Memoirs of Extraordinary Popular Delusions and the Madness of Crowds, Charles Mackay [best inspirational books TXT] 📗

Quarterly Review.Return

Histoire de la Magie en France. Rois de la seconde race, p. 29.

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M. Michaud, in his History of the Crusades, M. Guinguené, in his Literary History of Italy, and some other critics, have objected to Tasso’s poem, that he has attributed to the Crusaders a belief in magic, which did not exist at that time. If these critics had referred to the edicts of Charlemagne, they would have seen that Tasso was right, and that a disposition too eager to spy out imperfections in a great work was leading themselves into error.

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Entstehungsgeschichte der freistädlischen Bünde im Mittelalter, von Dr. F. Kortüm. 1827.

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Bodin, p. 95 Garinet, p. 125; Anti-demon de Serclier, p. 346.

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Tablier. See also Boguet, Discours sur les Sorciers; and M. Jules Garinet, Histoire de la Magie, p. 150.

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Foreign Quarterly Review, vol. vi. p. 41.

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News from Scotland, declaring the Damnable Life of Dr. Fian.

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Satan’s Invisible World Discovered, by the Rev. G. Sinclair.

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This illustration, representing Matthew Hopkins examining two witches, who are confessing to him the names of their imps and familiars, is copied from Caulfield’s Memoirs of Remarkable Persons, 1794, where it is taken from an extremely rare print.

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Pitcairn’s Records of Justiciary.

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Preface to Law’s Memorials, edited by Sharpe.

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Zauberbibliothek, Thiel 5.

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They sent a hangman’s assistant down to her in her prison; they clothed him properly in a bear’s skin, as if he were the devil. Him, when the witch saw, she thought he was her familiar. She said to him quickly, “Why hast thou left me so long in the magistrate’s hands? Help me out of their power, as thou hast promised, and I will be thine alone. Help me from this anguish, O thou dearest devil [or lover] mine!”

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A very graphic account of the execution of this unfortunate gentleman is to be found in the excellent romance of M. Alfred de Vigny, entitled Cinq Mars; but if the reader wishes for a full and accurate detail of all the circumstances of one of the most extraordinary trials upon record, he is referred to a work published anonymously, at Amsterdam, in 1693, entitled Histoire des Diables de Loudun, ou de la Possession des Religieuses Ursulines, et de la Condemnation et du Supplice d’Urbain Grandier.

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The punishment for the contumacious was expressed by the words onere, frigore, et fame. By the first was meant, that the culprit should be extended on his back on the ground, and weights placed over his body, gradually increased, until he expired. Sometimes the punishment was not extended to this length, and the victim being allowed to recover, underwent the second portion, the frigore, which consisted in his standing naked in the open air, for a certain space, in the sight of all the people. The third, or fame, was more dreadful, the statute saying, “That he was to be preserved with the coarsest bread that could be got, and water out of the next sink, or puddle, to the place of execution; and that day he had water he should have no bread, and that day he had bread he should have no water;” and in this torment he was to linger as long as nature would hold out.

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This is denied by Voltaire in his Age of Louis XIV.; but he does not state for what reason. His words are, “Il est faux qu’elle eut essayé ses poisons dans les hôpitaux, comme le disait le peuple, et comme il est écrit dans les Causes Célèbres, ouvrage d’un avocat sans cause et fait pour le peuple.”

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Slow poisoning is a crime which has unhappily been revived in England within the last few years, and which has been carried to an extent sufficient to cast a stain upon the national character. The poisoners have been principally women of the lowest class, and their victims have been their husbands or their children. The motive for the crime has in most instances been the basest that can be imagined,—the desire to obtain from burial-clubs to which they subscribed, the premium, or burial-money. A recent enactment, restricting the sale of arsenic and other poisons, will, it is to be hoped, check, if it do not extirpate this abominable crime.—1851.

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Garinet, Histoire de la Magie en France, p. 75.

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Ibid. p. 156.

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Dr. H. More’s Continuation of Glanvil’s Collection of Relations in proof of Witchcraft.

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The woman whose ghost was said to manifest itself in Cock Lane was buried in the crypt or cloister of St. John, Clerkenwell. The vault is composed of two aisles, that on the south being much narrower than the other,—it was here she was deposited.

