Complete Maupassant Original Short Stories, Guy de Maupassant [readict TXT] 📗

her mother."

I really felt a little disconcerted, but I regained my self-possession, and asked:

"Where is she now?"

"She has gone to Paris with a painter, a delightful man, who loves her very much, and who gives her everything that she wants. Just look at what she sent me; they are very pretty, are they not?"

And she showed me, with quite southern animation, her heavy bracelets and necklace. "I have also," she continued, "earrings with stones in them, a silk dress, and some rings; but I only wear them on grand occasions. Oh! she is very happy, monsieur, very happy. She will be so pleased when I tell her you have been here. But pray come in and sit down. You will take something or other, surely?"

But I refused, as I now wished to get away by the first train; but she took me by the arm and pulled me in, saying:

"Please, come in; I must tell her that you have been in here."

I found myself in a small, rather dark room, furnished with only a table and a few chairs.

She continued: "Oh, she is very happy now, very happy. When you met her in the train she was very miserable; she had had an unfortunate love affair in Marseilles, and she was coming home, poor child. But she liked you at once, though she was still rather sad, you understand. Now she has all she wants, and she writes and tells me everything that she does. His name is Bellemin, and they say he is a great painter in your country. He fell in love with her at first sight. But you will take a glass of sirup?-it is very good. Are you quite alone, this year?"

"Yes," I said, "quite alone."

I felt an increasing inclination to laugh, as my first disappointment was dispelled by what Mother Rondoli said. I was obliged; however, to drink a glass of her sirup.

"So you are quite alone?" she continued. "How sorry I am that Francesca is not here now; she would have been company for you all the time you stayed. It is not very amusing to go about all by oneself, and she will be very sorry also."

Then, as I was getting up to go, she exclaimed:

"But would you not like Carlotta to go with you? She knows all the walks very well. She is my second daughter, monsieur."

No doubt she took my look of surprise for consent, for she opened the inner door and called out up the dark stairs which I could not see:

"Carlotta! Carlotta! make haste down, my dear child."

I tried to protest, but she would not listen.

"No; she will be very glad to go with you; she is very nice, and much more cheerful than her sister, and she is a good girl, a very good girl, whom I love very much."

In a few moments a tall, slender, dark girl appeared, her hair hanging down, and her youthful figure showing unmistakably beneath an old dress of her mother's.

The latter at once told her how matters stood.

"This is Francesca's Frenchman, you know, the one whom she knew last year. He is quite alone, and has come to look for her, poor fellow; so I told him that you would go with him to keep him company."

The girl looked at me with her handsome dark eyes, and said, smiling:

"I have no objection, if he wishes it"

I could not possibly refuse, and merely said:

"Of course, I shall be very glad of your company."

Her mother pushed her out. "Go and get dressed directly; put on your blue dress and your hat with the flowers, and make haste."

As soon as she had left the room the old woman explained herself: "I have two others, but they are much younger. It costs a lot of money to bring up four children. Luckily the eldest is off my hands at present."

Then she told all about herself, about her husband, who had been an employee on the railway, but who was dead, and she expatiated on the good qualities of Carlotta, her second girl, who soon returned, dressed, as her sister had been, in a striking, peculiar manner.

Her mother examined her from head to foot, and, after finding everything right, she said:

"Now, my children, you can go." Then turning to the girl, she said: "Be sure you are back by ten o'clock to-night; you know the door is locked then." The answer was:

"All right, mamma; don't alarm yourself."

She took my arm and we went wandering about the streets, just as I had wandered the previous year with her sister.

We returned to the hotel for lunch, and then I took my new friend to Santa Margarita, just as I had taken her sister the year previously.

During the whole fortnight which I had at my disposal, I took Carlotta to all the places of interest in and about Genoa. She gave me no cause to regret her sister.

She cried when I left her, and the morning of my departure I gave her four bracelets for her mother, besides a substantial token of my affection for herself.

One of these days I intend to return to Italy, and I cannot help remembering with a certain amount of uneasiness, mingled with hope, that Madame Rondoli has two more daughters.

End of this Project Gutenberg Etext of Original Short Stories, Vol. 6. by Guy de Maupassant

ORIGINAL SHORT STORIES, Vol. 7.

