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with a family at Compiègne for the rest of the time. Michael went to see his mother off at Charing Cross before he joined Mr. Viner.

“Darling Michael,” she murmured as the train began to move slowly forward. “You’re looking so well and happy⁠—just like you were two years ago. Just like⁠—”

The rest of the comparison was lost in the noise of the speeding train.

X Stella

Michael spent a charming fortnight with Father Viner in Amiens, Chartres and Rouen. The early Masses to which they went along the cool, empty streets of the morning, and the shadowy, candle-lit Benedictions from which they came home through the deepening dusk gave to Michael at least a profound hope, if not the astonishing faith of his first religious experience. Sitting with the priest at the open window of their inn, while down below the footsteps of the wayfarers were pattering like leaves, Michael recaptured some of that emotion of universal love which with sacramental force had filled his heart during the wonder of transition from boyhood to adolescence. He did not wish to know more about these people than could be told by the sound of their progress so light, so casual, so essentially becoming to the sapphirine small world in which they hurried to and fro. The passion of hope overwhelmed Michael’s imagination with a beauty that was perfectly expressed by the unseen busy populations of a city’s waning twilight. Love, birth, death, greed, ambition, all humanity’s stress of thought and effort, were merged in a murmurous contentment of footfalls and faint-heard voices. Michael supposed that somehow to God the universe must sound much as this tall street of Rouen sounded now to him at his inn window, and he realized for the first time how God must love the world. Later, the twilight and voices and footfalls would fade together into night, and through long star-scattered silences Michael would brood with a rapture that became more than hope, if less than faith with restless, fiery heart. Then clocks would strike sonorously; the golden windowpanes would waver and expire; Mr. Viner would tap his pipe upon the sill; and Michael and he would follow their own great shadows up into bedrooms noisy in the night-wind and prophetic of sleep’s immense freedom, until with the slanting beams of dawn Michael would wake and at Mass time seek to enchain with prayers indomitable dreams.

The gravity of Michael’s demeanour suited the grey town in which he sojourned, and though Mr. Viner used to teaze him about his saintly exterior, the priest seemed to enjoy his company.

“But don’t look so solemn when you meet your sister, or she’ll think you’re sighing for a niche in Chartres Cathedral, which for a young lady emancipated from Germany would be a most distressing thought.”

“I’m enjoying myself,” said Michael earnestly.

“My dear old chap, I’m not questioning that for a moment, and personally I find your attitude consorts very admirably with the mood in which these northern towns of France always throw me,” said Mr. Viner.

The fortnight came to an end, and to commemorate this chastening interlude of a confidence and a calm whose impermanence Michael half dreaded, half desired, he bought a pair of old candlesticks for the Notting Dale Mission. Michael derived a tremendous consolation from this purchase, for he felt that, even if in the future he should be powerless to revive this healing time, its austere hours would be immortalized, mirrored somehow in the candlesticks’ bases as durably as if engraved upon a Grecian urn. There was in this impulse nothing more sentimental than in his erection last year of the small cairn to celebrate a fleeting moment of faith on the Berkshire downs.

Stella was already settled in the bosom of the French family when Michael reached Compiègne, and as he drove towards the Pension he began for the first time to wonder what his sister would be like after these two years. He was inclined to suppose that she would be a problem, and he already felt qualms about the behaviour of her projected suddenly like this from Germany into an atmosphere of romance. For Michael, France always stood out as typically romantic to his fancy. Spain and Italy were not within his realization as yet, and Germany he conceived of as a series of towns filled with the noise of piano-scales and hoarse gutturals. He hoped that Stella was not even now plunged into a girlish love-affair with one of the idle young Frenchmen who haunted so amorously the sunshine of this gay land. He even began to rehearse, as his carriage jolted along the cobbled embankment of the Oise, a particularly scathing scene in which he coldly denounced the importunate lover, while Stella stood abashed by fraternal indignation. Then he reflected that after all Stella was only fifteen and, as he remembered her, too much wrapped up in a zest for public appreciation to be very susceptible of private admiration. Moreover, he knew that most of her time was occupied by piano-practice. An emotion of pride in his accomplished sister displaced the pessimism of his first thoughts. He took pleasure in the imagination of her swaying the whole Pension by her miraculous execution, and he began to build up the picture of his entrance upon the last crashing chords of a sonata, when after the applause had ceased he would modestly step forward as the brother of this paragon.

The carriage was now bowling comfortably along a wide tree-shaded avenue bordered on either side by stretches of greenery which were dappled with children and nursemaids and sedate little girls with bobbing pigtails. Michael wondered if Stella was making a discreet promenade with the ladies of the family, half hoped she was, that he might reach the Pension before her and gracefully welcome her, as she, somewhat flustered by being late for his arrival, hurried up the front-door steps. Then, just as he was wondering whether there would or would not be front-door steps to the Pension, the

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