Nets to Catch the Wind, Elinor Wylie [interesting novels to read TXT] 📗

CONTENTS


BEAUTY

THE EAGLE AND THE MOLE

MADMAN'S SONG

THE PRINKIN' LEDDIE

AUGUST

THE CROOKED STICK

ATAVISM

WILD PEACHES

SANCTUARY

THE LION AND THE LAMB

THE CHURCH-BELL

A CROWDED TROLLEY CAR

BELLS IN THE RAIN

WINTER SLEEP

VILLAGE MYSTERY

SUNSET ON THE SPIRE

ESCAPE

THE FAIRY GOLDSMITH

"FIRE AND SLEET AND CANDLELIGHT"

BLOOD FEUD

SEA LULLABY

NANCY

A PROUD LADY

THE TORTOISE IN ETERNITY

INCANTATION

SILVER FILIGREE

THE FALCON

BRONZE TRUMPETS AND SEA WATER--ON TURNING LATIN INTO ENGLISH

SPRING PASTORAL

VELVET SHOES

VALENTINE


BEAUTY


Say not of Beauty she is good,
Or aught but beautiful,
Or sleek to doves' wings of the wood
Her wild wings of a gull.

Call her not wicked; that word's touch
Consumes her like a curse;
But love her not too much, too much,
For that is even worse.

O, she is neither good nor bad,
But innocent and wild!
Enshrine her and she dies, who had
The hard heart of a child.


THE EAGLE AND THE MOLE


Avoid the reeking herd,
Shun the polluted flock,
Live like that stoic bird,
The eagle of the rock.

The huddled warmth of crowds
Begets and fosters hate;
He keeps, above the clouds,
His cliff inviolate.

When flocks are folded warm,
And herds to shelter run,
He sails above the storm,
He stares into the sun.

If in the eagle's track
Your sinews cannot leap,
Avoid the lathered pack,
Turn from the steaming sheep.

If you would keep your soul
From spotted sight or sound,
Live like the velvet mole;
Go burrow underground.

And there hold intercourse
With roots of trees and stones,
With rivers at their source,
And disembodied bones.


MADMAN'S SONG


Better to see your cheek grown hollow,
Better to see your temple worn,
Than to forget to follow, follow,
After the sound of a silver horn.

Better to bind your brow with willow
And follow, follow until you die,
Than to sleep with your head on a golden pillow,
Nor lift it up when the hunt goes by.

Better to see your cheek grown sallow
And your hair grown gray, so soon, so soon,
Than to forget to hallo, hallo,
After the milk-white hounds of the moon.


THE PRINKIN' LEDDIE


_"The Hielan' lassies are a' for spinnin'
The Lowlan' lassies for prinkin' and pinnin';
My daddie w'u'd chide me, an' so w'u'd my minnie
If I s'u'd bring hame sic a prinkin' leddie."_

Now haud your tongue, ye haverin' coward,
For whilst I'm young I'll go flounced an' flowered,
In lutestring striped like the strings o' a fiddle,
Wi' gowden girdles aboot my middle.

In your Hielan' glen, where the rain pours steady,
Ye'll be gay an' glad for a prinkin' leddie;
Where the rocks are all bare an' the turf is all sodden,
An' lassies gae sad in their homespun an' hodden.

My silks are stiff wi' patterns o' siller,
I've an ermine hood like the hat o' a miller,
I've chains o' coral like rowan berries,
An' a cramoisie mantle that cam' frae Paris.

Ye'll be glad for the glint o' its scarlet linin'
When the larks are up an' the sun is shinin';
When the winds are up an' ower the heather
Your heart'll be gay wi' my gowden feather.

When the skies are low an' the earth is frozen,
Ye'll be gay an' glad for the leddie ye've chosen,
When ower the snow I go prinkin' an' prancin'
In my wee red slippers were made for dancin'.

It's better a leddie like Solomon's lily
Than one that'll run like a Hielan' gillie
A-linkin' it ower the leas, my laddie,
In a raggedy kilt an' a belted plaidie!


AUGUST


Why should this Negro insolently stride
Down the red noonday on such noiseless feet?
Piled in his barrow, tawnier than wheat,
Lie heaps of smoldering daisies, somber-eyed,
Their copper petals shriveled up with pride,
Hot with a superfluity of heat,
Like a great brazier borne along the street
By captive leopards, black and burning pied.

Are there no water-lilies, smooth as cream,
With long stems dripping crystal? Are there none
Like those white lilies, luminous and cool,
Plucked from some hemlock-darkened northern stream
By fair-haired swimmers, diving where the sun
Scarce warms the surface of the deepest pool?


