The Human Drift, Jack London [good inspirational books .txt] 📗

And to think I once permitted you to make love to me for three weeks!

[NED rises.]

[MAID enters from left with letters, which she brings to ALICE HEMINGWAY.]

ALICE HEMINGWAY. [Running over letters.] None for you, Ned. [Selecting two letters for herself.] Tradesmen. [Handing remainder of letters to MAID.] And three for Loretta. [Speaking to MAID.] Put them on the table, Josie.

[MAID puts letters on table to left front, and makes exit to left.]

NED. [With shade of jealousy.] Loretta seems to have quite a correspondence.

ALICE HEMINGWAY. [With a sigh.] Yes, as I used to when I was a girl.

NED. But hers are family letters.

ALICE HEMINGWAY. Yes, I did not notice any from Billy.

NED. [Faintly.] Billy?

ALICE HEMINGWAY. [Nodding.] Of course she has told you about him?

NED. [Gasping.] She has had lovers . . . already?

ALICE HEMINGWAY. And why not? She is nineteen.

NED. [Haltingly.] This . . . er . . . this Billy . . . ?

ALICE HEMINGWAY. [Laughing and putting her hand reassuringly on his arm.] Now don't be alarmed, poor, tired philosopher. She doesn't love Billy at all.

[LORETTA enters from right.]

ALICE HEMINGWAY. [To LORETTA, nodding toward table.] Three letters for you.

LORETTA. [Delightedly.] Oh! Thank you.

[LORETTA trips swiftly across to table, looks at letters, sits down, opens letters, and begins to read.]

NED. [Suspiciously.] But Billy?

ALICE HEMINGWAY. I am afraid he loves her very hard. That is why she is here. They had to send her away. Billy was making life miserable for her. They were little children together--playmates. And Billy has been, well, importunate. And Loretta, poor child, does not know anything about marriage. That is all.

NED. [Reassured.] Oh, I see.

[ALICE HEMINGWAY starts slowly toward right exit, continuing conversation and accompanied by NED.]

ALICE HEMINGWAY. [Calling to LORETTA.] Are you going fishing, Loretta?

[LORETTA looks up from letter and shakes head.]

ALICE HEMINGWAY. [To NED.] Then you're not, I suppose?

NED. No, it's too warm.

ALICE HEMINGWAY. Then I know the place for you.

NED. Where?

ALICE HEMINGWAY. Right here. [Looks significantly in direction of LORETTA.] Now is your opportunity to say what you ought to say.

[ALICE HEMINGWAY laughs teasingly and goes out to right.]

[NED hesitates, starts to follow her, looks at LORETTA, and stops. He twists his moustache and continues to look at her meditatively.]

[LORETTA is unaware of his presence and goes on reading. Finishes letter, folds it, replaces in envelope, looks up, and discovers NED.]

LORETTA. [Startled.] Oh! I thought you were gone.

NED. [Walking across to her.] I thought I'd stay and finish our conversation.

LORETTA. [Willingly, settling herself to listen.] Yes, you were going to . . . [Drops eyes and ceases talking.]

NED. [Taking her hand, tenderly.] I little dreamed when I came down here visiting that I was to meet my destiny in--[Abruptly releases LORETTA's hand.]

[MAID enters from left with tray.]

[LORETTA glances into tray and discovers that it is empty. She looks inquiringly at MAID.]

MAID. A gentleman to see you. He hasn't any card. He said for me to tell you that it was Billy.

LORETTA. [Starting, looking with dismay and appeal to NED.] Oh! . . . Ned!

NED [Gracefully and courteously, rising to his feet and preparing to go.] If you'll excuse me now, I'll wait till afterward to tell you what I wanted.

LORETTA. [In dismay.] What shall I do?

NED. [Pausing.] Don't you want to see him? [LORETTA shakes her head.] Then don't.

LORETTA. [Slowly.] I can't do that. We are old friends. We . . . were children together. [To the MAID.] Send him in. [To NED, who has started to go out toward right.] Don't go, Ned.

[MAID makes exit to left.]

NED. [Hesitating a moment.] I'll come back.

[NED makes exit to right.]

[LORETTA, left alone on stage, shows perturbation and dismay.]

[BILLY enters from left. Stands in doorway a moment. His shoes are dusty. He looks overheated. His eyes and face brighten at sight of LORETTA.]

BILLY. [Stepping forward, ardently.] Loretta!

LORETTA. [Not exactly enthusiastic in her reception, going slowly to meet him.] You never said you were coming.

[BILLY shows that he expects to kiss her, but she merely shakes his hand.]

BILLY. [Looking down at his very dusty shoes.] I walked from the station.

LORETTA. If you had let me know, the carriage would have been sent for you.

BILLY. [With expression of shrewdness.] If I had let you know, you wouldn't have let me come.

[BILLY looks around stage cautiously, then tries to kiss her.]

LORETTA. [Refusing to be kissed. ] Won't you sit down?

BILLY. [Coaxingly.] Go on, just one. [LORETTA shakes head and holds him off.] Why not? We're engaged.