About seven years since, I was sketching a picturesque trefoil-headed door leading into this part of the vault; and the place being at that time in great confusion with coffins, remains of bodies, some of which were dried like mummies, &c., I could find no better seat than one of the coffins. The sexton’s boy, who held my light, informed me this was the coffin of Scratching Fanny, which recalled the Cock Lane story to my mind. I got off the lid of the coffin, and saw the face of a handsome woman, with an aquiline nose; this feature remaining perfect, an uncommon case, for the cartilage mostly gives way. The remains had become adipocere, and were perfectly preserved. She was said to have been poisoned by deleterious punch, but this was legally disproved; and, if I remember rightly, she was otherwise declared to have died of small-pox; of this disease there was not the least sign; but as some mineral poisons tend to render bodies adipocere, here was some evidence in support of the former allegation. I made particular inquiries at the time of Mr. Bird, churchwarden, a respectable and judicious man; and he gave me good assurance that this coffin had always been looked upon as the one containing the Cock Lane woman. Since that time the vault has been set in order, and the above-mentioned coffin, with others, put away.

The niche near the window in the drawing of the Ghost Room is the place where the bed-head was, and where the scratching, knocks, &c. were heard. This is the tradition of the house. Mrs. King, who holds the premises, informs me that her family has had the house about eighty years.—J. W. Archer.

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Shakspeare’s Rape of Lucretia.

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The Abbé, in the second volume, in the letter No. 79, addressed to Monsieur de Buffon, gives the following curious particulars of the robbers of 1737, which are not without interest at this day, if it were only to shew the vast improvement which has taken place since that period. “It is usual in travelling to put ten or a dozen guineas in a separate pocket, as a tribute to the first that comes to demand them the right of passport, which custom has established here in favour of the robbers, who are almost the only highway surveyors in England, has made this necessary; and accordingly the English call these fellows the ‘Gentlemen of the Road,’ the government letting them exercise their jurisdiction upon travellers without giving them any great molestation. To say the truth, they content themselves with only taking the money of those who obey without disputing; but notwithstanding their boasted humanity, the lives of those who endeavour to get away are not always safe. They are very strict and severe in levying their impost; and if a man has not wherewithal to pay them, he may run the chance of getting himself knocked on the head for his poverty.

“About fifteen years ago, these robbers, with the view of maintaining their rights, fixed up papers at the doors of rich people about London, expressly forbidding all persons, of whatsoever quality or condition, from going out of town without ten guineas and a watch about them, on pain of death. In bad times, when there is little or nothing to be got on the roads, these fellows assemble in gangs, to raise contributions even in London itself, and the watchmen seldom trouble themselves to interfere with them in their vocation.”

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Since the publication of the first edition of this volume, Jack Sheppard’s adventures have been revived. A novel upon the real or fabulous history of the burglar has afforded, by its extraordinary popularity, a further exemplification of the allegations in the text. The Sixth Report of the Inspector of Prisons for the Northern Districts of England contains a mass of information upon the pernicious effect of such romances, and of the dramas founded upon them. The Inspector examined several boys attending the prison school in the New Bailey at Manchester, from whose evidence the following passages bearing upon the subject are extracted:

“J. L. (aged 14). The first time I was ever at the theatre was to see Jack Sheppard. There were two or three boys near to the house who were going, and they asked me. I took sixpence from the money I used to lay up weekly for clothes. The next time I went, which was the week after, I borrowed the money from a boy; I returned it to him the Saturday after. I then went many times. I took the money from my mother out of her pocket as she was sitting down, and I beside her. There was more than sixpence in her pocket. I got a great love for the theatre, and stole from people often to get there. I thought this Jack Sheppard was a clever fellow for making his escape and robbing his master. If I could get out of gaol, I think I should be as clever as him: but, after all his exploits, he got done at last. I have had the book out of a library at Dole Field. I had paid two-pence a book for three volumes. I also got Richard Turpin, in two volumes, and paid the same. I have seen Oliver Twist, and think the Artful Dodger is very like some of the boys here. I am here for picking a pocket of 25l.

“H. C. (aged 15). When we came to Manchester, I went to the play, and saw Jack Sheppard the first night it came out. There were pictures of him about the streets on boards and on the walls; one of them was his picking a pocket in the church. I liked Jack Sheppard much. I had not been in prison there. I was employed in a warehouse at 6s. 6d. a-week, and was allowed 6d. out of it for myself, and with that I went regularly to the play. I saw Jack Sheppard afterwards four times in one week. I got the money out of my money-bag by stealth, and without my master’s knowledge. I once borrowed 10