Complete Maupassant Original Short Stories, Guy de Maupassant [readict TXT] 📗
- Author: Guy de Maupassant
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She returned home. In her yard she had an old barrel, which acted as a cistern. She turned it over, emptied it, made it fast to the ground with sticks and stones. Then she chained Semillante to this improvised kennel and went into the house.
She walked ceaselessly now, her eyes always fixed on the distant coast of Sardinia. He was over there, the murderer.
All day and all night the dog howled. In the morning the old woman brought her some water in a bowl, but nothing more; no soup, no bread.
Another day went by. Semillante, exhausted, was sleeping. The following day her eyes were shining, her hair on end and she was pulling wildly at her chain.
All this day the old woman gave her nothing to eat. The beast, furious, was barking hoarsely. Another night went by.
Then, at daybreak, Mother Saverini asked a neighbor for some straw. She took the old rags which had formerly been worn by her husband and stuffed them so as to make them look like a human body.
Having planted a stick in the ground, in front of Semillante's kennel, she tied to it this dummy, which seemed to be standing up. Then she made a head out of some old rags.
The dog, surprised, was watching this straw man, and was quiet, although famished. Then the old woman went to the store and bought a piece of black sausage. When she got home she started a fire in the yard, near the kennel, and cooked the sausage. Semillante, frantic, was jumping about, frothing at the mouth, her eyes fixed on the food, the odor of which went right to her stomach.
Then the mother made of the smoking sausage a necktie for the dummy. She tied it very tight around the neck with string, and when she had finished she untied the dog.
With one leap the beast jumped at the dummy's throat, and with her paws on its shoulders she began to tear at it. She would fall back with a piece of food in her mouth, then would jump again, sinking her fangs into the string, and snatching few pieces of meat she would fall back again and once more spring forward. She was tearing up the face with her teeth and the whole neck was in tatters.
The old woman, motionless and silent, was watching eagerly. Then she chained the beast up again, made her fast for two more days and began this strange performance again.
For three months she accustomed her to this battle, to this meal conquered by a fight. She no longer chained her up, but just pointed to the dummy.
She had taught her to tear him up and to devour him without even leaving any traces in her throat.
Then, as a reward, she would give her a piece of sausage.
As soon as she saw the man, Semillante would begin to tremble. Then she would look up to her mistress, who, lifting her finger, would cry, "Go!" in a shrill tone.
When she thought that the proper time had come, the widow went to confession and, one Sunday morning she partook of communion with an ecstatic fervor. Then, putting on men's clothes and looking like an old tramp, she struck a bargain with a Sardinian fisherman who carried her and her dog to the other side of the straits.
In a bag she had a large piece of sausage. Semillante had had nothing to eat for two days. The old woman kept letting her smell the food and whetting her appetite.
They got to Longosardo. The Corsican woman walked with a limp. She went to a baker's shop and asked for Nicolas Ravolati. He had taken up his old trade, that of carpenter. He was working alone at the back of his store.
The old woman opened the door and called:
"Hallo, Nicolas!"
He turned around. Then releasing her dog, she cried:
"Go, go! Eat him up! eat him up!"
The maddened animal sprang for his throat. The man stretched out his arms, clasped the dog and rolled to the ground. For a few seconds he squirmed, beating the ground with his feet. Then he stopped moving, while Semillante dug her fangs into his throat and tore it to ribbons. Two neighbors, seated before their door, remembered perfectly having seen an old beggar come out with a thin, black dog which was eating something that its master was giving him.
At nightfall the old woman was at home again. She slept well that night.
MY TWENTY-FIVE DAYS
I had just taken possession of my room in the hotel, a narrow den between two papered partitions, through which I could hear every sound made by my neighbors; and I was beginning to arrange my clothes and linen in the wardrobe with a long mirror, when I opened the drawer which is in this piece of furniture. I immediately noticed a roll of paper. Having opened it, I spread it out before me, and read this title:
My Twenty-five Days.It was the diary of a guest at the watering place, of the last occupant of my room, and had been forgotten at the moment of departure.
These notes may be of some interest to sensible and healthy persons who never leave their own homes. It is for their benefit that I transcribe them without altering a letter.