THE CROOKED STICK


First Traveler: What's that lying in the dust?
Second Traveler: A crooked stick.
First Traveler: What's it worth, if you can trust
To arithmetic?
Second Traveler: Isn't this a riddle?
First Traveler: No, a trick.
Second Traveler: It's worthless. Leave it where it lies.
First Traveler: Wait; count ten;
Rub a little dust upon your eyes;
Now, look again.
Second Traveler: Well, and what the devil is it, then?
First Traveler: It's the sort of crooked stick that shepherds know.
Second Traveler: Some one's loss!
First Traveler: Bend it, and you make of it a bow.
Break it, a cross.
Second Traveler: But it's all grown over with moss!


ATAVISM


I always was afraid of Somes's Pond:
Not the little pond, by which the willow stands,
Where laughing boys catch alewives in their hands
In brown, bright shallows; but the one beyond.
There, when the frost makes all the birches burn
Yellow as cow-lilies, and the pale sky shines
Like a polished shell between black spruce and pines,
Some strange thing tracks us, turning where we turn.

You'll say I dream it, being the true daughter
Of those who in old times endured this dread.
Look! Where the lily-stems are showing red
A silent paddle moves below the water,
A sliding shape has stirred them like a breath;
Tall plumes surmount a painted mask of death.


WILD PEACHES


1

When the world turns completely upside down
You say we'll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We'll live among wild peach trees, miles from town.
You'll wear a coonskin cap, and I a gown
Homespun, dyed butternut's dark gold color.
Lost, like your lotus-eating ancestor,
We'll swim in milk and honey till we drown.

The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.


2

The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold,
Fat pockets dribble chestnuts as they pass.

Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter's over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.


3

When April pours the colors of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird's beak,
We shall live well--we shall live very well.

The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, somber-bloomed and black;
Then, down rich fields and frosty river beaches
We'll trample bright persimmons, while we kill
Bronze partridge, speckled quail, and canvas-back.


4

Down to the Puritan marrow of my bones
There's something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There's something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.

I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meager sheaves;
That spring, briefer than apple-blossom's breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.


SANCTUARY


This is the bricklayer; hear the thud
Of his heavy load dumped down on stone.
His lustrous bricks are brighter than blood,
His smoking mortar whiter than bone.

Set each sharp-edged, fire-bitten brick
Straight by the plumb-line's shivering length;
Make my marvelous wall so thick
Dead nor living may shake its strength.

Full as a crystal cup with drink
Is my cell with dreams, and quiet, and cool....
Stop, old man! You must leave a chink;
How can I breathe? _You can't, you fool!_


THE LION AND THE LAMB


I saw a Tiger's golden flank,
I saw what food he ate,
By a desert spring he drank;
The Tiger's name was Hate.

Then I saw a placid Lamb
Lying fast asleep;
Like a river from its dam
Flashed the Tiger's leap.

I saw a Lion tawny-red,
Terrible and brave;
The Tiger's leap overhead
Broke like a wave.

In sand below or sun above
He faded like a flame.
The Lamb said, "I am Love";
"Lion, tell your name."

The Lion's voice thundering
Shook his vaulted breast,
"I am Love. By this spring,
Brother, let us rest."


THE CHURCH-BELL


As I was lying in my bed
I heard the church-bell ring;
Before one solemn word was said
A bird began to sing.

I heard a dog begin to bark
And a bold crowing cock;
The bell, between the cold and dark,
Tolled. It was five o'clock.

The church-bell tolled, and the bird sang,
A clear true voice he had;
The cock crew, and the church-bell rang,
I knew it had gone mad.

A hand reached down from the dark skies,
It took the bell-rope thong,
The bell cried "Look! Lift up your eyes!"
The clapper shook to song.

The iron clapper laughed aloud,
Like clashing wind and wave;
The bell cried out "Be strong and proud!"
Then, with a shout, "Be brave!"

The rumbling of the market-carts,
The pounding of men's feet
Were drowned in song; "Lift up your hearts!"
The sound was loud and sweet.

Slow and slow the great bell swung,
It hung in the steeple mute;
And people tore its living tongue
Out by the very root.


A CROWDED TROLLEY CAR


The rain's cold grains are silver-gray
Sharp as golden sands,
A bell is clanging, people sway
Hanging by their hands.

Supple hands, or gnarled and stiff,
Snatch and catch and grope;
That face is yellow-pale, as if
The fellow swung from rope.

Dull like pebbles, sharp like knives,
Glances strike and glare,
Fingers tangle, Bluebeard's wives
Dangle by the hair.

Orchard of the strangest fruits
Hanging from the skies;
Brothers, yet insensate brutes
Who fear each others' eyes.

One man stands as free men stand,
As if his soul might be
Brave, unbroken; see his hand
Nailed to an oaken tree.