LORETTA. [With decision. ] We're not. You know we're not. You know I broke it off the day before I came away. And . . . and . . . you'd better sit down.

[BILLY sits down on edge of chair. LORETTA seats herself by table. Billy, without rising, jerks his chair forward till they are facing each other, his knees touching hers. He yearns toward her. She moves back her chair slightly.]

BILLY. [With supreme confidence.] That's what I came to see you for--to get engaged over again.

[BILLY hudges chair forward and tries to take her hand.]

[LORETTA hudges her chair back.]

BILLY. [Drawing out large silver watch and looking at it.] Now look here, Loretta, I haven't any time to lose. I've got to leave for that train in ten minutes. And I want you to set the day.

LORETTA. But we're not engaged, Billy. So there can't be any setting of the day.

BILLY. [With confidence.] But we're going to be. [Suddenly breaking out.] Oh, Loretta, if you only knew how I've suffered. That first night I didn't sleep a wink. I haven't slept much ever since. [Hudges chair forward.] I walk the floor all night. [Solemnly.] Loretta, I don't eat enough to keep a canary bird alive. Loretta . . . [Hudges chair forward.]

LORETTA. [Hudging her chair back maternally.] Billy, what you need is a tonic. Have you seen Doctor Haskins?

BILLY. [Looking at watch and evincing signs of haste.] Loretta, when a girl kisses a man, it means she is going to marry him.

LORETTA. I know it, Billy. But . . . [She glances toward letters on table.] Captain Kitt doesn't want me to marry you. He says . . . [She takes letter and begins to open it.]

BILLY. Never mind what Captain Kitt says. He wants you to stay and be company for your sister. He doesn't want you to marry me because he knows she wants to keep you.

LORETTA. Daisy doesn't want to keep me. She wants nothing but my own happiness. She says--[She takes second letter from table and begins to open it.]

BILLY. Never mind what Daisy says--

LORETTA. [Taking third letter from table and beginning to open it.] And Martha says--

BILLY. [Angrily.] Darn Martha and the whole boiling of them!

LORETTA. [Reprovingly.] Oh, Billy!

BILLY. [Defensively.] Darn isn't swearing, and you know it isn't.

[There is an awkward pause. Billy has lost the thread of the conversation and has vacant expression.]

BILLY. [Suddenly recollecting.] Never mind Captain Kitt, and Daisy, and Martha, and what they want. The question is, what do you want?

LORETTA. [Appealingly.] Oh, Billy, I'm so unhappy.

BILLY. [Ignoring the appeal and pressing home the point.] The thing is, do you want to marry me? [He looks at his watch.] Just answer that.

LORETTA. Aren't you afraid you'll miss that train?

BILLY. Darn the train!

LORETTA. [Reprovingly.] Oh, Billy!

BILLY. [Most irascibly.] Darn isn't swearing. [Plaintively.] That's the way you always put me off. I didn't come all the way here for a train. I came for you. Now just answer me one thing. Do you want to marry me?

LORETTA. [Firmly.] No, I don't want to marry you.

BILLY. [With assurance.] But you've got to, just the same.

LORETTA. [With defiance.] Got to?

BILLY. [With unshaken assurance.] That's what I said--got to. And I'll see that you do.

LORETTA. [Blazing with anger.] I am no longer a child. You can't bully me, Billy Marsh!

BILLY. [Coolly.] I'm not trying to bully you. I'm trying to save your reputation.

LORETTA. [Faintly.] Reputation?

BILLY. [Nodding.] Yes, reputation. [He pauses for a moment, then speaks very solemnly.] Loretta, when a woman kisses a man, she's got to marry him.

LORETTA. [Appalled, faintly.] Got to?

BILLY. [Dogmatically.] It is the custom.

LORETTA. [Brokenly.] And when . . . a . . . a woman kisses a man and doesn't . . . marry him . . . ?

BILLY. Then there is a scandal. That's where all the scandals you see in the papers come from.

[BILLY looks at watch.]

[LORETTA in silent despair.]

LORETTA. [In abasement.] You are a good man, Billy. [Billy shows that he believes it.] And I am a very wicked woman.

BILLY. No, you're not, Loretta. You just didn't know.

LORETTA. [With a gleam of hope.] But you kissed me first.

BILLY. It doesn't matter. You let me kiss you.

LORETTA. [Hope dying down.] But not at first.

BILLY. But you did afterward and that's what counts. You let me you in the grape-arbour. You let me--

LORETTA. [With anguish] Don't! Don't!

BILLY. [Relentlessly.]--kiss you when you were playing the piano. You let me kiss you that day of the picnic. And I can't remember all the times you let me kiss you good night.

LORETTA. [Beginning to weep.] Not more than five.

BILLY. [With conviction.] Eight at least.

LORETTA. [Reproachfully, still weeping.] You told me it was all right.

BILLY. [Emphatically.] So it was all right--until you said you wouldn't marry me after all. Then it was a scandal--only no one knows