The Human Drift, Jack London [good inspirational books .txt] 📗

I beg your pardon. I don't want to smoke. I didn't mean that at all. What I mean is . . . [He bends over LORETTA, catches her hands in his, then sits on arm of chair, softly puts one arm around her, and is about to kiss her.]

LORETTA. [With horror, repulsing him.] No! No!

NED. [Surprised.] What's the matter?

LORETTA. [Agitatedly.] Would you make me a wickeder woman than I am?

NED. A kiss?

LORETTA. There will be another scandal. That would make two scandals.

NED. To kiss the woman I love . . . a scandal?

LORETTA. Billy loves me, and he said so.

NED. Billy is a joker . . . or else he is as innocent as you.

LORETTA. But you said so yourself.

NED. [Taken aback.] I?

LORETTA. Yes, you said it yourself, with your own lips, not ten minutes ago. I shall never believe you again.

NED. [Masterfully putting arm around her and drawing her toward him.] And I am a joker, too, and a very wicked man. Nevertheless, you must trust me. There will be nothing wrong.

LORETTA. [Preparing to yield.] And no . . . scandal?

NED. Scandal fiddlesticks. Loretta, I want you to be my wife. [He waits anxiously.]

[JACK HEMINGWAY, in fishing costume, appears in doorway to right and looks on.]

NED. You might say something.

LORETTA. I will . . . if . . .

[ALICE HEMINGWAY appears in doorway to left and looks on.]

NED. [In suspense.] Yes, go on.

LORETTA. If I don't have to marry Billy.

NED. [Almost shouting.] You can't marry both of us!

LORETTA. [Sadly, repulsing him with her hands.] Then, Ned, I cannot marry you.

NED. [Dumbfounded.] W-what?

LORETTA. [Sadly.] Because I can't marry both of you.

NED. Bosh and nonsense!

LORETTA. I'd like to marry you, but . . .

NED. There is nothing to prevent you.

LORETTA. [With sad conviction.] Oh, yes, there is. You said yourself that I had to marry Billy. You said you would s-s-shoot him if he didn't.

NED. [Drawing her toward him.] Nevertheless . . .

LORETTA. [Slightly holding him off.] And it isn't the custom . . . what . . . Billy said?

NED. No, it isn't the custom. Now, Loretta, will you marry me?

LORETTA. [Pouting demurely.] Don't be angry with me, Ned. [He gathers her into his arms and kisses her. She partially frees herself, gasping.] I wish it were the custom, because now I'd have to marry you, Ned, wouldn't I?

[NED and LORETTA kiss a second time and profoundly.]

[JACK HEMINGWAY chuckles.]

[NED and LORETTA, startled, but still in each other's arms, look around. NED looks sillily at ALICE HEMINGWAY. LORETTA looks at JACK HEMINGWAY.]

LORETTA. I don't care.

CURTAIN


THE BIRTH MARK SKETCH BY JACK LONDON written for Robert and Julia Fitzsimmons


SCENE--One of the club rooms of the West Bay Athletic Club. Near centre front is a large table covered with newspapers and magazines. At left a punching-bag apparatus. At right, against wall, a desk, on which rests a desk-telephone. Door at rear toward left. On walls are framed pictures of pugilists, conspicuous among which is one of Robert Fitzsimmons. Appropriate furnishings, etc., such as foils, clubs, dumb-bells and trophies.

[Enter MAUD SYLVESTER.]

[She is dressed as a man, in evening clothes, preferably a Tuxedo. In her hand is a card, and under her arm a paper-wrapped parcel. She peeps about curiously and advances to table. She is timorous and excited, elated and at the same time frightened. Her eyes are dancing with excitement.]

MAUD. [Pausing by table.] Not a soul saw me. I wonder where everybody is. And that big brother of mine said I could not get in. [She reads back of card.] "Here is my card, Maudie. If you can use it, go ahead. But you will never get inside the door. I consider my bet as good as won." [Looking up, triumphantly.] You do, do you? Oh, if you could see your little sister now. Here she is, inside. [Pauses, and looks about.] So this is the West Bay Athletic Club. No women allowed. Well, here I am, if I don't look like one. [Stretches out one leg and then the other, and looks at them. Leaving card and parcel on table, she struts around like a man, looks at pictures of pugilists on walls, reading aloud their names and making appropriate remarks. But she stops before the portrait of Fitzsimmons and reads aloud.] "Robert Fitzsimmons, the greatest warrior of them all." [Clasps hands, and looking up at portrait murmurs.] Oh, you dear!

[Continues strutting around, imitating what she considers are a man's stride and swagger, returns to table and proceeds to unwrap parcel.] Well, I'll go out like a girl, if I did come in like a man. [Drops wrapping paper on table and holds up a woman's long automobile cloak and a motor bonnet. Is suddenly startled by sound of approaching footsteps and glances in a frightened way toward door.] Mercy! Here comes somebody now! [Glances about her in alarm, drops cloak and bonnet on floor close to table, seizes a handful of newspapers, and runs to large leather chair to right of table, where she seats herself hurriedly. One paper she holds up before her, hiding her face as she pretends to read. Unfortunately the paper is upside down. The other papers lie on her lap.]

