Due North or Glimpses of Scandinavia and Russia, Maturin Murray Ballou [the gingerbread man read aloud TXT] 📗

they are represented to be beyond reproach; but some of them inevitably drift into temptation, and become lost to their country and home ties. But even under these sad circumstances, the Dalecarlian girls adhere tenaciously to their peasant costume to the last. The pride which prevents them from returning to their village homes after the blandishments have faded which led them astray, often prompts them to seek a watery grave in the Lake Maelaren.

The National Museum is a fine modern structure three stories in height, the facade ornamented with appropriate statues and medallions, among which was one of Linnaeus. On entering the edifice three colossal marble figures attract the eye, representing the chief deities of Scandinavian mythology, Odin, Thor, and Freyr; but as regards the curiosities collected here, they are in no way remarkable, being much like those of other collections. One exception should be made, however, in favor of the cabinet of ancient coins, which is very complete and attractive; it is claimed for it that there is no other in Europe of equal interest or importance. The collection of ancient Arabian coins is unique, and would delight the heart of the simplest numismatist. There is a large gallery of paintings in the upper story of the Museum, with a few examples of the old masters and many of the modern schools. In the open square before the National Museum is to be seen the original of the bronze group described in our chapter upon Gottenburg. This remarkable production, called the "Girdle-Duellists," is the masterpiece of the Swedish artist Molin, and is undoubtedly the finest piece of sculpture to be seen in the country. The pedestal is ornamented with four reliefs representing the origin and issue of the combat, with Runic inscriptions signifying "Jealousy," "Drinking," "Beginning of the Combat," and the "Widow's Lament." It seemed surprising to us that an artist capable of such admirable work as this justly famous group represents, could also have been the author of that hideous conception, the bronze statue of Charles XII., so conspicuously placed in the King's Park of Stockholm.

One of the most popular of the many cafes and pleasure-gardens either in the city proper or its environs, is that known as Hasselbacken, which is situated quite near to the Deer Park. This garden is crowded day and evening during the warm season with hundreds of visitors intent upon enjoying the various entertainments characterizing this resort, among which excellent instrumental and vocal music forms a specialty, while refreshments of every sort are served by an army of white-aproned and active waiters. A broad Turkish pavilion forms the principal concert-room at Hasselbacken, picturesquely fitted up for the purpose. In these grounds, under an ancient oak which reared its tall head proudly above all its neighbors, there was observed a fine statue of Bellman the composer, who, as we learned, was accustomed a century ago to sit in this spot and sing his compositions to his assembled friends, accompanying himself on his favorite instrument the cithern. The sculptor Nystroem has reproduced the poet in bronze; and the composition is both beautiful as an ideal-historical monument and excellent in an artistic point of view. Fountains and flower-beds abound on all sides in these inviting grounds, the sylvan aspect being carefully and ingeniously preserved.

While driving in the Deer Park we accidentally came upon the royal cottage of Rosedale, which was built by Charles XIV. about sixty years ago, and was the favorite summer residence of the Queen-dowager Josephine. It is a most delightful rural retreat, surrounded by hothouses, graperies, flower-plats, broad gravelled walks, and trees in great variety. Some of the ancient oaks about Rosedale are of special beauty and of noble development, challenging the admiration of every stranger. In the rear of the royal cottage is a remarkable porphyry urn in three parts, foot, stem, and crown,--being nearly forty feet in circumference, and weighing, we were told, over fifty thousand pounds. Charles XIV. took great pride in perfecting the Deer Park as a place of public resort and pleasure, for which object he expended large sums from his private purse. From Rosedale one can return to the city by boat or by a drive over the pleasant, well-macadamized roads which intersect the country lying between the Baltic and Lake Maelaren.

Upsala is the oldest town in the country as well as the historical and educational centre of the kingdom, situated just fifty miles from Stockholm, and may be reached either by boat or by rail. Going in one way and returning by the other adds a pleasing variety to the trip, which by starting early in the morning can be satisfactorily consummated in a single day. This is the Cambridge of Sweden,--the name Upsala signifying the "Lofty Halls." It was the royal capital of the country for more than a thousand years, and was the locality of the great temple of Thor, now replaced by a Christian cathedral which was over two centuries in building. "The religion of one age is the literary entertainment of the next," says Emerson. The more modern structure is in the Gothic style, built of brick, and the site being on elevated ground renders it very effective. Originally it had three spires four hundred feet high; but these were destroyed by lightning in 1702, and were afterwards replaced by the present two incongruous towers of circumscribed elevation, and which do not at all accord with the original architectural design of the structure. This spot in the Pagan ages was a famous resort for sacrifices. History, or at least legend tells us that in those days the original temple was surrounded by a sacred grove wherein the sacrifices were made to propitiate the deities worshipped there,--human blood being considered the most acceptable. So powerful was the heathenish infatuation, that parents even immolated their children. An account is still extant of seventy-two bodies of human beings being seen here at one time, suspended and dead upon the trees. Odin was once a sacred deity here; now the name represents among the peasantry that of the Devil. The present temple in its architectural aspect is nearly a duplicate of Notre Dame in Paris, and is the largest cathedral in the north of Europe. The same architect, Etienne de Bonnevil, designed them both, and came to Upsala, accompanied by a small army of mechanics from France, to begin the work which was destined, from various causes, to linger along through two centuries. The interior is impressive from its severe simplicity. The flying buttresses inside the structure give a peculiarly striking effect. Between each of them is a small chapel. The vaulting is supported by twenty-four soaring pillars. The dead, cold walls are finished in glaring whitewash without any relief. Under the altar is an elaborate and much-venerated shrine of silver containing the ashes of Saint Eric, the patron saint of Sweden.