By Guy de Maupassant

GUY DE MAUPASSANT ORIGINAL SHORT STORIES Translated by ALBERT M. C. McMASTER, B.A. A. E. HENDERSON, B.A. MME. QUESADA and Others

VOLUME VII.

THE FALSE GEMS FASCINATION YVETTE SAMORIS A VENDETTA MY TWENTY-FIVE DAYS "THE TERROR" LEGEND OF MONT ST. MICHEL A NEW YEAR'S GIFT FRIEND PATIENCE ABANDONED THE MAISON TELLIER DENNIS MY WIFE THE UNKNOWN THE APPARITION

THE FALSE GEMS

Monsieur Lantin had met the young girl at a reception at the house of the second head of his department, and had fallen head over heels in love with her.

She was the daughter of a provincial tax collector, who had been dead several years. She and her mother came to live in Paris, where the latter, who made the acquaintance of some of the families in her neighborhood, hoped to find a husband for her daughter.

They had very moderate means, and were honorable, gentle, and quiet.

The young girl was a perfect type of the virtuous woman in whose hands every sensible young man dreams of one day intrusting his happiness. Her simple beauty had the charm of angelic modesty, and the imperceptible smile which constantly hovered about the lips seemed to be the reflection of a pure and lovely soul. Her praises resounded on every side. People never tired of repeating: "Happy the man who wins her love! He could not find a better wife."

Monsieur Lantin, then chief clerk in the Department of the Interior, enjoyed a snug little salary of three thousand five hundred francs, and he proposed to this model young girl, and was accepted.

He was unspeakably happy with her. She governed his household with such clever economy that they seemed to live in luxury. She lavished the most delicate attentions on her husband, coaxed and fondled him; and so great was her charm that six years after their marriage, Monsieur Lantin discovered that he loved his wife even more than during the first days of their honeymoon.

He found fault with only two of her tastes: Her love for the theatre, and her taste for imitation jewelry. Her friends (the wives of some petty officials) frequently procured for her a box at the theatre, often for the first representations of the new plays; and her husband was obliged to accompany her, whether he wished it or not, to these entertainments which bored him excessively after his day's work at the office.

After a time, Monsieur Lantin begged his wife to request some lady of her acquaintance to accompany her, and to bring her home after the theatre. She opposed this arrangement, at first; but, after much persuasion, finally consented, to the infinite delight of her husband.

Now, with her love for the theatre, came also the desire for ornaments. Her costumes remained as before, simple, in good taste, and always modest; but she soon began to adorn her ears with huge rhinestones, which glittered and sparkled like real diamonds. Around her neck she wore strings of false pearls, on her arms bracelets of imitation gold, and combs set with glass jewels.

Her husband frequently remonstrated with her, saying:

"My dear, as you cannot afford to buy real jewelry, you ought to appear adorned with your beauty and modesty alone, which are the rarest ornaments of your sex."

But she would smile sweetly, and say:

"What can I do? I am so fond of jewelry. It is my only weakness. We cannot change our nature."

Then she would wind the pearl necklace round her fingers, make the facets of the crystal gems sparkle, and say:

"Look! are they not lovely? One would swear they were real."

Monsieur Lantin would then answer, smilingly:

"You have bohemian tastes, my dear."

Sometimes, of an evening, when they were enjoying a tete-a-tote by the fireside, she would place on the tea table the morocco leather box containing the "trash," as Monsieur Lantin called it. She would examine the false gems with a passionate attention, as though they imparted some deep and secret joy; and she often persisted in passing a necklace around her husband's neck, and, laughing heartily, would exclaim: "How droll you look!" Then she would throw herself into his arms, and kiss him affectionately.

One evening, in winter, she had been to the opera, and returned home chilled through and through. The next morning she coughed, and eight days later she died of inflammation of the lungs.

Monsieur Lantin's despair was so great that his hair became white in one month. He wept unceasingly; his heart was broken as he remembered her smile, her voice, every charm of his dead wife.

Time did not assuage his grief. Often, during office hours, while his colleagues were discussing the topics of the day, his eyes would suddenly fill with tears, and he would give vent to his grief in heartrending sobs. Everything in his wife's room remained as it was during her lifetime; all her furniture, even her clothing, being left as it was on the day of her death. Here he was wont to seclude himself daily and think of her who had been his treasure-the joy of his existence.

But life soon became a struggle. His income, which, in the hands