[Enter ROBERT FITZSIMMONS.]

[He looks about, advances to table, takes out cigarette case and is about to select one, when he notices motor cloak and bonnet on floor. He lays cigarette case on table and picks them up. They strike him as profoundly curious things to be in a club room. He looks at MAUD, then sees card on table. He picks it up and reach it to himself, then looks at her with comprehension. Hidden by her newspaper, she sees nothing. He looks at card again and reads and speaks in an aside.]

FITZSIMMONS. "Maudie. John H. Sylvester." That must be Jack Sylvester's sister Maud. [FITZSIMMONS shows by his expression that he is going to play a joke. Tossing cloak and bonnet under the table he places card in his vest pocket, selects a chair, sits down, and looks at MAUD. He notes paper is upside down, is hugely tickled, and laughs silently.] Hello! [Newspaper is agitated by slight tremor. He speaks more loudly.] Hello! [Newspaper shakes badly. He speaks very loudly.] Hello!

MAUD. [Peeping at him over top of paper and speaking hesitatingly.] H-h- hello!

FITZSIMMONS. [Gruffly.] You are a queer one, reading a paper upside down.

MAUD. [Lowering newspaper and trying to appear at ease.] It's quite a trick, isn't it? I often practise it. I'm real clever at it, you know.

FITZSIMMONS. [Grunts, then adds.] Seems to me I have seen you before.

MAUD. [Glancing quickly from his face to portrait and back again.] Yes, and I know you--You are Robert Fitzsimmons.

FITZSIMMONS. I thought I knew you.

MAUD. Yes, it was out in San Francisco. My people still live there. I'm just--ahem--doing New York.

FITZSIMMONS. But I don't quite remember the name.

MAUD. Jones--Harry Jones.

FITZSIMMONS. [Hugely delighted, leaping from chair and striding over to her.] Sure. [Slaps her resoundingly on shoulder.]

[She is nearly crushed by the weight of the blow, and at the same time shocked. She scrambles to her feet.]

FITZSIMMONS. Glad to see you, Harry. [He wrings her hand, so that it hurts.] Glad to see you again, Harry. [He continues wringing her hand and pumping her arm.]

MAUD. [Struggling to withdraw her hand and finally succeeding. Her voice is rather faint.] Ye-es, er . . . Bob . . . er . . . glad to see you again. [She looks ruefully at her bruised fingers and sinks into chair. Then, recollecting her part, she crosses her legs in a mannish way.]

FITZSIMMONS. [Crossing to desk at right, against which he leans, facing her.] You were a wild young rascal in those San Francisco days. [Chuckling.] Lord, Lord, how it all comes back to me.

MAUD. [Boastfully.] I was wild--some.

FITZSIMMONS. [Grinning.] I should say! Remember that night I put you to bed?

MAUD. [Forgetting herself, indignantly.] Sir!

FITZSIMMONS. You were . . . er . . . drunk.

MAUD. I never was!

FITZSIMMONS. Surely you haven't forgotten that night! You began with dropping champagne bottles out of the club windows on the heads of the people on the sidewalk, and you wound up by assaulting a cabman. And let me tell you I saved you from a good licking right there, and squared it with the police. Don't you remember?

MAUD. [Nodding hesitatingly.] Yes, it is beginning to come back to me. I was a bit tight that night.

FITZSIMMONS. [Exultantly.] A bit tight! Why, before I could get you to bed you insisted on telling me the story of your life.

MAUD. Did I? I don't remember that.

FITZSIMMONS. I should say not. You were past remembering anything by that time. You had your arms around my neck--

MAUD. [Interrupting.] Oh!

FITZSIMMONS. And you kept repeating over and over, "Bob, dear Bob."

MAUD. [Springing to her feet.] Oh! I never did! [Recollecting herself.] Perhaps I must have. I was a trifle wild in those days, I admit. But I'm wise now. I've sowed my wild oats and steadied down.

FITZSIMMONS. I'm glad to hear that, Harry. You were tearing off a pretty fast pace in those days. [Pause, in which MAUD nods.] Still punch the bag?

MAUD. [In quick alarm, glancing at punching bag.] No, I've got out of the hang of it.

FITZSIMMONS. [Reproachfully.] You haven't forgotten that right-and-left, arm, elbow and shoulder movement I taught you?

MAUD. [With hesitation.] N-o-o.

FITZSIMMONS. [Moving toward bag to left.] Then, come on.

MAUD. [Rising reluctantly and following.] I'd rather see you punch the bag. I'd just love to.

FITZSIMMONS. I will, afterward. You go to it first.

MAUD. [Eyeing the bag in alarm.] No; you. I'm out of practice.

FITZSIMMONS. [Looking at her sharply.] How many drinks have you had to- night?

MAUD. Not a one. I don't drink--that is--er--only occasionally.

FITZSIMMONS. [Indicating bag.] Then go to it.