Upsala has often been the scene of fierce and bloody conflicts. Saint Eric was slain here in 1161. It has its university and its historical associations; but it has neither trade nor commerce of any sort beyond that of a small inland town,--its streets never being disturbed by business activity or the "fever of living," though there is a population here of at least fifteen or sixteen thousand persons. The University, founded in 1477 and richly endowed by Gustavus Adolphus, is the just pride of the country,--having to-day some fifteen hundred students and forty-eight competent professors. No one can enter the profession of law, medicine, or divinity in Sweden who has not graduated either at this University or at that of Lund. Its library contains nearly or quite two hundred thousand bound volumes and over seven thousand important manuscripts. Among the latter is a copy of the four Gospels, with movable silver letters placed on parchment at the chapter heads, the whole being in the old Gothic language. This book, named "Codex Argenteus," contains nearly two hundred folios, and was made by Bishop Ulphilas one thousand years before Gutenberg was born. It was in this University that Linnaeus, the great naturalist, was professor of botany and zoology for nearly forty years. His statue still very properly ornaments the lecture-room, and his journal is shown to visitors in the large hall of the library.

The former dwelling house of Linnaeus may be seen by tourists at Upsala, where he lived among his well-beloved flora, planted and tended by his own hands. His remains lie interred within the cathedral under a mural tablet of red porphyry, bearing upon the surface a portrait of the grand old naturalist by Sergel, in bas-relief. Many of the tombs and tablets in the aisles bore dates of more than five hundred years ago, but none interested us so much as that of Linnaeus the great disciple of Nature. This humble shoemaker by force of his genius alone rose to be a prince in the kingdom of Science. Botany and Zoology have never known a more eminent exponent than the lowly-born Karl von Linne, whom the Swedes very appropriately denominate the King of Flowers. A certain knowledge of plants and of natural history forms a part of the primary education of every Swede. At Upsala one has abundant evidence to show how liberally the Government of the country fosters education among all classes, and also that special attention is given to the education of women.

About three or four miles from the University is the village of Old Upsala, where there are three huge tumuli said to contain the remains of Pagan deities. One is here forcibly reminded of the North American mound-builders. In Illinois the author has seen examples double the size of these at Upsala, while in the State of Ohio there are thousands of these tumuli to be seen. Adjoining the three mounds at Upsala is a quaint little church, more than two thousand years old, built of rough field-stones. It contains a monument to Anders Celsius the Swedish astronomer and some ancient ecclesiastical vessels, also some old pictures upon canvas nearly consumed by mould. The huge key with which the door was opened to admit the author bore a date of six centuries ago. We noticed some Pagan idols in wood preserved in an oaken chest inside the old church, which dated about the eleventh century. What a venerable, crude, and miraculously-preserved old pile it is! Who can say that inanimate objects are not susceptible to minute impressions which they retain? Has not the phonograph proven that it receives mechanically, through the waves of sound, spoken words, which it records and repeats? What then may possibly be retained in the memory of this old, old church, which has kept watch and ward on the footsteps of time, these two thousand years! Few temples are now in existence which are known to antedate the Christian era, but undoubtedly these gray old walls form one of them. The three mounds referred to--the tombs of heroes in their lifetime, gods in their death--are said to be those of Thor, Odin, and Freyr. They were found easy of ascent, and were covered with a soft, fresh verdure, from whence we gathered a bouquet of native thyme and various colored wild-flowers which were brought back with us to Stockholm. Near these mounds is also a hill of forty or fifty feet in height called Tingshog, from which all the kings down to Gustavus Vasa used to address their subjects. In this same neighborhood also are the famous Mora Stones, where in the Middle Ages the election ceremony and the crowning of the Swedish kings took place with great solemnity. Tangible evidence as well as the pages of history show Upsala to have been the great stronghold of Paganism, and here the apostles of Christianity encountered the most determined opposition. There are many other mounds in the vicinity of the three specified, all undoubted burial-places erected ages ago. The highest one, measuring