"CHATEL-GUYON, July 15th."At the first glance it is not lively, this country. However, I am going to spend twenty-five days here, to have my liver and stomach treated, and to get thin. The twenty-five days of any one taking the baths are very like the twenty-eight days of the reserves; they are all devoted to fatigue duty, severe fatigue duty. To-day I have done nothing as yet; I have been getting settled. I have made the acquaintance of the locality and of the doctor. Chatel-Guyon consists of a stream in which flows yellow water, in the midst of several hillocks on which are a casino, some houses, and some stone crosses. On the bank of the stream, at the end of the valley, may be seen a square building surrounded by a little garden; this is the bathing establishment. Sad people wander around this building--the invalids. A great silence reigns in the walks shaded by trees, for this is not a pleasure resort, but a true health resort; one takes care of one's health as a business, and one gets well, so it seems.
"Those who know affirm, even, that the mineral springs perform true miracles here. However, no votive offering is hung around the cashier's office.
"From time to time a gentleman or a lady comes over to a kiosk with a slate roof, which shelters a woman of smiling and gentle aspect, and a spring boiling in a basin of cement: Not a word is exchanged between the invalid and the female custodian of the healing water. She hands the newcomer a little glass in which air bubbles sparkle in the transparent liquid. The guest drinks and goes off with a grave step to resume his interrupted walk beneath the trees.
"No noise in the little park, no breath of air in the leaves; no voice passes through this silence. One ought to write at the entrance to this district: 'No one laughs here; they take care of their health.'
"The people who chat resemble mutes who merely open their mouths to simulate sounds, so afraid are they that their voices might escape.
"In the hotel, the same silence. It is a big hotel, where you dine solemnly with people of good position, who have nothing to say to each other. Their manners bespeak good breeding, and their faces reflect the conviction of a superiority of which it might be difficult for some to give actual proofs.
"At two o'clock I made my way up to the Casino, a little wooden but perched on a hillock, which one reaches by a goat path. But the view from that height is admirable. Chatel-Guyon is situated in a very narrow valley, exactly between the, plain and the mountain. I perceive, at the left, the first great billows of the mountains of Auvergne, covered with woods, and here and there big gray patches, hard masses of lava, for we are at the foot of the extinct volcanoes. At the right, through the narrow cut of the valley, I discover a plain, infinite as the sea, steeped in a bluish fog which lets one only dimly discern the villages, the towns, the yellow fields of ripe grain, and the green squares of meadowland shaded with apple trees. It is the Limagne, an immense level, always enveloped in a light veil of vapor.
"The night has come. And now, after having dined alone, I write these lines beside my open window. I hear, over there, in front of me, the little orchestra of the Casino, which plays airs just as a foolish bird might sing all alone in the desert.
"A dog barks at intervals. This great calm does one good. Goodnight.
"July 16th.--Nothing new. I have taken a bath and then a shower bath. I have swallowed three glasses of water, and I have walked along the paths in the park, a quarter of an hour between each glass, then half an hour after the last. I have begun my twenty-five days.
"July 17th.--Remarked two mysterious, pretty women who are taking their baths and their meals after every one else has finished.
"July 18th.--Nothing new.
"July 19th.--Saw the two pretty women again. They have style and a little indescribable air which I like very much.
"July 20th.--Long walk in a charming wooded valley, as far as the Hermitage of Sans-Souci. This country is delightful, although sad; but so calm; so sweet, so green. One meets along the mountain roads long wagons loaded with hay, drawn by two cows at a slow pace or held back by them in going down the slopes with a great effort of their heads, which are yoked together. A man with a big black hat on his head is driving them with a slender stick, tipping them on the side or on the forehead; and often with a simple gesture, an energetic and serious gesture, he suddenly halts them when the excessive load precipitates their journey down the too rugged descents.
"The air is good to inhale in these valleys. And, if it is very warm, the dust bears with it a light odor of vanilla and of the stable, for so many cows pass over these routes that they leave reminders everywhere. And this odor is a perfume, when it would be a stench if it came from other animals.
"July 21st.--Excursion to the valley of the Enval. It is a narrow gorge inclosed by superb rocks at the very foot of the mountain. A stream flows amid the heaped-up boulders.
"As I reached the bottom of this ravine I heard women's voices, and I soon perceived the two mysterious ladies of my hotel, who were
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