Main Street, Sinclair Lewis [red white and royal blue hardcover txt] 📗

self, a heightened and more beloved self. She was glad of the girl’s charm, of the smooth black hair, the airy head and young shoulders. But she was suddenly angry. Carol glanced at her for a quarter-second, but looked past her, at an old roadside barn. If she had made the great sacrifice, at least she expected gratitude and recognition, Vida raged, while her conscious schoolroom mind fussily begged her to control this insanity.

During her first call half of her wanted to welcome a fellow reader of books; the other half itched to find out whether Carol knew anything about Kennicott’s former interest in herself. She discovered that Carol was not aware that he had ever touched another woman’s hand. Carol was an amusing, naive, curiously learned child. While Vida was most actively describing the glories of the Thanatopsis, and complimenting this librarian on her training as a worker, she was fancying that this girl was the child born of herself and Kennicott; and out of that symbolizing she had a comfort she had not known for months.

When she came home, after supper with the Kennicotts and Guy Pollock, she had a sudden and rather pleasant backsliding from devotion. She bustled into her room, she slammed her hat on the bed, and chattered, “I don’t care! I’m a lot like her⁠—except a few years older. I’m light and quick, too, and I can talk just as well as she can, and I’m sure⁠—Men are such fools. I’d be ten times as sweet to make love to as that dreamy baby. And I am as good-looking!”

But as she sat on the bed and stared at her thin thighs, defiance oozed away. She mourned:

“No. I’m not. Dear God, how we fool ourselves! I pretend I’m ‘spiritual.’ I pretend my legs are graceful. They aren’t. They’re skinny. Old-maidish. I hate it! I hate that impertinent young woman! A selfish cat, taking his love for granted.⁠ ⁠… No, she’s adorable.⁠ ⁠… I don’t think she ought to be so friendly with Guy Pollock.”

For a year Vida loved Carol, longed to and did not pry into the details of her relations with Kennicott, enjoyed her spirit of play as expressed in childish tea-parties, and, with the mystic bond between them forgotten, was healthily vexed by Carol’s assumption that she was a sociological messiah come to save Gopher Prairie. This last facet of Vida’s thought was the one which, after a year, was most often turned to the light. In a testy way she brooded, “These people that want to change everything all of a sudden without doing any work, make me tired! Here I have to go and work for four years, picking out the pupils for debates, and drilling them, and nagging at them to get them to look up references, and begging them to choose their own subjects⁠—four years, to get up a couple of good debates! And she comes rushing in, and expects in one year to change the whole town into a lollypop paradise with everybody stopping everything else to grow tulips and drink tea. And it’s a comfy homey old town, too!”

She had such an outburst after each of Carol’s campaigns⁠—for better Thanatopsis programs, for Shavian plays, for more human schools⁠—but she never betrayed herself, and always she was penitent.

Vida was, and always would be, a reformer, a liberal. She believed that details could excitingly be altered, but that things-in-general were comely and kind and immutable. Carol was, without understanding or accepting it, a revolutionist, a radical, and therefore possessed of “constructive ideas,” which only the destroyer can have, since the reformer believes that all the essential constructing has already been done. After years of intimacy it was this unexpressed opposition more than the fancied loss of Kennicott’s love which held Vida irritably fascinated.

But the birth of Hugh revived the transcendental emotion. She was indignant that Carol should not be utterly fulfilled in having borne Kennicott’s child. She admitted that Carol seemed to have affection and immaculate care for the baby, but she began to identify herself now with Kennicott, and in this phase to feel that she had endured quite too much from Carol’s instability.

She recalled certain other women who had come from the Outside and had not appreciated Gopher Prairie. She remembered the rector’s wife who had been chilly to callers and who was rumored throughout the town to have said, “Re-ah-ly I cawn’t endure this bucolic heartiness in the responses.” The woman was positively known to have worn handkerchiefs in her bodice as padding⁠—oh, the town had simply roared at her. Of course the rector and she were got rid of in a few months.

Then there was the mysterious woman with the dyed hair and penciled eyebrows, who wore tight English dresses, like basques, who smelled of stale musk, who flirted with the men and got them to advance money for her expenses in a lawsuit, who laughed at Vida’s reading at a school-entertainment, and went off owing a hotel-bill and the three hundred dollars she had borrowed.

Vida insisted that she loved Carol, but with some satisfaction she compared her to these traducers of the town.

II

Vida had enjoyed Raymie Wutherspoon’s singing in the Episcopal choir; she had thoroughly reviewed the weather with him at Methodist sociables and in the Bon Ton. But she did not really know him till she moved to Mrs. Gurrey’s boardinghouse. It was five years after her affair with Kennicott. She was thirty-nine, Raymie perhaps a year younger.

She said to him, and sincerely, “My! You can do anything, with your brains and tact and that heavenly voice. You were so good in The Girl from Kankakee. You made me feel terribly stupid. If you’d gone on the stage, I believe you’d be just as good as anybody in Minneapolis. But still, I’m not sorry you stuck to business. It’s such a constructive career.”

“Do you really think so?” yearned Raymie, across the applesauce.

It was the first time that either of them had