account of a certain grandiose courage in it, but with him he associated from time to time a number of fellow professionals, stonemasons, sanitary engineers, painters, sculptors, scribes, metal workers, wood carvers, furniture designers, ceramic specialists, landscape gardeners, and the man who designs the arrangement and ventilation of the various new houses in the London Zoological Gardens. In addition he had his own ideas. The thing occupied his mind at all times, but it held it completely from Friday night to Monday morning. He would come down to Lady Grove on Friday night in a crowded motorcar that almost dripped architects. He didn’t, however, confine himself to architects; everyone was liable to an invitation to weekend and view Crest Hill, and many an eager promoter, unaware of how Napoleonically and completely my uncle had departmentalised his mind, tried to creep up to him by way of tiles and ventilators and new electric fittings. Always on Sunday mornings, unless the weather was vile, he would, so soon as breakfast and his secretaries were disposed of, visit the site with a considerable retinue, and alter and develop plans, making modifications, Zzzz-ing, giving immense new orders verbally⁠—an unsatisfactory way, as Westminster and the contractors ultimately found.

There he stands in my memory, the symbol of this age for me, the man of luck and advertisement, the current master of the world. There he stands upon the great outward sweep of the terrace before the huge main entrance, a little figure, ridiculously disproportionate to that forty-foot arch, with the granite ball behind him⁠—the astronomical ball, brass coopered, that represented the world, with a little adjustable tube of lenses on a gunmetal arm that focused the sun upon just that point of the earth on which it chanced to be shining vertically. There he stands, Napoleonically grouped with his retinue men in tweeds and golfing-suits, a little solicitor, whose name I forget, in grey trousers and a black jacket, and Westminster in Jaeger underclothing, a floriferous tie, and peculiar brown cloth of his own.

The downland breeze flutters my uncle’s coattails, disarranges his stiff hair, and insists on the evidence of undisciplined appetites in face and form, as he points out this or that feature in the prospect to his attentive collaborator.

Below are hundreds of feet of wheeling-planks, ditches, excavations, heaps of earth, piles of garden stone from the Wealden ridges. On either hand the walls of his irrelevant unmeaning palace rise at one time he had working in that place⁠—disturbing the economic balance of the whole countryside by their presence⁠—upwards of three thousand men.⁠ ⁠…

So he poses for my picture amidst the raw beginnings that were never to be completed. He did the strangest things about that place, things more and more detached from any conception of financial scale, things more and more apart from sober humanity. He seemed to think himself, at last, released from any such limitations. He moved a quite considerable hill, and nearly sixty mature trees were moved with it to open his prospect eastward, moved it about two hundred feet to the south. At another time he caught a suggestion from some city restaurant and made a billiard-room roofed with plate glass beneath the waters of his ornamental lake. He furnished one wing while its roof still awaited completion. He had a swimming bath thirty feet square next to his bedroom upstairs, and to crown it all he commenced a great wall to hold all his dominions together, free from the invasion of common men. It was a ten-foot wall, glass surmounted, and had it been completed as he intended it, it would have had a total length of nearly eleven miles. Some of it towards the last was so dishonestly built that it collapsed within a year upon its foundations, but some miles of it still stand. I never think of it now but what I think of the hundreds of eager little investors who followed his “star,” whose hopes and lives, whose wives’ security and children’s prospects are all mixed up beyond redemption with that flaking mortar.⁠ ⁠…

It is curious how many of these modern financiers of chance and bluff have ended their careers by building. It was not merely my uncle. Sooner or later they all seem to bring their luck to the test of realisation, try to make their fluid opulence coagulate out as bricks and mortar, bring moonshine into relations with a weekly wages-sheet. Then the whole fabric of confidence and imagination totters⁠—and down they come.⁠ ⁠…

When I think of that despoiled hillside, that colossal litter of